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Ed Webb

Updated with Audio: Secular Good, Muslim Bad: Unveiling Tunisia's Revolution | Religion Dispatches - 0 views

  • Nobody expected Tunisia—“modern,” “secular,” and among the most “Westernized” of Arab nations—to throw off its nauseating government; in 2008’s Press Freedom Index, Tunisia ranked 164th out of 178 countries. Culturally, Tunisia appeared to have gone in all the right directions, so why had it politically failed? And why didn’t we expect it? It’s because of this mind-map: If an Arab/Muslim is culturally Western, he is naturally in favor of democracy; if culturally other, he is some kind of authoritarian.
  • We still can’t seem to get past this confusion of personal belief with political order, especially since Islam is such a visible religion, and our idea of religiosity assumes that what is visible cannot be uncoerced (and uncoercive)
  • How do we even determine religious reasons?
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  • Tunisia’s oppressive regime also oppressed religion
  • the simple need to define Arabs as either secular (like us) or religious (unlike us)
  • the secular brand is badly tarnished, because it’s often associated with either the colonizer or indigenous elites who forced local cultures to change
Ed Webb

The Islamic Monthly - Religion and the Arab Spring: Between opposition, equivocation and liberation - The (R)Evolution of the East - 0 views

  • 18 tumultuous days of nonstop media coverage
  • Reflecting on Bouazizi's death on his popular TV show, al-Shari'a wa-l-Hayat, Qaradawi affirmed that suicide was generally a major sin (kabira), but blamed the Tunisian state for Bouazizi's sin and prayed that God would absolve him of any blame for that sin. Qaradawi's sympathy for Bouazizi's otherwise sinful act was a reflection of Qaradawi's more general approach to the problem of religion and politics: that justice is a central demand of the Shari'a and that interpretations of the Shari'a that strengthen oppressors and tyrants cannot be deemed to be legitimate parts of the Shari'a.
  • Qaradawi's reputation for moral courage in the face of Arab dictators, however, suffered a significant blow as a result of his refusal to condemn the actions of the Bahraini and Saudi governments in violently suppressing the peaceful protests in Manama's Pearl Square. His attempts to distinguish the Bahraini protests on the ground that they were sectarian in character rather than national hardly seemed at the time plausible; in light of subsequent events, they are even less so.
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  • Gomaa's fatwas were consistent with historical Sunni views that regard revolution with scepticism, if not outright terror, at the prospect of public disorder. The mufti's stance of neutrality, meanwhile, alienated significant segments of the Egyptian population who expected him to take a much stronger stance against the unlawful conduct of the regime and its security forces
  • The various responses by religious leaders to the events of the Arab Spring suggest three distinct issues facing the role of religion and politics (particularly, the possibility of a more democratic politics) in the Arab World. First, the lack of institutional independence from strong regimes continues to undermine scholars' legitimacy. It is hard to believe, for example, that Qaradawi's stance regarding Bahrain was not influenced by the Gulf Cooperation Council's anti-Iran policies. This failure to be consistent, meanwhile, undermines his status as a moral voice in these times of uncertainty. Second, among traditional scholars, there remains a profound failure to understand the nature of the modern state and how it differs from the personal rule that characterized pre-modern states. Third, traditionalist scholars continue to view politics as something exogenous to the religious life, as if it were something that can safely be ignored without doing any damage to one's life as a Muslim.
  • the desire by virtually all political parties to use the religious establishment to further their political programs contradicts the desire to have an independent religious establishment that could be faithful to its own mission
  • To the extent that traditional scholars still cling to a conception of political rule that identifies legitimacy in the personal attributes of the ruler, they anachronistically promote the idea that good politics is the function of the virtuous ruler, rather than the modern notion that virtuous rule is the product of the right institutions.
  • the Arab Spring rejected the notion that one can live a virtuous private life untouched by an unjust and corrupt political sphere
  • If one accepts the proposition that the character of a regime profoundly affects everything produced within its domain, then it is no surprise that the authoritarianism of the last 50 years in the Arab World produced sterile and decadent religious as well as secular thought
Ed Webb

The Hamburg verdict: Myths, media and a Muslim monster | Middle East Eye - 0 views

  • Almost no media outlet will report on the verdict of the trial which led to a single - yes, a single - conviction. Where are the journalists, media outlets, researchers, writers, intellectuals and commentators who wrote hundreds of columns, who were interviewed on television and radio, who have shown no repentance for their racist arguments on the basis of inaccurate allegations, for stoking the fire of fear against Islam, for further bolstering the deep-rooted xenophobia and weakening the character Islam in Europe and the Western world?
  • Sadly, the scandal that surrounded the “Cologne trial” is a sign of the times, unfairly showing the ease with which people belittle Islam as a homogeneous culture developed in its own bubble, passed down from ancestral times and unmalleable.It is treated as a religion and culture that carries values and standards inherited from the time it was created and incompatible with French society, to simply use the example of a country I know the best.
  • we are witnessing the construction, by the media and politicians, of a threatening Islam, one which is entirely monolithic
Ed Webb

