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experience of the population in our increasingly diverse and still troubled nation.” Perhaps it’s time for art museums to advocate actively for a place in the national educational curriculum, not just for their own selfish survival, but to save culture itself as a important part both of our heritage and of our future as a coalition of creatively, critically

it turns out that the way the wealthy decide how to distribute cash is often even less fair than the way the state decides how to spend it.

More than half of the highly conspicuous donations of the ultra-rich were injected directly into the endowments of their already rich alma maters. Much of the rest was given to hushed museums in the form of very expensive donated art, or to other places that rich old people tend to congregate, like cultural arts centers and high-end hospitals. In other words, the funds the rich were giving went largely to institutions that tended to the needs and prerogatives of the rich and privileged.

Currently, Colloqate is working with community design advocates on Midland Library in Portland and restorative justice space in Dallas.

The project in Dallas, which deals with a former jail, allows us to think about restorative justice through the lens of those who have been most harmed by that space. We were able to hire CDAs that were formerly incarcerated and hire others who were part of the broader network of the city and they were working together to ask questions of their own specific communities,

Design as Protest (DAP) began as a yearlong organizing effort, involving 250 design professionals and design advocates across the United States and Canada. They examined how injustice can be challenged through the built environment. Issues such as ending the prison industrial complex, defunding and reallocating the police, and advocating against architecture projects that are hostile to communities of color.