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Ed Webb

Liberal Islamophobia: Anti-Muslim hostility is not just a conservative phenomenon | Middle East Eye - 0 views

  • it would be wrong to view Islamophobia as a strictly conservative phenomenon. Polling data indicate that 49 percent of Democrats hold unfavourable views of Islam. Also, Brookings Institution scholar Shadi Hamid has argued that US President Barack Obama, a Democrat, holds views that amount to “Islamic exceptionalism”. Hamid argues that Obama’s statements about Muslims suggest that he is “frustrated by Islam” and that he has bought into Samuel Huntington’s “clash of civilizations” thesis
  • American news media, including liberal outlets, have done a poor job contextualising stories about Muslims and Islam. A growing body of empirical research into American news media coverage of Islam reveals deeply problematic patterns - negative, stereotypical portrayals, almost no Muslim sources, and few mention of Muslims or Islam in the context of positive news. That American news outlets apply the “terrorism” description almost exclusively to Muslim-perpetrated violence cannot be lost on anyone paying attention
  • while denunciations of terrorism by Muslim groups generally go unreported, Islamophobic statements drive news narratives
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  • the CIA estimates that there are around 30,000 Muslim jihadists in the entire world. A Kurdish leader has suggested that the CIA underestimates the jihadist threat, and claims that the total number is closer to 200,000. Even assuming the larger figure, jihadists represent a grand total of 0.01 percent of the world’s 1.8 billion Muslims
  • A 2011 Gallup poll found that American Muslims were the least likely of all polled American religious groups to accept vigilante violence against civilians. In all, 26 percent of American Protestants, 27 percent of Catholics, 22 percent of Jews, 19 percent of Mormons, 23 percent of atheists, but just 11 percent percent of Muslims said that it is “sometimes justified” for an “individual person or a small group of persons to target and kill civilians”.
  • Glaringly absent from American news media are opinion polls showing that Muslims are no more likely to accept violence than other groups. For instance, a 2011 Gallup World Violence poll showed that Muslims were just as likely as non-Muslims to reject vigilante acts of violence against civilians
  • Media scholar Jack Shaheen carried out a content analysis of more than 900 Hollywood movies featuring Arab or Muslim characters. Shaheen found Muslim characters are almost never cast in positive or neutral roles. The overwhelming majority of films that feature Arab or Muslim characters cast them as enemies, terrorists, violent, savage or backwards
  • compared to other threats of violence, Muslim terrorism garners exaggerated attention in American news and politics.
  • In the 14 years since 1 January, 2002, Muslim terrorists have killed 45 Americans in the United States, a smaller number than right-wing conservative terrorists have killed during the same time period. Also, since the start of 2002, there have been more than 200,000 firearm-related homicides in the United States
  • More realistic, proportionate presentations would greatly improve American political life. However, given the extent to which the Islamophobia industry is funded, people shouldn’t hold their breath waiting for fairer, less sensational presentations.
Ed Webb

King Charles III's Admiration for Islam Could Mend Divides | Time - 0 views

  • Almost 30 years ago, then-Prince Charles declared that he wanted to be a “defender of faith,” rather than simply “Defender of the Faith,” to reflect Britain’s growing religious diversity. It created a bit of a storm in a teacup, as he had clearly not meant that he would be changing the traditional role so much as adding to it. The new King is a particular type of Anglican: one that on the one hand, is incredibly tied to the notion of tradition; but on the other, has shown a great deal of affinity for both Eastern Orthodox Christianity and Islam, two religions clearly outside the Anglican fold that he must now titularly lead.
  • the King has been quite public about his admiration for Islam as a religion, and Muslim communities, both in Britain and abroad.
  • Privately, he’s shown a lot of sympathy for where Muslims are in difficult political situations, both in Europe and further afield. Robert Jobson’s recent Charles at Seventy claims that the King has significant sympathies for the Palestinians living under Israeli occupation, for example. It’s also claimed that he disagreed with dress restrictions imposed on Muslim women in various European countries.
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  • in 2007 he founded Mosaic, which provides mentoring programs for young Muslims across the U.K. He also became patron of the Oxford Centre for Islamic Studies, where he gave his most famous speech, “Islam and the West” in 1993
  • If there is much misunderstanding in the West about the nature of Islam, there is also much ignorance about the debt our own culture and civilization owed to the Islamic world
  • “Islam can teach us today a way of understanding and living in the world which Christianity itself is the poorer for having lost. At the heart of Islam is its preservation of an integral view of the Universe.”
  • he also argues that the West needs Islam in the here and now. There does not seem to be a parallel in any other Western political figure.
  • the world will also get used to a Western head of state who sees Islam in quite a different light than the waves of populism across Europe and North America
Ed Webb