A Compass That Can Clash With Modern Life - New York Times - 0 views

  • 'We were very angered when we heard about the Danish cartoons concerning our prophet; however, these two fatwas are harming our Islamic religion and our prophet more than the cartoons,''
  • The complaint has been the subject of recent conferences as government-appointed arbiters of Islamic standards say the fatwa free-for-all has led to the promotion of extremism and intolerance. The conflict in Egypt served as a difficult reminder of a central challenge facing Islamic communities as they debate the true nature of the faith and how to accommodate modernity. The fatwa is the front line in the theological battle between often opposing worldviews. It is where interpretation meets daily life.
  • In a faith with no central doctrinal authority, there has been an explosion of places offering fatwas, from Web sites that respond to written queries, to satellite television shows that take phone calls, to radical and terrorist organizations that set up their own fatwa committees.
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  • Governments have tried to guide and control the process, but as they struggled with their own legitimacy, they have often undermined the perceived legitimacy of those they appoint as religious leaders.
  • combines the role of social worker, therapist, lawyer and religious adviser.
  • 'We are the conscience of the nation,'' said Abdel Moety Bayoumi, a member of Al Azhar Research Committee, a state-sanctioned body that issues religious opinions and is often behind decisions over which books should be stripped from store shelves and banned. In Egypt, and other Muslim countries, where laws must abide by the Koran, fatwas by government-appointed officials can have the weight of law. ''We have to be clear what is at stake here,'' said Egypt's grand mufti, Sheik Ali Gomaa, in a recent speech in London. ''When each and every person's unqualified opinion is considered a fatwa, we have lost a tool that is of the utmost importance to rein in extremism and preserve the flexibility and balance of Islamic law.''
Ed Webb

How Austria made the study of Islamophobia a crime | Middle East Eye - 0 views

  • my academic work on Islamophobia was cited as a reason for the terrorism allegations. The intelligence agency’s regular reports outlining why I was seen as a security threat delved deep into my academic work on Islamophobia, relating it to conspiracy theories and claiming that my Catholic director at Georgetown University, Washington, DC, was a staunch Islamist.
  • According to the regional court, my “activities in the preparation of the so-called Islamophobia Report and activity with the Bridge Initiative at Georgetown University is intended to disseminate the fighting term ‘Islamophobia’ with the goal of preventing any critical engagement with Islam as a religion […] in order to establish an Islamic state […]”.
  • there is a lot of work to be done on behalf of the Austrian intelligence service, which has been primed by alarmist experts spreading conspiracy theories to draw a picture of an immediate Muslim threat.
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  • the Austrian political elite has to ask itself how it sees the future of Muslims, who constitute nine percent of the population, in the country. While most political parties have been either silent or supportive  of anti-Muslim policies, the infamous Operation Luxor is a welcoming occasion to rethink the approach of the past years.
Ed Webb

Acknowledging political Islam - Opinion - Al Jazeera English - 0 views

  • Whatever their pro-democratic rhetoric, when faced with a choice between the ascension of religiously conservative Arab nationalists overtly opposed to US policy in the region on the one hand, and repression on the other, the West was prepared to support repression. My friend from WINEP, no doubt, approved.
  • it seemed to me that the Arab masses, if denied the opportunity for political recourse through democratic means, would turn instead to revolutionary forces who embraced a far more radical and violent conception of Islam.
  • when push comes to shove, the US and other western governments, to the extent they can influence events at all, will opt, in Mr. ElBaradei's words, for the elusive promise of stability.
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  • It is easy to criticise an unlovely regime like that of Hosni Mubarak, and both public and private figures in the US rise enthusiastically to the task. But just let them glimpse a realistic prospect for the Egyptian Muslim Brothers to gain a significant share of power, and their enthusiasm will rapidly wane. I and others who believe as I do remain convinced that this is a significant mistake, and that the prominent current of thinking in the US which refuses to make a significant distinction between groups like the Muslim brothers and the violent Islamists who embrace the banner of Al Qaeda is wrong-headed. Our problem is that we simply cannot find compelling evidence to make our case. Absent new facts, which only the people of the region can provide, we are destined to lose the debate.
Ed Webb

Statement of Support for Art Professor Fired from Hamline University - Muslim Public Affairs Council - 0 views

  • Even if it is the case that many Muslims feel uncomfortable with such depictions, Dr. Prater was trying to emphasize a key principle of religious literacy: religions are not monolithic in nature, but rather, internally diverse. This principle should be appreciated in order to combat Islamophobia, which is often premised on flattening out Islam and viewing the Islamic tradition in an essentialist and reductionist manner.
  • In a time of rampant Islamophobia, highly offensive and racialized images of the Prophet Muḥammad abound on the internet and on social media. We consider these images to be inappropriate and not dissimilar to “black face” or Anti-Semitic cartoons; even if such images and their makers are protected by law, social opprobrium is due to them by all those who are reasonable and decent.
  • misusing the label “Islamophobia” has the negative effect of watering down the term and rendering it less effective in calling out actual acts of bigotry.
Ed Webb

