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"Contents 1 Studies 1.1 Evaluation of the effects of the HADOPI law 1.1.1 University of Delaware and Université de Rennes - 2014 - Graduated Response Policy and the Behavior of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law 1.1.2 M@rsouin - 2010 - Evaluation of the effects of the HADOPI law (FR) 1.2 People who share files are people who spend the more for culture 1.2.1 Munich School of Management and Copenhagen Business School - Piracy and Movie Revenues: Evidence from Megaupload 1.2.2 The American Assembly (Collumbia University) - Copy Culture in the USA and Germany 1.2.3 GFK (Society for Consumer Research) - Disappointed commissioner suppresses study showing pirates are cinema's best consumers 1.2.4 HADOPI - 2011 - January 2011 study on online cultural practices (FR) 1.2.5 University of Amsterdam - 2010 - Economic and cultural effects of unlawful file sharing 1.2.6 BBC - 2009 - "Pirates" spend more on music (FR) 1.2.7 IPSOS Germany - 2009 - Filesharers are better "consumers" of culture (FR) 1.2.8 Frank N. Magid Associates, Inc. - 2009 - P2P / Best consumers for Hollywood (EN) 1.2.9 Business School of Norway - 2009 - Those who share music spend ten times more money on music (NO) 1.2.10 Annelies Huygen, et al. (Dutch government investigation) - 2009 - Ups and downs - Economische en culturele gevolgen van file sharing voor muziek, film en games 1.2.11 M@rsouin - 2008 - P2P / buy more DVDs (FR) 1.2.12 Canadian Department of Industry - 2007 - P2P / achètent plus de musique (FR) 1.2.13 Felix Oberholzer-Gee (above) and Koleman Strumpf - 2004 -File sharing may boost CD sales 1.3 Economical effects of filesharing 1.3.1 University of Kansas School of Business - Using Markets to Measure the Impact of File Sharing o

"Contents 1 Studies 1.1 Evaluation of the effects of the HADOPI law 1.1.1 University of Delaware and Université de Rennes - 2014 - Graduated Response Policy and the Behavior of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law 1.1.2 M@rsouin - 2010 - Evaluation of the effects of the HADOPI law (FR) 1.2 People who share files are people who spend the more for culture 1.2.1 Munich School of Management and Copenhagen Business School - Piracy and Movie Revenues: Evidence from Megaupload 1.2.2 The American Assembly (Collumbia University) - Copy Culture in the USA and Germany 1.2.3 GFK (Society for Consumer Research) - Disappointed commissioner suppresses study showing pirates are cinema's best consumers 1.2.4 HADOPI - 2011 - January 2011 study on online cultural practices (FR) 1.2.5 University of Amsterdam - 2010 - Economic and cultural effects of unlawful file sharing 1.2.6 BBC - 2009 - "Pirates" spend more on music (FR) 1.2.7 IPSOS Germany - 2009 - Filesharers are better "consumers" of culture (FR) 1.2.8 Frank N. Magid Associates, Inc. - 2009 - P2P / Best consumers for Hollywood (EN) 1.2.9 Business School of Norway - 2009 - Those who share music spend ten times more money on music (NO) 1.2.10 Annelies Huygen, et al. (Dutch government investigation) - 2009 - Ups and downs - Economische en culturele gevolgen van file sharing voor muziek, film en games 1.2.11 M@rsouin - 2008 - P2P / buy more DVDs (FR) 1.2.12 Canadian Department of Industry - 2007 - P2P / achètent plus de musique (FR) 1.2.13 Felix Oberholzer-Gee (above) and Koleman Strumpf - 2004 -File sharing may boost CD sales 1.3 Economical effects of filesharing 1.3.1 University of Kansas School of Business - Using Markets to Measure the Impact of File Sharing o

"The Internet has been a blessing for the music industry. Although the RIAA and IFPI frequently complain about piracy, their own research shows that only 10% of all illegal downloads are considered to be a loss in sales. Meanwhile, piracy has shown them how to monetize music online, and turn it into profit. Every year, RIAA's global partner IFPI publishes a digital music report, which can be best described as a one sided view of the state of digital music consumption. For several years in a row the report has shown that the sales figures of digital music have gone up, but still, the industry continues to blame piracy for a loss in overall revenue. One of the key statistics that is hyped every year, is the piracy ratio of downloaded music. Just as last year, IFPI estimates that 95% of all downloads are illegal, without giving a proper source for this figure. Interestingly, those who take a closer look at the full report (pdf), will see that only 10% of the claimed illegal downloads are seen as a loss in sales."