Rethinking secularism : Can Europe integrate its Muslims? | openDemocracy - 0 views

  • In Western Europe, right into the 1990s, and in contrast to India and some Muslim-majority countries for instance, there was a sense across the political spectrum that political secularism was a done deal.
  • By multiculturalism I mean not just the fact of the post-immigration ethno-religious diversity but the presence of a multiculturalist approach to this diversity: the idea that equality must be extended from uniformity of treatment to include respect for difference. This means understanding that the public and the private are interdependent rather than dichotomized as in classical liberalism. This provides the intellectual basis for the public recognition and institutional accommodation of minorities, the reversal of marginalisation and a remaking of national citizenship so that all can have a sense of belonging to it.
  • Liberal political theorists define political secularism as ‘state neutrality’, meaning that the state must not privilege some religions over others but must instead treat them equally and must not identify with any one of them. Multiculturalists contend that a strict policy of non-identification with a particular language, history and culture, however, is impossible for a state to achieve. It is therefore better to interpret state neutrality to mean that connections between state and religion must be inclusive, rather than push religious groups away.
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  • Western Europe may respond, indeed is responding, to Muslim political assertiveness in two opposing ways, based on its response to two controversies that erupted in 1989: the Salman Rushdie affair in the United Kingdom and the headscarf affair in France.
  • too many European governments discourage Muslim self-representation in politics and civil society and prefer to initiate debates about Islam’s relationship to national identity in which Muslims are the objects of discussion rather than participants in it
  • Western Europe will not be able to integrate its growing population of Muslims into its national polities without rethinking political secularism. This will be much easier where moderate secularism and multiculturalism prevail, as opposed to a more radical form of secularism. European nations must oppose radical secularism, antipathy to public religion, and the trampling and alienating effects this tendency is having on religious freedoms and a growing European Muslim population.
  • Just as European citizens and governments must oppose the extreme nationalism that is asserting itself across the continent, they must also turn away from extreme secularism which, apart from in France, is not the Western European way. Affirming its historically moderate secularism, and adapting it to accommodate a multifaith national citizenry, represents Europe’s best chance for finding a way forward.
Ed Webb

Blasphemy and the Law - NYTimes.com - 0 views

  • while the pain caused to believers by the defilement of cherished religious symbols and teachings is real and traumatic, laws that criminalize “defamation” of religion or inciting religious hatred are doctrinally unsound and legally dangerous.
  • Increasingly, Muslim leaders are arguing that blasphemy laws as currently applied are un-Islamic as well. In a foreword to a recently released book, “Silenced: How Apostasy and Blasphemy Codes are Choking Freedom Worldwide,” Abdurrahman Wahid, the late president of Indonesia and a strong advocate for interfaith dialogue, wrote, “Nothing could possibly threaten God who is Omnipotent and existing as absolute and eternal truth. ... Those who claim to defend God, Islam, or the Prophet are thus either deluding themselves or manipulating religion for their own mundane and political purposes.”
  • A 2012 report by Human Rights First — “Blasphemy Laws Exposed: The Consequences of Criminalizing ‘Defamation of Religions”’ [pdf] — outlines several types of problems with the application of blasphemy laws worldwide. In addition to stifling dissent and discussion in the public sphere, such laws can actually spark assaults, murders and mob outbreaks.
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  • Far from protecting religious sensibilities, blasphemy laws are a major source of prejudice and violence against religious minorities, as well as of violations of their religious freedoms.
  • The antidote to blasphemy is not blunt and counterproductive law but efforts by civil society — specifically political and religious leaders cooperating across religious and ideological lines — to condemn any curtailing of religious rights or speech that incites violence. We saw this working in New York City when Jewish, Christian, Muslim and other religious leaders stood with the mayor in August 2010 in support of Muslim leaders who wanted to build an Islamic center near the World Trade Center site. We are seeing it now as the All Pakistan Ulema Council, an umbrella group of Muslim clerics and scholars, joins with the Pakistan Interfaith League, which includes Christians, Sikhs and members of other religions, to support Rimsha Masih and to call for an end to the “climate of fear” created by “spurious allegations.”
Ed Webb