The Arab Spring Still Blooms - www.nytimes.com - Readability - 0 views

  • The Arab revolutions have not turned anti-Western. Nor are they pro-Western. They are simply not about the West. They remain fundamentally about social justice and democracy — not about religion or establishing Shariah law2.
  • The democratization of Tunisia, Egypt and other countries has allowed a number of extremist free riders into the political system. But it has also definitively refuted the myth that democracy and Islam are incompatible. Islamists are political actors like any others: they are no more pure, more united or more immune from criticism than anyone else.
  • Radical Salafis who advocate violence and Shariah constitute a very small minority in Tunisia — and even in Egypt they are vastly outnumbered by more moderate Islamists. They are a minority within a minority, and extremely unpopular among both religious and secular Tunisians. They do not speak for all Tunisians, Arabs or Muslims.
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  • As a democratic government, we support the Salafis’ freedom of expression, but advocating violence is a red line. Those who cross it will be arrested.
  • strength and importance of extremist groups have been unduly amplified by the news media
  • Images of angry Muslim mobs, like the one featured on a recent cover of Newsweek magazine3, once again revived the old Orientalist trope of a backward and hysterical Muslim world, unable to engage in civilized and rational debate or undertake peaceful negotiations — in other words, incapable of conducting political affairs.
  • Arguing that the groups who have recently staged violent demonstrations represent the entire Arab population is as absurd as claiming that white supremacist groups represent the American people or that the Norwegian right-wing mass murderer Anders Behring Breivik is representative of Europeans.
Ed Webb

How French Secularism Became Fundamentalist | Foreign Policy - 0 views

  • In the end, Charlie Hebdo warns, the only defense against terrorism, the only defense against ending up in a France of veiled women and daily prayer, is a form of militant secularism: one that doesn’t flinch at making the leap from pious baker to radical bomb-maker
  • Laïcité, the French term for secularism, today has acquired so much mystique as to be practically an ideology, a timeless norm that defines Frenchness.
  • There was essentially no substantive difference between the style of secularism envisioned by the founders of laïcité and the framers of the First Amendment to the U.S. Constitution. As in the United States, French secularism initially sought to ensure religious pluralism in the public and private spheres — nothing more, nothing less.
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      This claim is at odds with the historical record
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  • n 1989, a few Muslim girls were expelled from school when they refused to take off their hijabs, or headscarves, which the principal believed was an assault on the secular character of public schools. Shortly after, the French administrative court, the Conseil d’État, ordered them to be reinstated. But two years after 9/11, when similar incidents were repeated at other schools, the court reversed its original finding. While all “ostentatious” signs of religious faith — be they Jewish yarmulkes or Sikh turbans — were declared verboten in public schools, everyone knew that the principal target of the law was the hijab.
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      The process of removing religious signs began in the Fourth Republic
  • From the Parti de Gauche on the extreme left to the National Front on the extreme right, there is the same fundamentalist vision of laïcité. The world, according to these defenders of the term, is one without headscarves in schools, without burkinis in stores, and without the faithful praying in the streets. It is also a world with pork served in school lunches and holidays based on the Christian (not Muslim or Jewish) calendars. It is, taken to extremes, a world where Muslims eat, drink, and dress like proper Frenchmen and women.
Ed Webb

Erdogan, Sultan of Jerusalem? - 0 views

