Aesthetic choices have long shaped how American audiences see the world. Historically speaking, the West’s visual vocabulary tends to champion a fascination “with abjection and violence” in foreign subjects, whether that be the sinister depictions of Japanese people in World War II propaganda, Native American mascots in sports, or distressed communities in Africa and the Middle East.
Illustrating China Is More Than Dragons and Pandas - 0 views
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Using repetitive, stereotyped tropes to signify that China is exotic, authorientalism visually links these tropes to abuses of government power, thereby promoting the view that authoritarianism is part of the essential character of Chinese-ness. It conflates the culture and the government, and reinforces the state’s own frequent claims that authoritarianism is innate to Chinese history or society.
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Turning authoritarian behavior into an exclusively alien phenomenon also implies that it does not apply to Western political culture, making it harder to recognize totalitarian behavior in more familiar contexts.
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Battling 'biopiracy', scientists catalog the Amazon's genetic wealth | PLACE - 0 views
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In a bid to stop "biopiracy", researchers are building a giant database to catalog genetic material from the world's largest rainforest. From the rubber in car tires, to cosmetics and medicines, genetic material contained in the Amazon region has contributed to discoveries worth billions of dollars. Communities living there, however, have rarely benefited from the genetic wealth extracted from their land - a form of theft that legal experts call "biopiracy".
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"At the heart of the conservation debate is: how do you find a way for a person in the forest to get more cash in their hand right now from preserving that habitat rather than cutting it down?"
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compelling investors to pay royalties
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Africa Is Not Waiting to Be Saved From the Coronavirus | The Nation - 0 views
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when it comes to Africa, the first draft is an incomplete and inaccurate story of a continent waiting to be saved. If only the first story enters the archive, the creativity and agency of swaths of humanity will be lost, which will have consequences beyond the pandemic.
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Museums outside Africa are filled with masks and pots from Africa, not necessarily because Africans themselves thought these masks and pots were interesting, but because colonizing armies and governments thought they were. A colonial archive would likely contain exhaustive records about a white district commissioner, down to the color of his socks, but not the black woman who worked in his home. It’s not because the latter is uninteresting or even unavailable for documentation: It is because those in power set the tone and the context for what goes into the archive, and subsequently, the stories that history will tell.
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Africa is spoken for and spoken about, but so rarely allowed to speak, and this allows only a handful of narratives to survive
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