The White Christian West Isn't What It Thinks It Is - 0 views

  • Throughout what is commonly known as the West, there has been a slew of books, articles, and public interventions calling attention to the notion of a cultural crisis within. Such a phenomenon ought to be followed by self-reflection, self-interrogation, and retrospection. By and large, however, the past decade has seen far more of the opposite: The alarm surrounding crisis has been more of a call for “us” to attack and problematize “them,” which invariably leads to propositions such as “conditions for Muslims in Europe must be made harder across the board,” as Douglas Murray, a hardcore right-wing pundit, once argued—not to mention conspiracy theories that blame all the ills of the modern world on those who look different than “us,” meaning white Europeans, or, worse, pray differently than “we” do.
  • Ryan identifies the West as an intellectual space, rather than solely a geographical one. His model of what the West entails has three pillars: “the belief in a moral endpoint; the trio of republican values (liberty, equality, solidarity); and universalism.” Ryan correctly points out that all of these pillars are in crisis—and yet, the situation is, he argues, “not entirely hopeless.”
  • When it comes to conceptualizing themselves as a Western “us,” European Christendom has historically done so by positioning itself against the Muslims of the Mediterranean, be they Ottomans or Arabs
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  • a project that institutions such as the British Council have tried to bring to fruition, through enterprises like “Our Shared Europe” and “Our Shared Future,” which sought to uncover the huge amount of historical evidence that showed that Muslims and Islam played much wider historical roles internally in the West than was hitherto understood.
  • a form of Christianity that focuses on solidarity with the oppressed, rather than promoting tribalistic hate against the “other,” is precisely what Europe needs more of
  • If the West is to look for a better future, intellectuals ought to be transcending untenable readings of their history and looking for better ideas.
  • one could write an encyclopedia that focused only on the history of Muslim European communities and figures, be they in premodern Spain and Portugal or the Emirate of Sicily or indeed the many Northern and Western Europeans who became Muslims. Framing Islam as a newcomer immediately restricts the scope of discussion that is needed. And such framing leads to a focus on salvaging broken models rather than seeking a new model for the West.
  • Righting that wrong means not simply reimagining a new national myth to gather around, but Westerners forging a new narrative that dispenses with the historical marginalization of “them” in favor of creating what has always been a mythical “us.” What is needed is a new notion of “us” that emerges strongly and true, based on values and principles that the peoples of the West will be able to rally around in a cohesive manner for generations to come.
Ed Webb

The Rise of the "Westernists" - The American Interest - 0 views

  • Globalization’s ideal, however, has been turned upside down. From annual debates over whether Americans should celebrate Christopher Columbus, to new veil bans in Austria, lightning rod identity controversies have come to dominate the headlines for weeks or months at a time. After the technocratic moment of the 1990s and 2000s, politics is returning to its natural state: answering the fundamental question of who we are, not what sorts of policies we support.
  • both Islamists and the West’s conservative nationalists (whom we might term “Westernists”) place great importance on the communal dimension of human society. Both aim to privilege a certain set of beliefs and symbols at the local level, starting with the family, and both are inclined to prioritize the communities, regions, and nations in which they live. In this sense, both are also “supremacist” (we say this descriptively, not necessarily pejoratively). In our research studying Islamism across the Muslim world, we’ve written about how elevating Islamic law and morals in the public sphere forms a central motivation for its supporters. Though they view their aims as diametrically opposed, Islamists and Westernists mirror each other in their preoccupation—and even obsession—with collective identity and cultural integrity
  • Though often simplistically portrayed as racists (and many of them surely are), many nationalists see Islam and Muslims not merely a security threat, but as a civilizational one as well. In a quickly deleted tweet that shocked his audience in the brief time it was up, alt-right darling Mike Cernovich wrote: “I say this without regard to what I want or wish were true…Islam is the future. Muslims have a vision and will. That is destiny.”
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  • That politics is becoming basically tribal has been surprising to some, but this is really just a confirmation of what political life has been for most of history: a battle over who we are, what we stand for, and what we want to believe in. A series of academic studies (Democracy for Realists being the most prominent) has argued with the benefit of growing empirical data that people, even the better educated, don’t vote based on policy. The authors Christopher Achen and Larry Bartels make the case that the “most important factor in voters’ judgments [is] their social and psychological attachments to groups.” In other words, if the same person, with the same genetics and life experience but no political attachments, decides to become a Republican, he is likely to become more pro-life. If that person decides to become a Democrat, he is likely to become more pro-choice.
Ed Webb

So Why Did I Defend Paul Bowles? | by Hisham Aidi | The New York Review of Books - 0 views