  • No one who has visited Jerusalem over the past few years will be surprised by the preponderance of red Turkish flags with their crescent and star, fluttering over the city’s eastern Palestinian neighborhoods. These flags are just one visible manifestation of a major effort by the Turkish government to establish a presence in the Israeli capital. Investigative reports in the press, conducted over the last few years, have revealed the scope of Turkish activity in Jerusalem, which includes the renovation of homes, restoration of mosques and efforts to expose the residents of East Jerusalem to Turkish culture, including cooking workshops and Turkish-language classes. These efforts also include increasing involvement in the affairs of Al-Aqsa Mosque, as described by Ben Caspit in July 2018.
  • Israel has decided to put an end to this Turkish involvement in Jerusalem affairs
  • Israel intends to revoke the head of TIKA’s diplomatic status in Jerusalem, effectively making his presence in Israel illegal. “The era of the Ottoman Empire is over. Turkey has no reason to be in Jerusalem,” said the Foreign Ministry in an especially bellicose statement. “[Turkish President Recep Tayyip] Erdogan’s declarations that Jerusalem belongs to all Muslims are absolutely baseless and ridiculous. Israel maintains sovereignty in Jerusalem, while ensuring freedom of worship for all religions. We will not allow anyone to interrupt this sovereignty.”
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  • “People wandering around East Jerusalem might think that they are visiting a Turkish city. There are voluminous amounts of flags, stickers and signage, and the Turkish presence is very obvious. This includes charitable activity. In winter, they distribute heaters, warm clothing and food stamps. Last Ramadan, they handed out $100 to all businesses in the Old City. They are involved in the educational system, they renovate buildings and they organize heavily subsidized and even free trips [from Turkey to Al-Aqsa Mosque]. As someone on the ground here, I am constantly surprised by the scope of this activity."
  • a neo-Ottoman policy that Erdogan has been promoting over the past few years. Its goal is to bolster Turkish control in Jerusalem
  • “As far as he is concerned, the fact that the Ottomans once ruled here means that he is no stranger to Jerusalem. He is also challenging Israeli sovereignty in the city. Turkish activity in Jerusalem is his way of engaging in the soft conquest of al-Quds [Jerusalem].”
  • Turks have renovated Mamluk buildings, which they then pass off as Ottoman. “Apart from the city walls, built by Sultan Suleiman the Magnificent, there aren’t many Ottoman sites in Jerusalem. In contrast, the Mamluks invested quite a bit on construction in Jerusalem, and that’s good enough for Erdogan,” he told Al-Monitor. “It demonstrates his desire to flood Jerusalem with ties to the Ottoman Empire.”
  • Israeli experts estimate that another person particularly concerned about the situation is King Abdullah of Jordan, who has a special status in Jerusalem as “Protector of the Holy Sites.” The Foreign Ministry’s statement refers to these Jordanian concerns. “In accordance with the peace treaty with Jordan, the Jordanians have a special status at the Islamic holy sites in Jerusalem. As such, we will not allow Erdogan to interfere with this special status, as they are doing now,” reads the statement.
  • the growing presence of Turkey’s Directorate of Religious Affairs in the Temple Mount compound. They come with lots of money, and their efforts are already bearing fruit. Erdogan’s popularity among the Palestinians is skyrocketing, and the main person to suffer for that is Jordan’s King Abdullah. He cannot compete with the funds that the Turks are pouring in, while his rhetoric on behalf of the Palestinians pales in comparison to Erdogan’s stinging attacks.”
  • “Erdogan’s ultimate goal is Erdogan himself. He wants to become 'Sultan of all Muslims.' Unlike Iran, for example, which has no access to Jerusalem, Turkey does have access to the city. Israel allows him to operate on the ground and emblazon Jerusalem prominently on his personal banner. This positions him as the greatest Muslim leader in the world.”
  • “He wants to return to rule over all those lands that were once controlled by the Ottoman Empire. We are witnessing Turkish activity of this kind not only in the Middle East but in the Balkans and Caucasus too
  • Mordechai Goldman has served for the past few years as the diplomatic and military analyst of the ultra-Orthodox daily Hamevaser. He attended ultra-Orthodox rabbinical colleges and studied psychology at the Israeli Open University. He also participated in the national civil service program. Goldman lectures to ultra-Orthodox audiences on the diplomatic process and on the Israel Defense Forces and consults with companies in regard to the ultra-Orthodox sector.
Ed Webb

