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Paris Review - The Art of Fiction No. 12, William Faulkner - 0 views

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    " Nothing can injure a man's writing if he's a first-rate writer. If a man is not a first-rate writer, there's not anything can help it much. The problem does not apply if he is not first rate because he has already sold his soul for a swimming pool. INTERVIEWER Does a writer compromise in writing for the movies? FAULKNER Always, because a moving picture is by its nature a collaboration, and any collaboration is compromise because that is what the word means-to give and to take. INTERVIEWER Which actors do you like to work with most? FAULKNER Humphrey Bogart is the one I've worked with best. He and I worked together in To Have and Have Not and The Big Sleep. INTERVIEWER Would you like to make another movie? FAULKNER Yes, I would like to make one of George Orwell's 1984. I have an idea for an ending which would prove the thesis I'm always hammering at: that man is indestructible because of his simple will to freedom. INTERVIEWER How do you get the best results in working for the movies? FAULKNER The moving-picture work of my own which seemed best to me was done by the actors and the writer throwing the script away and inventing the scene in actual rehearsal just before the camera turned on. If I didn't take, or feel I was capable of taking, motion-picture work seriously, out of simple honesty to motion pictures and myself too, I would not have tried. But I know now that I will never be a good motion-picture writer; so that work will never have the urgency for me which my own medium has. INTERVIEWER Would you comment on that legendary Hollywood experience you were involved in? FAULKNER I had just completed a contract at MGM and was about to return home. The director I had worked with said, "If you would like another job here, just let me know and I will speak to the studio about a new contract." I thanked him and came home. About six months later I wired my director friend that I would like another job. Shortly after that I received a letter
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    Sorry this interview is rather long, but I posted it because Faulkner talks about his books/stories being made into movies and how he feels about it. This is another example that makes me think it would be good for both classes, EMAC6300 and DigitalText.
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On the Wrong Side of Globalization - NYTimes.com - 0 views

  • There is a real risk that it will benefit the wealthiest sliver of the American and global elite at the expense of everyone else
  • testament to how deeply inequality reverberates through our economic policies
  • But there would be some big losers — namely, the rest of us.
  • ...4 more annotations...
  • One of the worst is that it allows corporations to seek restitution in an international tribunal, not only for unjust expropriation, but also for alleged diminution of their potential profits as a result of regulation. This is not a theoretical problem. Philip Morris has already tried this tactic against Uruguay, claiming that its antismoking regulations, which have won accolades from the World Health Organization, unfairly hurt profits, violating a bilateral trade treaty between Switzerland and Uruguay.
  • There is already some evidence that companies are choosing how to funnel their money into different countries on the basis of where their legal position in relation to the government is strongest
  • But the TPP would make the introduction of generic drugs more difficult, and thus raise the price of medicines.
  • Trickle-down economics is a myth. Enriching corporations — as the TPP would — will not necessarily help those in the middle, let alone those at the bottom.
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    Seriously, the TPP is as bad as the deals we read about in Drahos and Braithwaite.
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