  • Long a sanctuary for Spanish and French writers, American writers began visiting Tangier in the late nineteenth century: Mark Twain on his way to Jerusalem in 1867, the painters Louis Comfort Tiffany in 1870 and Henry Ossawa Tanner in 1912, and Edith Wharton in 1917. In 1931, when Bowles first visited, the American artists living in Tangier were primarily black: Claude McKay, Anita Reynolds, Juice Wilson, Josephine Baker. These African-Americans came to Morocco from Paris, where they had formed a community after World War I, and as the Harlem Rennaissance spread to France. Upon arrival, Bowles began to socialize with both McKay and Anita Reynolds. Like the other Americans, he had also discovered North Africa through France. In high school, he had read Marcel Proust, Comte de Lautréamont, and André Gide—the latter’s accounts, in particular, of his travels and sexual trysts in Algeria and Tunisia had conjured North Africa in Bowles’s teenage imagination.
  • in December 1923, France, Spain, and the United Kingdom signed the Tangier Protocol in Paris, setting up a new administration and placing the city at the center of a 150-square mile International Zone overseen by a committee of nine Western powers. The city was henceforth governed by a court that included French, Spanish, and British judges, along with the mendoub, the Moroccan sultan’s representative. It is this international period, from 1923 to 1956, especially postwar, that has shaped the image of Tangier as a free port, a tax haven, and a place of international intrigue and excess.
  • His first novel, The Sheltering Sky, told the story of an American who flees the numbing modernity of New York and meanders through the Algerian desert, only to disintegrate psychologically. Published in the fall of 1949, it became a bestseller and made Bowles a household name. Three more novels and a handful of short stories set in Tangier followed.
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  • Bowles did not create the “myth of Tangier,” but he gave it a literary respectability and an American cast.
  • In the early 1950s, Burroughs, Ginsberg, Kerouac, Bryon Gysin, Tennessee Williams, Truman Capote, and Susan Sontag all gravitated to this “portal to the unknown,” as one author christened Tangier. So did European writers like Genet, Juan Goytisolo, and Joe Orton, but Bowles’s influence was not limited to the literary community. In later decades, his recordings and promotion of Moroccan music would draw producers and recording artists from Patti Smith to the Rolling Stones.
  • Paul Bowles traced the history of the medina from the early 1930s to independence. He chronicled how the sultan’s crackdown on Sufi practices (“the great puritanical purging”) in central Morocco inched northward.
  • I gave him a copy of my thesis. He looked up from the title page: “‘Orientalism’?—that’s a bad word, isn’t it?” Faux-naïveté, I would learn, was part of his manner. He told me to come back the following day.
  • I was, he said, the first Moroccan researcher—a Tangier native, to boot—to defend him. He added his signature beneath my printed name. (A few weeks ago, I got goosebumps when I found the same copy that I gave him, albeit coffee-stained, in the archives at the University of Delaware’s Paul Bowles Collection.) Later, the thesis was included in a collection titled Writing Tangier (2004). I still see citations occasionally in student dissertations on Bowles noting that one Tanjawi, at least, did not regard him as an Orientalist.
  • Tangier’s collective memory is steeped in nostalgia and centered around the medina, the old city. The medina, the elders told us, was once the epicenter of the Islamic world: it was from the port where the medina meets the sea that Tariq ibn Ziyad had set sail and conquered Spain in 711. After the fall of Granada in 1492, it was to Tangier’s medina that the Jews and Moriscos fled, settling in its alleyways, preserving the mosaic of Islamic Spain
  • The economic misery and political repression of the 1980s and 1990s made it hard to believe that the medina was ever a free space. Most locals had never heard of these famous writers. I only heard of Bowles when, in 1988, a film crew began working in front of our family restaurant at the entrance to the Kasbah as Bernardo Bertolucci began filming The Sheltering Sky. As teenagers, we came to wonder what truths the books from the Interzone contained, and if Tangier had indeed been better-off under Western rule, as the nostalgists, local and foreign, seemed to imply
  • The narrative we learned at school was that the monarchy had liberated the north from colonial oppression. But what liberation did the regime (makhzen) bring? After independence, as a local intelligentsia began forming in Tangier, many came to see the American corpus of writings about 1950s Tangier as an invaluable record of a lost golden age.
  • I made a point of reading the American authors who had written about Tangier’s Interzone. Besides Bowles, I was intrigued by the Beats, especially the Columbia University alums—Kerouac, Ginsberg, Lucien Carr—students of Lionel Trilling and fans of Arthur Rimbaud who had somehow mapped Greenwich Village onto Tangier, turning the Boulevard Pasteur into a “North African Bleecker Street.” But even as a college sophomore, I realized that their writings were more about the straitjacket of McCarthyite America that they were running from, rather than about Morocco as such.
  • It was even gratifying to see that Tangier, like Berlin, had played a significant role in launching a gay literary movement—in some ways ahead of the West, in having its finger on the “prognostic pulse of the world,” as Burroughs called it. But what was startling was that, while these writers basked in the city’s pleasures, they—with the exception of the Bowleses—didn’t really like Tangier. The Beats had a casual disdain for the natives, invariably describing Moroccans as “rakish” or “raffish.” Capote found Tangier too alien, describing the men as “noisy heathens” and the women as “anonymous bundles of laundry.” He warned friends in New York about the “smell of the arabe.” Burroughs referred to the locals as a “bunch of Ay-rabs,” and in 1958 he pronounced: “Tanger [sic] is finished. The Arab dogs are among us.”
  • Bowles’s defense of the Amazigh, or Berber, population was daringly transgressive. Morocco’s culture “is not predominantly Arabic, but Berber,” he insisted—in the face of Arab nationalists who acted as though they believed “Berbers have no culture at all,” as they tried to drag the country into the Arab League. “The general opinion is that the autochthonous population must at all costs be Arabized if it is to share in the benefits of independence,” he observed acidly. “No one seems to have conceived of the possibility of an independent Berber Morocco. In fact, to mention the Berbers at all qualifies one as a pro-French reactionary. At present, to become modern means to become Egyptian.”