So Why Did I Defend Paul Bowles? | by Hisham Aidi | The New York Review of Books - 0 views

  • Long a sanctuary for Spanish and French writers, American writers began visiting Tangier in the late nineteenth century: Mark Twain on his way to Jerusalem in 1867, the painters Louis Comfort Tiffany in 1870 and Henry Ossawa Tanner in 1912, and Edith Wharton in 1917. In 1931, when Bowles first visited, the American artists living in Tangier were primarily black: Claude McKay, Anita Reynolds, Juice Wilson, Josephine Baker. These African-Americans came to Morocco from Paris, where they had formed a community after World War I, and as the Harlem Rennaissance spread to France. Upon arrival, Bowles began to socialize with both McKay and Anita Reynolds. Like the other Americans, he had also discovered North Africa through France. In high school, he had read Marcel Proust, Comte de Lautréamont, and André Gide—the latter’s accounts, in particular, of his travels and sexual trysts in Algeria and Tunisia had conjured North Africa in Bowles’s teenage imagination.
  • in December 1923, France, Spain, and the United Kingdom signed the Tangier Protocol in Paris, setting up a new administration and placing the city at the center of a 150-square mile International Zone overseen by a committee of nine Western powers. The city was henceforth governed by a court that included French, Spanish, and British judges, along with the mendoub, the Moroccan sultan’s representative. It is this international period, from 1923 to 1956, especially postwar, that has shaped the image of Tangier as a free port, a tax haven, and a place of international intrigue and excess.
  • His first novel, The Sheltering Sky, told the story of an American who flees the numbing modernity of New York and meanders through the Algerian desert, only to disintegrate psychologically. Published in the fall of 1949, it became a bestseller and made Bowles a household name. Three more novels and a handful of short stories set in Tangier followed.
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  • Bowles did not create the “myth of Tangier,” but he gave it a literary respectability and an American cast.
  • In the early 1950s, Burroughs, Ginsberg, Kerouac, Bryon Gysin, Tennessee Williams, Truman Capote, and Susan Sontag all gravitated to this “portal to the unknown,” as one author christened Tangier. So did European writers like Genet, Juan Goytisolo, and Joe Orton, but Bowles’s influence was not limited to the literary community. In later decades, his recordings and promotion of Moroccan music would draw producers and recording artists from Patti Smith to the Rolling Stones.
  • Paul Bowles traced the history of the medina from the early 1930s to independence. He chronicled how the sultan’s crackdown on Sufi practices (“the great puritanical purging”) in central Morocco inched northward.
  • I gave him a copy of my thesis. He looked up from the title page: “‘Orientalism’?—that’s a bad word, isn’t it?” Faux-naïveté, I would learn, was part of his manner. He told me to come back the following day.
  • I was, he said, the first Moroccan researcher—a Tangier native, to boot—to defend him. He added his signature beneath my printed name. (A few weeks ago, I got goosebumps when I found the same copy that I gave him, albeit coffee-stained, in the archives at the University of Delaware’s Paul Bowles Collection.) Later, the thesis was included in a collection titled Writing Tangier (2004). I still see citations occasionally in student dissertations on Bowles noting that one Tanjawi, at least, did not regard him as an Orientalist.
  • Tangier’s collective memory is steeped in nostalgia and centered around the medina, the old city. The medina, the elders told us, was once the epicenter of the Islamic world: it was from the port where the medina meets the sea that Tariq ibn Ziyad had set sail and conquered Spain in 711. After the fall of Granada in 1492, it was to Tangier’s medina that the Jews and Moriscos fled, settling in its alleyways, preserving the mosaic of Islamic Spain
  • The economic misery and political repression of the 1980s and 1990s made it hard to believe that the medina was ever a free space. Most locals had never heard of these famous writers. I only heard of Bowles when, in 1988, a film crew began working in front of our family restaurant at the entrance to the Kasbah as Bernardo Bertolucci began filming The Sheltering Sky. As teenagers, we came to wonder what truths the books from the Interzone contained, and if Tangier had indeed been better-off under Western rule, as the nostalgists, local and foreign, seemed to imply
  • The narrative we learned at school was that the monarchy had liberated the north from colonial oppression. But what liberation did the regime (makhzen) bring? After independence, as a local intelligentsia began forming in Tangier, many came to see the American corpus of writings about 1950s Tangier as an invaluable record of a lost golden age.
  • I made a point of reading the American authors who had written about Tangier’s Interzone. Besides Bowles, I was intrigued by the Beats, especially the Columbia University alums—Kerouac, Ginsberg, Lucien Carr—students of Lionel Trilling and fans of Arthur Rimbaud who had somehow mapped Greenwich Village onto Tangier, turning the Boulevard Pasteur into a “North African Bleecker Street.” But even as a college sophomore, I realized that their writings were more about the straitjacket of McCarthyite America that they were running from, rather than about Morocco as such.
  • It was even gratifying to see that Tangier, like Berlin, had played a significant role in launching a gay literary movement—in some ways ahead of the West, in having its finger on the “prognostic pulse of the world,” as Burroughs called it. But what was startling was that, while these writers basked in the city’s pleasures, they—with the exception of the Bowleses—didn’t really like Tangier. The Beats had a casual disdain for the natives, invariably describing Moroccans as “rakish” or “raffish.” Capote found Tangier too alien, describing the men as “noisy heathens” and the women as “anonymous bundles of laundry.” He warned friends in New York about the “smell of the arabe.” Burroughs referred to the locals as a “bunch of Ay-rabs,” and in 1958 he pronounced: “Tanger [sic] is finished. The Arab dogs are among us.”
  • Bowles’s defense of the Amazigh, or Berber, population was daringly transgressive. Morocco’s culture “is not predominantly Arabic, but Berber,” he insisted—in the face of Arab nationalists who acted as though they believed “Berbers have no culture at all,” as they tried to drag the country into the Arab League. “The general opinion is that the autochthonous population must at all costs be Arabized if it is to share in the benefits of independence,” he observed acidly. “No one seems to have conceived of the possibility of an independent Berber Morocco. In fact, to mention the Berbers at all qualifies one as a pro-French reactionary. At present, to become modern means to become Egyptian.”