"Data keeps debunking myths about Millennials and their music. Baby Boomers are famously self-important when it comes to the importance of their generation and the music it created. But a new study shows that the 55+ demographic actually listens to substantially less music than their 16-34 cohorts. In fact, Millennials - loosely defined as those born in the 80s, 90s, and early 2000s - listen to 75.1% more music on a daily basis, according to data shared this morning with Digital Music News."

"Data keeps debunking myths about Millennials and their music. Baby Boomers are famously self-important when it comes to the importance of their generation and the music it created. But a new study shows that the 55+ demographic actually listens to substantially less music than their 16-34 cohorts. In fact, Millennials - loosely defined as those born in the 80s, 90s, and early 2000s - listen to 75.1% more music on a daily basis, according to data shared this morning with Digital Music News."

" Ernesto on March 18, 2013 C: 372 New research published by the European Commission's Joint Research Centre shows that online piracy doesn't hurt digital music revenues. The researchers examined browsing habits from 16,000 Europeans and found that there's a positive link between online piracy and visits to legal music stores, irrespective of people's interest in music. The study concludes that the music industry should not see piracy as a growing concern."

" Ernesto on March 18, 2013 C: 372 New research published by the European Commission's Joint Research Centre shows that online piracy doesn't hurt digital music revenues. The researchers examined browsing habits from 16,000 Europeans and found that there's a positive link between online piracy and visits to legal music stores, irrespective of people's interest in music. The study concludes that the music industry should not see piracy as a growing concern."

"It's almost a rite of passage every artist goes through in the modern music industry. The moment he accepts that he will not be able to rely on music sales to sustain his career. That people are not buying music like they used to. And never will again."

"It's almost a rite of passage every artist goes through in the modern music industry. The moment he accepts that he will not be able to rely on music sales to sustain his career. That people are not buying music like they used to. And never will again."

OECD Working Party on the Information Economy (www.oecd.org/sti/digitalcontent) Work Plan on Digital Broadband Content OECD Recommendation on Public Sector Information OECD Policy Guidance for Digital Content The OECD's Working Party on the Information Economy (WPIE) is undertaking analysis of the digital delivery of content. This work recognises that the rapid development of high-quality "always on" broadband Internet services is transforming high-growth industries that provide or have the potential to provide digital content. Specifically, this work includes stocktaking studies in the following areas: scientific publishing, music, on-line computer games, mobile content, user-created content, digital content and the evolution of the film and video industries and public sector information and content.

"After a challenging decade for the music industry, growth will return. Based on growth in digital and growth in live music, overall spending on music will grow from US$49.9bn in 2012 to US$53.8bn in 2017, a CAGR of 2%. EMEA will remain the largest region by revenues, thanks to contributions by the UK, France and Germany, the three largest music territories in the region."

"June 8th: Apple unveils Apple Music, while promoting an 'indie artist' that doesn't exist. The company confidently declares that Apple Music will reach 100 million paying subscribers."

"Wednesday, September 25, 2013 by Paul Resnikoff It was the future we all wanted so desperately to come true…"

"Wednesday, September 25, 2013 by Paul Resnikoff It was the future we all wanted so desperately to come true…"

"Despite incredibly suspicious circumstances, the death of Grooveshark co-founder Josh Greenberg has been ruled a 'no suicide' by coroners. In an autopsy report leaked Tuesday afternoon to Digital Music News, Greenberg's abrupt death was mysteriously identified as 'Undetermined,' with no abnormal concentrations of toxins or other unusual post-mortem conditions found."

[ Thursday, February 5, 2015 by Paul Resnikoff In Norway, nearly 80 percent of all recording revenues now come from streaming. That's enough to virtually kill off piracy, as well as an entire recording industry. ...]

[Camden on July 5, 2015 C: 40 Breaking Earlier this month several music industry organizations in the UK won a judicial review which renders the Government's decision to allow copying for personal use unlawful. Following this unexpected decision are UK citizens now breaking the law if they copy their own CDs? How will the fate of the legislation be determined? ...]