  • In 1972, Tahar Ben Jelloun publicly accused Bowles (and the Beats) of exploiting illiterate, vulnerable youths in Tangier not just artistically but sexually. Choukri in 1997 would echo this charge, claiming Bowles suffered from a sexual illness. These allegations became more commonly heard once Farrar, Straus and Giroux published Bowles’s correspondence in 1994, although he expressed some reluctance about its release. The volume included letters in which he described the boys he slept with, in one letter even bragging about how cheap sex was in Algeria. “Where in this country [America] can I have thirty-five or forty people, and never risk seeing any of them again? Yet, in Algeria, it actually was the mean rate.” (In the correspondence, he reminisced about how he “never had sexual relationships without paying,” and viewed paying for sex as a form of “ownership.”)
  • Reading these words in my dorm room in wintry Pennsylvania in 1992 was both thrilling and frightening. We as Moroccans—especially those of us from the northern Berber region—grew up in a climate of fear, and I had never heard or read anyone publicly criticize Arab nationalism, or speak so openly of the Moroccan hinterland’s animus toward Fez, the city of the interior regarded as the seat of the regime. To hear this American writer openly excoriate the Moroccan ruling elite for its cruelty and skullduggery was exhilarating
  • Bowles prompted me to think beyond the binary of “Western” versus “Arab.”
  • The Moroccan reaction against Bowles began to take form in the early 1970s. His earliest critics were the philosopher Abdallah Laroui and Ben Jelloun, who both chided the American writer for promoting an image of the country as a land of primitivism, drugs, and unlimited sex. Laroui also lambasted the Moroccan bourgeoisie for buying into and reproducing Bowles’s “folkloric” portrayal of their country. Ben Jelloun, writing in 1972, accused the American of belittling the nation’s literary patrimony.
  • Bowles, in the mid-1960s, had begun translating the memoirs and stories of down-and-out illiterate youth in Tangier. (While he could not read Arabic, Bowles did understand darija, the spoken dialect.) The most prominent of these were Larbi Layachi’s A Life Full of Holes (1966), about a petty thief and male prostitute and his experiences dodging police and servicing tourists (the book was made into a BBC film); Look and Move On (1967), the tales of Mohammed Mrabet, a hustler and golf caddie who worked for an American couple; and the best-known, Mohammed Choukri’s For Bread Alone (1972), an account of his migration from the Rif to Tangier, his life as a street kid in the International Zone, and his becoming a schoolteacher, which he recounted to Bowles in Spanish. These books were marketed in the West as “Moroccan literature,” and for many in the Anglophone world, this was their introduction to it.
  • in effect erased an earlier literary tradition that had seen Moroccan writers published in French and Spanish since the 1930s, let alone the preceding centuries of poetry and other writing in Arabic
  • Laroui acted as an adviser to the king and was a strong proponent of Arabization. Tangierians saw his attack on Bowles as another attempt by the Arab nationalist elite to subdue the “sin city.” Ben Jelloun also had a complicated relationship to Tangier. The son of a merchant, a Fassi (a person from Fez) who settled in Tangier in the early 1960s, he had attended the French lycée and was seen as part of the new Francophone Fassi upper class—comprising the Alaoui, Alami, Ben Jelloun, Berrada, Omrani, and Tazi families—that had fanned out across the country as the French departed, assuming top government positions. Like Laroui, Ben Jelloun spoke neither of the two common local tongues of the north, Spanish and Tarifit (the Berber language). A paradox of Ben Jelloun’s work, in particular, was that it often featured the very tropes of mysticism, violence, and sexual deviancy he denounced in Bowles’s work. For his part, the American writer dismissed his Moroccan critics as “confirmed Marxists.”
  • as long as America was seen as a political friend, Bowles was viewed favorably. Not surprisingly, after the Gulf war of 1990 and the release of Bertolucci’s film of The Sheltering Sky that same year, more articles started to appear across the Middle East critiquing Bowles’s representations of Morocco, accusing him of racism and Orientalism
  • I myself was part of this trend—defending Bowles against the Arab nationalists who were trying to tear him down and impose their political preferences on us. In his final interviews, when asked if he was an “Orientalist,” Bowles would often cite me, noting that a Tangier-born scholar now in America had judged him not to be.
  • “Paul Bowles loves Morocco, but does not really like Moroccans.” Choukri had some powerful evidence on his side. Over the decades, Bowles had made countless derogatory remarks, speaking of Moroccans as “childlike,” “purely predatory,” and “essentially barbarous.” He claimed also that Muslims aimed for world domination through “the sword and the bomb.”
  • He was sympathetic to the Amazigh, whom he saw as the original inhabitants of North Africa, a fiercely independent people only “partially Islamicized.” This affection nevertheless rested on some unsettling ideas about racial hierarchy. Bowles was profoundly influenced by the “Hamitic hypothesis,” a late nineteenth-century anthropological theory that saw almost everything of value in Africa as imported by the Hamites, a branch of the Caucasian race, who were held as superior to the Negroid peoples. Berbers, whatever their actual skin tone—even the typically dark-skinned Tuareg—were for Bowles essentially a white “Mediterranean race.”
  • In Bowles’s idiosyncratic hierarchy, it was Berber music that encapsulated Morocco’s true African identity—and this cultural essence was threatened by the Arabs and their music. The recently released Music of Morocco collection reflects this bias, giving credence to Choukri’s claim that Bowles deliberately misrepresented local culture to reflect his personal vision of Morocco.
  • I began to realize that Bowles’s fondness for the Berbers and his animus toward Arabs was, in many ways, a reflection of French colonial policy. Although he was well aware of the violence of French imperialism, he enjoyed its amenities—“the old, easygoing, openly colonial life of Morocco”—and as early as the 1950s, Bowles began to lament the loss of “colonial Tangier.” Above all, he believed in the International Zone, seeing its “anarchy” and “freedom from bureaucratic intervention” as an extraordinary political experiment. But these liberties, which is what drew many of the Beats, were the privileges of Europeans and Americans—ones generally not enjoyed by the city’s Muslim and Jewish natives.