  • In 1972, Tahar Ben Jelloun publicly accused Bowles (and the Beats) of exploiting illiterate, vulnerable youths in Tangier not just artistically but sexually. Choukri in 1997 would echo this charge, claiming Bowles suffered from a sexual illness. These allegations became more commonly heard once Farrar, Straus and Giroux published Bowles’s correspondence in 1994, although he expressed some reluctance about its release. The volume included letters in which he described the boys he slept with, in one letter even bragging about how cheap sex was in Algeria. “Where in this country [America] can I have thirty-five or forty people, and never risk seeing any of them again? Yet, in Algeria, it actually was the mean rate.” (In the correspondence, he reminisced about how he “never had sexual relationships without paying,” and viewed paying for sex as a form of “ownership.”)
  • Reading these words in my dorm room in wintry Pennsylvania in 1992 was both thrilling and frightening. We as Moroccans—especially those of us from the northern Berber region—grew up in a climate of fear, and I had never heard or read anyone publicly criticize Arab nationalism, or speak so openly of the Moroccan hinterland’s animus toward Fez, the city of the interior regarded as the seat of the regime. To hear this American writer openly excoriate the Moroccan ruling elite for its cruelty and skullduggery was exhilarating
  • Bowles prompted me to think beyond the binary of “Western” versus “Arab.”
  • The Moroccan reaction against Bowles began to take form in the early 1970s. His earliest critics were the philosopher Abdallah Laroui and Ben Jelloun, who both chided the American writer for promoting an image of the country as a land of primitivism, drugs, and unlimited sex. Laroui also lambasted the Moroccan bourgeoisie for buying into and reproducing Bowles’s “folkloric” portrayal of their country. Ben Jelloun, writing in 1972, accused the American of belittling the nation’s literary patrimony.
  • Bowles, in the mid-1960s, had begun translating the memoirs and stories of down-and-out illiterate youth in Tangier. (While he could not read Arabic, Bowles did understand darija, the spoken dialect.) The most prominent of these were Larbi Layachi’s A Life Full of Holes (1966), about a petty thief and male prostitute and his experiences dodging police and servicing tourists (the book was made into a BBC film); Look and Move On (1967), the tales of Mohammed Mrabet, a hustler and golf caddie who worked for an American couple; and the best-known, Mohammed Choukri’s For Bread Alone (1972), an account of his migration from the Rif to Tangier, his life as a street kid in the International Zone, and his becoming a schoolteacher, which he recounted to Bowles in Spanish. These books were marketed in the West as “Moroccan literature,” and for many in the Anglophone world, this was their introduction to it.
  • in effect erased an earlier literary tradition that had seen Moroccan writers published in French and Spanish since the 1930s, let alone the preceding centuries of poetry and other writing in Arabic
  • Laroui acted as an adviser to the king and was a strong proponent of Arabization. Tangierians saw his attack on Bowles as another attempt by the Arab nationalist elite to subdue the “sin city.” Ben Jelloun also had a complicated relationship to Tangier. The son of a merchant, a Fassi (a person from Fez) who settled in Tangier in the early 1960s, he had attended the French lycée and was seen as part of the new Francophone Fassi upper class—comprising the Alaoui, Alami, Ben Jelloun, Berrada, Omrani, and Tazi families—that had fanned out across the country as the French departed, assuming top government positions. Like Laroui, Ben Jelloun spoke neither of the two common local tongues of the north, Spanish and Tarifit (the Berber language). A paradox of Ben Jelloun’s work, in particular, was that it often featured the very tropes of mysticism, violence, and sexual deviancy he denounced in Bowles’s work. For his part, the American writer dismissed his Moroccan critics as “confirmed Marxists.”
  • as long as America was seen as a political friend, Bowles was viewed favorably. Not surprisingly, after the Gulf war of 1990 and the release of Bertolucci’s film of The Sheltering Sky that same year, more articles started to appear across the Middle East critiquing Bowles’s representations of Morocco, accusing him of racism and Orientalism
  • I myself was part of this trend—defending Bowles against the Arab nationalists who were trying to tear him down and impose their political preferences on us. In his final interviews, when asked if he was an “Orientalist,” Bowles would often cite me, noting that a Tangier-born scholar now in America had judged him not to be.
  • “Paul Bowles loves Morocco, but does not really like Moroccans.” Choukri had some powerful evidence on his side. Over the decades, Bowles had made countless derogatory remarks, speaking of Moroccans as “childlike,” “purely predatory,” and “essentially barbarous.” He claimed also that Muslims aimed for world domination through “the sword and the bomb.”
  • He was sympathetic to the Amazigh, whom he saw as the original inhabitants of North Africa, a fiercely independent people only “partially Islamicized.” This affection nevertheless rested on some unsettling ideas about racial hierarchy. Bowles was profoundly influenced by the “Hamitic hypothesis,” a late nineteenth-century anthropological theory that saw almost everything of value in Africa as imported by the Hamites, a branch of the Caucasian race, who were held as superior to the Negroid peoples. Berbers, whatever their actual skin tone—even the typically dark-skinned Tuareg—were for Bowles essentially a white “Mediterranean race.”
  • In Bowles’s idiosyncratic hierarchy, it was Berber music that encapsulated Morocco’s true African identity—and this cultural essence was threatened by the Arabs and their music. The recently released Music of Morocco collection reflects this bias, giving credence to Choukri’s claim that Bowles deliberately misrepresented local culture to reflect his personal vision of Morocco.
  • I began to realize that Bowles’s fondness for the Berbers and his animus toward Arabs was, in many ways, a reflection of French colonial policy. Although he was well aware of the violence of French imperialism, he enjoyed its amenities—“the old, easygoing, openly colonial life of Morocco”—and as early as the 1950s, Bowles began to lament the loss of “colonial Tangier.” Above all, he believed in the International Zone, seeing its “anarchy” and “freedom from bureaucratic intervention” as an extraordinary political experiment. But these liberties, which is what drew many of the Beats, were the privileges of Europeans and Americans—ones generally not enjoyed by the city’s Muslim and Jewish natives.
