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Ariane Karakalos

Four Ways to Keep the Museum Experience Relevant | Fast Company - 0 views

  • The event was successful from both historical and new metrics. Attendance surpassed projections and 1,700 new memberships were generated just from people waiting in line for the exhibition. More importantly for Ferriso, the city-wide experience changed how people perceive the museum.
  • Chinese residents from Chinatown got involved for the first time.
  • Kids showed up by the busloads. Local restaurants hosted after-parties for young patrons, and robust blog discussions were moderated by some of Portland's design community. By extending the conversation throughout the city, the museum was able to attract a new audience and re-energize its traditional base.
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  • Ferriso understood that the ability of the museum to involve more people in the conversation was based on the relevancy of the content.
  • The CDN content was particularly relevant to Portland and had the potential to attract a new audience--the young creative class.
  • Portland has had a long trade relationship with China due to its location in the Pacific Northwest, and city officials intend to forge even closer ties. Portland's entrepreneurs and business people are interested in understanding more about this global force that is transforming the sociopolitical dynamic of the world. In addition, the exhibition's focus on design, though not traditional for the museum, connected with Portland's thriving design community.
  • triggered local businesses that were not previously involved with the museum to get involved
  • Discussions are ongoing about bringing in more exhibitions that are relevant to local businesses.
  • They invited a small number of people from the creative community who they knew would help stimulate conversation, like a good host at a dinner party. These creators hosted their own events and were invited to blog on the exhibition's Web site.
  • The bigger challenge for the museum was releasing control of the conversation. Museums are historically cautious, and protective of the intellectual rigor of each exhibition.
  • Curation: Stay true to who you are."At the end of the day, you still need to present a point of view," said Jay. "Curation is still king." The museum was able to successfully move beyond the traditional museum experience and remain authentic because it understood its core promise--inspiring conversations through art and culture. The medium of social media did not become the museum's promise, but a means to connect with a new generation of potential patrons. It remained committed to curatorial rigor, the selection of collaborators was strategic, and the topic was timely and meaningful. By staying true to its purpose, the museum was able to be relevant to this new generation without alienating its traditional patrons. An 85-year-old board member said it best: "CDN allowed the museum to rethink how it connects with people."
  • New metrics are being discussed to measure the value of the conversations generated by the museum. Ideas include measuring repeat visits to the museum, quality of conversations, and influence (how do you measure the impact of inspiring the next Frank Gehry?).
Garry Golden

What is engagement, and when is it meaningful? | Museum Questions - 0 views

  • Garry Golden commented, “There is always risk of being seen as trendy or just buzz– but ‘engagement’ is a huge concept being explored today by people across the learning world…. I think engagement is a concept worth exploring.” And blogger Gretchen Jennings responded, in a post on her Museum Commons blog,  that she has and continues to “[urge] museum educators to focus less on formal education materials and methods and more on interpretive planning in exhibitions and visitor engagement in the museum, both on site and online. So I have decided to explore engagement in more depth. What is it, anyway? What would it mean for the-profession-formerly-known-as-museum- education to facilitate visitor engagement?
Ariane Karakalos

The Portland Art Museum Transforms an Exhibition Into a Social Platform | Fast Company - 0 views

  • museum borrowed from social networking platforms and created a dynamic ecosystem that invites different
  • evels of involvement from three types of people--creators, commentators and consumer
  • The museum's bold step was reaching out to creators--Portland's creative community--and inviting them to make their own exhibitions and events exploring the creative revolution in China as part of the total China Design Now exhibition experience.
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  • To extend community involvement online, the museum created CDNPDX.org where sixteen different blog editors from the community contribute content and editorial perspectives daily.
  • While including potentially offensive underground comics and "amateur" art may make some traditional museum-goers uncomfortable, the museum believes that inviting people to be part of the experience is necessary to remain relevant and worth the risk.
Paul Spitzzeri

Headstretcher: The Museum in 2030 - 2 views

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    A British blog contemplating where museums will be in 2030
Karen Wade

Museum 2.0: Museum 2.0 Rerun: I Am An Elitist Jerk - 1 views

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    If you haven't seen Nina's blog this week, it's a "must read!" It's an important reminder that there are many different types of museum visitors out there, and while we should all provide access for a diversity of audiences, we don't want to forget those elitist jerks (especially since you and I may fall into that category more often than we'd like to admit).
Paul Spitzzeri

Open Objects: Thoughts towards the future of museums for #kulturwebb - 0 views

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    Blog post musing on the concept of "crowdsourcing" and museum programming--application to collections management implied?
Karen Wade

Are Historic House Museums Adapting for the Future? | Engaging Places - 1 views

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    Historic house museums are adapting for the future too! And, if you have any interest in what those of us in the historic house field do and think, I strongly urge you to subscribe to Max's blog if you don't already.
Karen Wade

Museum 2.0: Museums, Divided Attention, and Really Bad Commercials - 0 views

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    For those of you who don't subscribe to Nina Simon's blog, I thought that what she's saying is important for all of us.
Lisa Eriksen

Yelp Hates on Museums | Los Angeles County Museum on Fire | ARTINFO.com - 2 views

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    Is their wisdom in the crowd? 
Karen Wade

Building Membership Relies on Research | Engaging Places - 1 views

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    A great blog looking at some new trends in museum membership programs.
Karen Wade

Museum 2.0: The Next Generation of Major Donors to Museums: Interview with David Gelles - 0 views

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    A fascinating conversation from Nina Simon's blog this week about the intersection of generational demographics and socio-econimonic diversity. Food for thought. . .
Karen Wade

On Ferguson and Related Events: How Should Historic Sites Respond? | Engaging Places - 1 views

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    My friend and former colleague, Max van Balgooy, suggests in his latest blog that museums can serve as "third spaces" to allow a safe place for diverse people to discuss and explore sensitive issues, such as those arising from Ferguson and related events. While we often think of "third spaces" being places for like-minded folks to gather informally, should they also provide a place to safely voice hurt and anger. What do you think about this interpretation of "third spaces?"
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