  • Through the 1960s and 1970s, he focused instead on recording and translating from darija (Moroccan Arabic dialect) the oral histories of men he met in Tangier’s cafés. By the time of his death, in 1999, the idea of Tangier as a place for self-discovery had become received wisdom in the West and the Arab world, and Bowles was established as a giant of American letters despite decades of silence.
  • Although the letters simply lent credence to rumors long circulating in Tangier, Choukri and other Tanjawi writers were still shocked by them. The literary reaction in Morocco fed into a larger effort there by human rights activists campaigning against sex tourism and child prostitution. Whereas Bowles had always seemed more judicious and reputable than the Beats—in contrast, say, to Burroughs’s open bragging about buying “pre-pubescent gooks” and Ginsberg’s boasting about “paying young boys” for sex—it became increasingly difficult to defend him. For a man who had called Moroccans “purely predatory,” his own behavior now appeared in rather grotesque relief.
  • The more time I spent at the Schomburg Library uptown, the more I discovered an alternative American literature about Tangier. I stumbled upon Claude McKay’s memoir A Long Way from Home about his time in Tangier in the late 1920s, where he completed his novel Banjo; the actress Anita Reynold’s diary about life in the Interzone in the 1930s; Josephine Baker’s papers, where she talks about filming Princess Tam Tam (1935) in the International Zone, and jazz recordings produced by African-American musicians living in Tangier. Although they had their own dreams about a “Mother Africa,” the African-American writers did not see Tangier as a brothel, or its residents as primitives who needed to be contained or civilized. Most wrote and produced art in solidarity with the disenfranchised local population, connecting the civil rights struggle to North Africa’s anticolonial movements.
  • In 1998, armed with this newfound knowledge, and as a conscious revision of my earlier guiding, I began giving walking tours of “Black Tangier.” We would would meet at Cinema Mauritania, the theater where Josephine Baker had performed many times, up until her last show there in 1970. She had lived in the International Zone, then joined the French Liberation forces during the war, and later had an affair with the vice-caliph of Spanish Morocco. On the first floor of the Mauritania, pianist Randy Weston had once operated African Rhythms, a music spot that drew the likes of Max Roach and Ahmed Jamal. Then we’d walk down to the Fat Black Pussycat café where the poet Ted Joans, one of few black writers in the Beat movement, played trumpet and “blew” jazz poems.
  • Next, we’d hit Galerie Delacroix, where Joans once hosted a four-hour tribute to his mentor Langston Hughes, and had the late poet’s verse read in Arabic, English, French, and Spanish. (In 1927, Hughes had visited Tangier and written a lovely poem about travel and unrequited longing, “I Thought It was Tangiers I Wanted.”) Then we’d walk to the majestic Teatro Cervantes built in 1913, where Weston had organized the first pan-African jazz festival in Morocco in June 1972 (revived in 2002), which brought Dexter Gordon, Odetta, Billy Harper, and Pucho and the Latin Soul Brothers to the city. Our last stop was the Hotel Chellah, where, as local legend had it, the Martinican anticolonial thinker Frantz Fanon stayed overnight on July 3, 1959, following a car crash on the Morocco–Algeria border rumored to be the handiwork of La Main Rouge, the paramilitary group run by French intelligence to assassinate leading supporters of Algerian independence. Fanon was flown to Rome the following day on a Moroccan passport.
  • Paul Bowles and King Hassan II died in 1999, a few months apart. The novelist and the tyrant who had towered over Tangier for generations had more in common than either would have admitted—and that in part explains the reverence Bowles still enjoys in official Morocco
  • both shared a disdain for leftist, Third-Worldist politics. Both hated pan-Arabism, and loved Berber culture as long as it was “folkloric” and apolitical. They each thought Moroccans were congenitally ill-suited for democracy.
  • both Bowles and the monarch celebrated a “primitive,” mystical, unlettered, unfree Morocco, sharing a special appetite for the intoxicating rhythms of the Berbers. No wonder King Hassan II, who expelled numerous critics—from Arab intellectuals to French journalists and American professors—never bothered Bowles.
  • The Ministry of Culture, which almost blocked his recording project in 1959, published a remarkable essay in 2009 on the tenth anniversary of his death defending Bowles against criticism from Moroccan nationalist intellectuals, underscoring how he presciently warned of the threats that modernization posed to Morocco’s cultural and physical landscape. Government mouthpieces such as Hespress run flattering pieces about “the American who loved Morocco.”
  • The Morocco that Bowles dubbed a “land of magic” is one the Ministry of Tourism sells to the West
  • his emphasis on Morocco’s “African” essence suits the country’s recent geopolitical turn and reentry into the Africa Union
  • for all his misgivings about Western modernity, he thought Morocco as an African country would be better off attaching itself to the West. This is now the position of a significant segment of Morocco’s ruling elite.
  • That the regime celebrates Berber folklore and the oeuvre of a novelist who wanted an “independent Berber republic” even as it imprisons Berber activists across the country is evidence for many of the regime’s fraudulence and bad faith. In this respect, Bowles’s continuing eminence suggests how little has changed in the kingdom since the colonial era, with an authoritarian regime and repressive social order remaining largely intact.
  • As for Bowles’s work, I had come to realize that it reflected poorly on Morocco and America. Yes, he had brought attention to the suppression of Berber history and made invaluable musical recordings, but decolonization was supposed to dismantle colonial representations, and instead, the Moroccan regime was validating and institutionalizing Bowles’s depictions of Morocco
  • today, a new generation of Moroccan writers—among them secularists, Berber activists, music critics, and pan-Africanists—are claiming Bowles as an ally. And that is why I found myself writing about Bowles once more.
Ed Webb