  • Through the 1960s and 1970s, he focused instead on recording and translating from darija (Moroccan Arabic dialect) the oral histories of men he met in Tangier’s cafés. By the time of his death, in 1999, the idea of Tangier as a place for self-discovery had become received wisdom in the West and the Arab world, and Bowles was established as a giant of American letters despite decades of silence.
  • Although the letters simply lent credence to rumors long circulating in Tangier, Choukri and other Tanjawi writers were still shocked by them. The literary reaction in Morocco fed into a larger effort there by human rights activists campaigning against sex tourism and child prostitution. Whereas Bowles had always seemed more judicious and reputable than the Beats—in contrast, say, to Burroughs’s open bragging about buying “pre-pubescent gooks” and Ginsberg’s boasting about “paying young boys” for sex—it became increasingly difficult to defend him. For a man who had called Moroccans “purely predatory,” his own behavior now appeared in rather grotesque relief.
  • The more time I spent at the Schomburg Library uptown, the more I discovered an alternative American literature about Tangier. I stumbled upon Claude McKay’s memoir A Long Way from Home about his time in Tangier in the late 1920s, where he completed his novel Banjo; the actress Anita Reynold’s diary about life in the Interzone in the 1930s; Josephine Baker’s papers, where she talks about filming Princess Tam Tam (1935) in the International Zone, and jazz recordings produced by African-American musicians living in Tangier. Although they had their own dreams about a “Mother Africa,” the African-American writers did not see Tangier as a brothel, or its residents as primitives who needed to be contained or civilized. Most wrote and produced art in solidarity with the disenfranchised local population, connecting the civil rights struggle to North Africa’s anticolonial movements.
  • In 1998, armed with this newfound knowledge, and as a conscious revision of my earlier guiding, I began giving walking tours of “Black Tangier.” We would would meet at Cinema Mauritania, the theater where Josephine Baker had performed many times, up until her last show there in 1970. She had lived in the International Zone, then joined the French Liberation forces during the war, and later had an affair with the vice-caliph of Spanish Morocco. On the first floor of the Mauritania, pianist Randy Weston had once operated African Rhythms, a music spot that drew the likes of Max Roach and Ahmed Jamal. Then we’d walk down to the Fat Black Pussycat café where the poet Ted Joans, one of few black writers in the Beat movement, played trumpet and “blew” jazz poems.
  • Next, we’d hit Galerie Delacroix, where Joans once hosted a four-hour tribute to his mentor Langston Hughes, and had the late poet’s verse read in Arabic, English, French, and Spanish. (In 1927, Hughes had visited Tangier and written a lovely poem about travel and unrequited longing, “I Thought It was Tangiers I Wanted.”) Then we’d walk to the majestic Teatro Cervantes built in 1913, where Weston had organized the first pan-African jazz festival in Morocco in June 1972 (revived in 2002), which brought Dexter Gordon, Odetta, Billy Harper, and Pucho and the Latin Soul Brothers to the city. Our last stop was the Hotel Chellah, where, as local legend had it, the Martinican anticolonial thinker Frantz Fanon stayed overnight on July 3, 1959, following a car crash on the Morocco–Algeria border rumored to be the handiwork of La Main Rouge, the paramilitary group run by French intelligence to assassinate leading supporters of Algerian independence. Fanon was flown to Rome the following day on a Moroccan passport.
  • Paul Bowles and King Hassan II died in 1999, a few months apart. The novelist and the tyrant who had towered over Tangier for generations had more in common than either would have admitted—and that in part explains the reverence Bowles still enjoys in official Morocco
  • both shared a disdain for leftist, Third-Worldist politics. Both hated pan-Arabism, and loved Berber culture as long as it was “folkloric” and apolitical. They each thought Moroccans were congenitally ill-suited for democracy.
  • both Bowles and the monarch celebrated a “primitive,” mystical, unlettered, unfree Morocco, sharing a special appetite for the intoxicating rhythms of the Berbers. No wonder King Hassan II, who expelled numerous critics—from Arab intellectuals to French journalists and American professors—never bothered Bowles.
  • The Ministry of Culture, which almost blocked his recording project in 1959, published a remarkable essay in 2009 on the tenth anniversary of his death defending Bowles against criticism from Moroccan nationalist intellectuals, underscoring how he presciently warned of the threats that modernization posed to Morocco’s cultural and physical landscape. Government mouthpieces such as Hespress run flattering pieces about “the American who loved Morocco.”
  • The Morocco that Bowles dubbed a “land of magic” is one the Ministry of Tourism sells to the West
  • his emphasis on Morocco’s “African” essence suits the country’s recent geopolitical turn and reentry into the Africa Union
  • for all his misgivings about Western modernity, he thought Morocco as an African country would be better off attaching itself to the West. This is now the position of a significant segment of Morocco’s ruling elite.
  • That the regime celebrates Berber folklore and the oeuvre of a novelist who wanted an “independent Berber republic” even as it imprisons Berber activists across the country is evidence for many of the regime’s fraudulence and bad faith. In this respect, Bowles’s continuing eminence suggests how little has changed in the kingdom since the colonial era, with an authoritarian regime and repressive social order remaining largely intact.
  • As for Bowles’s work, I had come to realize that it reflected poorly on Morocco and America. Yes, he had brought attention to the suppression of Berber history and made invaluable musical recordings, but decolonization was supposed to dismantle colonial representations, and instead, the Moroccan regime was validating and institutionalizing Bowles’s depictions of Morocco
  • today, a new generation of Moroccan writers—among them secularists, Berber activists, music critics, and pan-Africanists—are claiming Bowles as an ally. And that is why I found myself writing about Bowles once more.
Ed Webb

