That is, the audiovisual performance of “fandom” (however narrowly defined by Hollywood) in such venues is considerably more important to media corporations than anything real fans actually do. This gap between different expectations and perceptions is a critical juncture in contemporary popular culture as TPTB openly court fans, and is at the crux of my ongoing research.
コミックマーケット30'sファイル―1975‐2005 - 0 views
Japan to Legalise Dojinshi? - 0 views
Comic-Con and Media Spaces - 0 views
同人誌と表現を考えるシンポジウム - 0 views
Slash Fandom on the Internet, Or, Is the Carnival Over? - 0 views
« First
‹ Previous
461 - 480 of 746
Next ›
Last »
Showing 20▼ items per page