The Arab Spring Still Blooms - www.nytimes.com - Readability - 0 views

  • The Arab revolutions have not turned anti-Western. Nor are they pro-Western. They are simply not about the West. They remain fundamentally about social justice and democracy — not about religion or establishing Shariah law2.
  • The democratization of Tunisia, Egypt and other countries has allowed a number of extremist free riders into the political system. But it has also definitively refuted the myth that democracy and Islam are incompatible. Islamists are political actors like any others: they are no more pure, more united or more immune from criticism than anyone else.
  • Radical Salafis who advocate violence and Shariah constitute a very small minority in Tunisia — and even in Egypt they are vastly outnumbered by more moderate Islamists. They are a minority within a minority, and extremely unpopular among both religious and secular Tunisians. They do not speak for all Tunisians, Arabs or Muslims.
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  • As a democratic government, we support the Salafis’ freedom of expression, but advocating violence is a red line. Those who cross it will be arrested.
  • strength and importance of extremist groups have been unduly amplified by the news media
  • Images of angry Muslim mobs, like the one featured on a recent cover of Newsweek magazine3, once again revived the old Orientalist trope of a backward and hysterical Muslim world, unable to engage in civilized and rational debate or undertake peaceful negotiations — in other words, incapable of conducting political affairs.
  • Arguing that the groups who have recently staged violent demonstrations represent the entire Arab population is as absurd as claiming that white supremacist groups represent the American people or that the Norwegian right-wing mass murderer Anders Behring Breivik is representative of Europeans.
Ed Webb

