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Cisco, iRobot team up on video collaboration robot | ZDNet - 0 views

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    A robot docent? Curators giving tours of exhibits remotely?
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New School Leads Conversation on the Future of Learning | The New School News - 0 views

  • The conference, hands-on workshops, science fair, performances, and other activities run October 10–16, one project is currently on view in the Sheila C. Johnson Design Center at Parsons The New School for Design. The Assignment Book is an exhibition curated by Scholz and Christiane Paul, director of the graduate media studies program at The New School for Public Engagement and Adjunct Curator of New Media Arts at the Whitney Museum of American Art, that poses questions for the audience. It features work by artist Luis Camnitzer that grapples with some unresolved questions about digital learning, and is solicited visitors to the gallery to add to the conversation, subverting the traditional role of the artist as teacher. There will be a discussion about this exhibition between Camnitzer and Paul on October 11.
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Four Ways to Keep the Museum Experience Relevant | Fast Company - 0 views

  • The event was successful from both historical and new metrics. Attendance surpassed projections and 1,700 new memberships were generated just from people waiting in line for the exhibition. More importantly for Ferriso, the city-wide experience changed how people perceive the museum.
  • Chinese residents from Chinatown got involved for the first time.
  • Kids showed up by the busloads. Local restaurants hosted after-parties for young patrons, and robust blog discussions were moderated by some of Portland's design community. By extending the conversation throughout the city, the museum was able to attract a new audience and re-energize its traditional base.
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  • Ferriso understood that the ability of the museum to involve more people in the conversation was based on the relevancy of the content.
  • The CDN content was particularly relevant to Portland and had the potential to attract a new audience--the young creative class.
  • Portland has had a long trade relationship with China due to its location in the Pacific Northwest, and city officials intend to forge even closer ties. Portland's entrepreneurs and business people are interested in understanding more about this global force that is transforming the sociopolitical dynamic of the world. In addition, the exhibition's focus on design, though not traditional for the museum, connected with Portland's thriving design community.
  • triggered local businesses that were not previously involved with the museum to get involved
  • Discussions are ongoing about bringing in more exhibitions that are relevant to local businesses.
  • They invited a small number of people from the creative community who they knew would help stimulate conversation, like a good host at a dinner party. These creators hosted their own events and were invited to blog on the exhibition's Web site.
  • The bigger challenge for the museum was releasing control of the conversation. Museums are historically cautious, and protective of the intellectual rigor of each exhibition.
  • Curation: Stay true to who you are."At the end of the day, you still need to present a point of view," said Jay. "Curation is still king." The museum was able to successfully move beyond the traditional museum experience and remain authentic because it understood its core promise--inspiring conversations through art and culture. The medium of social media did not become the museum's promise, but a means to connect with a new generation of potential patrons. It remained committed to curatorial rigor, the selection of collaborators was strategic, and the topic was timely and meaningful. By staying true to its purpose, the museum was able to be relevant to this new generation without alienating its traditional patrons. An 85-year-old board member said it best: "CDN allowed the museum to rethink how it connects with people."
  • New metrics are being discussed to measure the value of the conversations generated by the museum. Ideas include measuring repeat visits to the museum, quality of conversations, and influence (how do you measure the impact of inspiring the next Frank Gehry?).
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Museum of Craft and Design Curator Says Pop-Ups Are Here to Stay - San Francisco Arts -... - 0 views

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    SF Weekly Blogs
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Death by Curation: Why the Special Exhibit Isn't So Special Anymore (CASE STU... - 2 views

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    Understanding that a museum visit is more about people than it is about objects.
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The Death of Authenticity? - 2 views

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    Interesting take on extending the notion of entertainment and visitor participation/crowd curation to decisions about object conservation and presentation.
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GAGA07-huber - 0 views

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    This 2007 paper has some interesting general thoughts about sustainability and the future of museums with reference to what museum conservators, curators and others might consider in looking ahead at museum operations.
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Want to Appeal to Gen Z? Lose the 'Cult of Curator' Mindset - Museum-iD - 0 views

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    Museums have always held a special place in the American cultural zeitgeist. Whether it's movies ranging from Indiana Jones to "Night
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Nipples at the Met - 3 views

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    Endorsed by Met?  Strategy? Or by User?
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    Hilarious. And I'm going to wager that it's user-generated!
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trendwatching.com's April 2013 Trend Briefing covering the consumer trend "CLEAN SLATE ... - 1 views

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    Are museums utilizing e-retail to it's fullest potential?  How about celebrity curators for our stores?  
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    Consumers trust new and 'clean slate' brands more and think they are better. Does this have any effect on museums who used to be/are still seen as trusted resources because they have a history of educating the public about art, history. science, etc.? Also, word of mouth marketing is where it's at!

CURATE AWARD - 1 views

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