Europe Is Getting Tough on Political Islam - 0 views

  • Europeans are concerned about the growing sway of Islamist groups that seek to push members of local Muslim communities to detach from mainstream society—mostly through preaching but also through various forms of social pressure, intimidation and, occasionally, violence— and resort to alternative legal, educational, and social systems
  • For obvious reasons, terrorist attacks get all the attention from policymakers, security services, and the media. The activities of nonviolent Islamists, on the other hand, tend to be ignored: They are mostly legal, rarely flare up in dramatic incidents, and often bring (sometimes justified, sometimes not) charges of racism and Islamophobia to those who highlight them.
  • These concerns are not new, but what is noteworthy is that they are no longer expressed almost exclusively by those on the right of the political spectrum but, much more frequently than in the past, by politicians and commentators of all political persuasions—not to mention security services.
Ed Webb

Saudi Arabia, My Changing Home - NYTimes.com - 0 views

  • We do indeed live in a gender-segregated society. But affluent and educated Saudis who follow international news often find it difficult to accept a viewpoint that portrays their family members as subjugated and oppressed. Many Saudis, for example, regard the requirement that their mothers, wives and sisters obtain permission slips to leave the country or pursue higher education as nothing but a minor inconvenience. It’s also hard for many well-off people here to wrap their minds around the fact that there are actually women who might not be content to live in a country whose legal system still permits an 80-year-old man to marry an 11-year-old girl or can force a happily married couple to divorce if religious courts accept a family member’s claim that the husband comes from a lower-status tribe. Many Saudis believe that the outside world has some ulterior motive for criticizing their country. There were times in school when I was told that “infidels” take a hypocritical stance on justice and human rights out of spite, to sully Muslim women and denigrate Islam.
  • Growing up in the Midwest Bible-belt during the 1980s, my family and I were sometimes treated like the enemy
  • some Saudi parents would not let their daughters play with me because they thought I might teach them how to be “Westernized.” My American-accented Arabic put off some classmates and even some teachers. Those who taught religion were particularly suspicious, often checking whether I would say noon-day prayers
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  • the outside world has only started being accessible to the average citizen with the introduction of satellite TV in the 1990s. Exposure increased with the accessibility of the Internet in the past decade. Saudis are now able to see the rest of the world for themselves rather than accept the distorted version depicted by our religious establishment.
  • as the world grows smaller and more Saudis are communicating on a personal level with others across borders, cultures, religions and languages, stereotypes we’ve been taught — and the stereotypes outsiders have of us — are being torn down
  • Eman Al Nafjan is the author of the Saudiwoman’s Weblog (saudiwoman.me), a blog on Saudi society, culture, women and human rights issues
Ed Webb

Israelis praying at Petra shrine sparks outrage in Jordan - 0 views

  • The Jordanian government on Aug. 1 closed a shrine dedicated to the prophet Aaron near the ancient Nabataean city of Petra. The move followed a burst of public outrage sparked by videos and photos circulating on the internet showing a group of Jewish tourists praying at the site. 
  • Suleiman Farajat, commissioner of the Petra Development and Tourism Region Authority (PDTRA), had said in an Aug. 2 statement that the photos shared online date to 2013, but that the videos of Jewish men praying were more recent. Farajat remarked that the PDTRA had closed the site after learning that some 300 Israeli tourists had been planning to visit the shrine. At least five Israelis were able to enter the tomb, having been permitted access by guards. Farajat stressed that the authority will not allow non-Islamic religious ceremonies at the site. He asserted in his statement that the tomb has nothing to do with Judaism historically or archaeologically.
  • an Israeli tour guide for one visit had denied that any of the tourists had prayed and said the trip had been coordinated with Jordanian authorities
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  • These events have come to light in the wake of a public build-up of suspicion and hostility toward Israel over the nebulous, US-sponsored peace plan dubbed the “deal of the century,” which most Jordanians view as a threat to their country. Jordanians have also been critical of the agreement signed in 2016 for Israel to provide Jordan with natural gas over a 10-year period. Lawmakers, led by the Islamist bloc Al-Islah, have been pressuring the government to cancel the deal.
  • “The small Muslim shrine on top of the high peak at Jabal an-Nabi Harun was constructed in 1330 by the Mamluk Sultan Al-Nasir Muhammad.” She added, “There is a tomb inside the shrine, but there is no evidence whatsoever that it actually belongs to Aaron. Such shrines to prophets and virtuous men were built at many places by the Ayyubids, Mamluks and Ottomans to enforce the Muslim identity of the state and to vent political discontent by the local populations.
  • in July the Royal Film Commission in Jordan had approved the shooting in Petra of “Jaber,” a controversial, fictional film whose storyline has Jews settling in the city after the Exodus from Egypt. Jordanians railed that the “Zionist script” fabricates an Israeli claim to the ancient city. Under public pressure, a number of Jordanian actors withdrew from the project, and on Aug. 3, the director, the Jordanian-born US national Mohydeen Izzat Quandour, announced the cancellation of the shooting.
  • Daoud Kuttab (who also writes for Al-Monitor) wrote, “The reality is that the current leaders in Tel Aviv and Washington have done little to calm jittery Jordanians and Palestinians, who are concerned about the growth of [a] messianic Jewish ideology that tries to connect biblical history with modern day politics.
  • “Religious sites should be respected, and freedom of worship and visit should not be interfered in, but the problem that faces political leaders and government officials is how to deal with the genuine worry that what appears to be a crazy notion by a few zealous individuals could one day become a political reality.” 
  • the deep-seated unease felt by a majority of Jordanians about Israeli intentions toward the kingdom in light of increasing tensions between Jordan and Israel over the Haram al-Sharif and the demise of the two-state solution
Ed Webb

Commentary on the Recent Crisis | United Nations Alliance of Civilizations (UNAOC) - 0 views

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    The Mufti is the most senior Egyptian religious official.
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