Erdogan, Sultan of Jerusalem? - 0 views

  • No one who has visited Jerusalem over the past few years will be surprised by the preponderance of red Turkish flags with their crescent and star, fluttering over the city’s eastern Palestinian neighborhoods. These flags are just one visible manifestation of a major effort by the Turkish government to establish a presence in the Israeli capital. Investigative reports in the press, conducted over the last few years, have revealed the scope of Turkish activity in Jerusalem, which includes the renovation of homes, restoration of mosques and efforts to expose the residents of East Jerusalem to Turkish culture, including cooking workshops and Turkish-language classes. These efforts also include increasing involvement in the affairs of Al-Aqsa Mosque, as described by Ben Caspit in July 2018.
  • Israel has decided to put an end to this Turkish involvement in Jerusalem affairs
  • Israel intends to revoke the head of TIKA’s diplomatic status in Jerusalem, effectively making his presence in Israel illegal. “The era of the Ottoman Empire is over. Turkey has no reason to be in Jerusalem,” said the Foreign Ministry in an especially bellicose statement. “[Turkish President Recep Tayyip] Erdogan’s declarations that Jerusalem belongs to all Muslims are absolutely baseless and ridiculous. Israel maintains sovereignty in Jerusalem, while ensuring freedom of worship for all religions. We will not allow anyone to interrupt this sovereignty.”
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  • “People wandering around East Jerusalem might think that they are visiting a Turkish city. There are voluminous amounts of flags, stickers and signage, and the Turkish presence is very obvious. This includes charitable activity. In winter, they distribute heaters, warm clothing and food stamps. Last Ramadan, they handed out $100 to all businesses in the Old City. They are involved in the educational system, they renovate buildings and they organize heavily subsidized and even free trips [from Turkey to Al-Aqsa Mosque]. As someone on the ground here, I am constantly surprised by the scope of this activity."
  • a neo-Ottoman policy that Erdogan has been promoting over the past few years. Its goal is to bolster Turkish control in Jerusalem
  • “As far as he is concerned, the fact that the Ottomans once ruled here means that he is no stranger to Jerusalem. He is also challenging Israeli sovereignty in the city. Turkish activity in Jerusalem is his way of engaging in the soft conquest of al-Quds [Jerusalem].”
  • Turks have renovated Mamluk buildings, which they then pass off as Ottoman. “Apart from the city walls, built by Sultan Suleiman the Magnificent, there aren’t many Ottoman sites in Jerusalem. In contrast, the Mamluks invested quite a bit on construction in Jerusalem, and that’s good enough for Erdogan,” he told Al-Monitor. “It demonstrates his desire to flood Jerusalem with ties to the Ottoman Empire.”
  • Israeli experts estimate that another person particularly concerned about the situation is King Abdullah of Jordan, who has a special status in Jerusalem as “Protector of the Holy Sites.” The Foreign Ministry’s statement refers to these Jordanian concerns. “In accordance with the peace treaty with Jordan, the Jordanians have a special status at the Islamic holy sites in Jerusalem. As such, we will not allow Erdogan to interfere with this special status, as they are doing now,” reads the statement.
  • the growing presence of Turkey’s Directorate of Religious Affairs in the Temple Mount compound. They come with lots of money, and their efforts are already bearing fruit. Erdogan’s popularity among the Palestinians is skyrocketing, and the main person to suffer for that is Jordan’s King Abdullah. He cannot compete with the funds that the Turks are pouring in, while his rhetoric on behalf of the Palestinians pales in comparison to Erdogan’s stinging attacks.”
  • “Erdogan’s ultimate goal is Erdogan himself. He wants to become 'Sultan of all Muslims.' Unlike Iran, for example, which has no access to Jerusalem, Turkey does have access to the city. Israel allows him to operate on the ground and emblazon Jerusalem prominently on his personal banner. This positions him as the greatest Muslim leader in the world.”
  • “He wants to return to rule over all those lands that were once controlled by the Ottoman Empire. We are witnessing Turkish activity of this kind not only in the Middle East but in the Balkans and Caucasus too
  • Mordechai Goldman has served for the past few years as the diplomatic and military analyst of the ultra-Orthodox daily Hamevaser. He attended ultra-Orthodox rabbinical colleges and studied psychology at the Israeli Open University. He also participated in the national civil service program. Goldman lectures to ultra-Orthodox audiences on the diplomatic process and on the Israel Defense Forces and consults with companies in regard to the ultra-Orthodox sector.
Ed Webb

Commentary on the Recent Crisis | United Nations Alliance of Civilizations (UNAOC) - 0 views

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    The Mufti is the most senior Egyptian religious official.
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