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Ed Webb

Imperialist feminism redux - Saadia Toor - 0 views

  • In the 19th and early 20th century, the civilising mission through which colonialism was justified was supported by western feminists who spoke in the name of a ‘global sisterhood of women’ and aimed to ‘save’ their brown sisters from the shackles of tradition and barbarity. Today, this imperialist feminism has re-emerged in a new form, but its function remains much the same – to justify war and occupation in the name of ‘women’s rights’ . Unlike before, this imperialist feminist project includes feminists from the ‘Global South’. Take, for example, the case of American feminists, Afghan women and the global war on terror (GWoT).
  • there was one claim that proved instrumental in securing the consent of the liberals (and, to some extent, of the Left) in the US – the need to rescue Afghan women from the Taliban. This justification for the attack on Afghanistan seemed to have been relegated to the dustbin of history in the years of occupation that followed, reviled for what it was, a shameless attempt to use Afghan women as pawns in a new Great Game.  As the United States draws down its troops in Afghanistan, however, we have begun to see this ‘imperialist feminism’ emerge once again from a variety of constituencies both within the United States and internationally
  • how easily liberal (and left-liberal) guilt can be used to authorise terrible deeds
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  • The fact that the meme of the Muslim woman who must be saved from Islam and Muslim men – through the intervention of a benevolent western state – 11 years after the very real plight of Afghan women was cynically deployed to legitimise a global war, and long after the opportunism of this imperialist feminism was decisively exposed, points to a serious and deep investment in the assumptions that animate these claims. These assumptions come out of a palpable dis-ease with Islam within the liberal mainstream and portions of the Left, a result of the long exposure to Orientalist and Islamophobic discourses.
  • secularism is posited as the necessary prerequisite for achieving equal rights for women
  • The less-than-enthusiastic support for the Arab Spring by liberals on the basis of a fear that the Muslim Brotherhood would come to power (thereby implying that the human rights/women’s rights record of the regimes they were replacing was somehow better) illustrates the liberal anxiety regarding democracy when it comes to the Arab/Muslim ‘world’ and hints at the historical relationship between women’s movements and authoritarian regimes in the postcolonial period
  • Even as the United States officially begins to wind down its war in Afghanistan, the GWoT – recently rebranded as the Overseas Contingency Operation by President Obama – is spreading and intensifying across the ‘Muslim world’, and we can expect to hear further calls for the United States and its allies to save Muslim women. At the same time, we are seeing the mainstreaming and institutionalisation of a gendered anti-Muslim racism within the west, which means that we can also expect to see more of the discourse which pits the rights of Muslim men against those of Muslim women.
  • caution against seeing Muslim women as exceptional victims (of their culture/religion/men), and to point out both that there are family resemblances between the violence suffered by women across the world and that there is no singular ‘Muslim woman’s experience’
Ed Webb

IFI Op-ed - Women in Revolution: A Fourth Wave of Feminism? - 0 views

  • With the start of the Lebanese Revolution on October 17th, young feminists were an integral part of an unprecedented social movement in Lebanon.  In fact, young feminists have been engaged in formulating the revolution’s demands pertaining to equality, justice, inclusion, dignity, rights, and the rule of law in our country.   Feminist demands during the revolution included but were not limited to calls for an egalitarian family code, an end to violence against women, call out against sexual harassment, the abolishment of the Kafala system - which holds migrant workers in a servile relationship with their employers - inclusion of all women and girls, rights for LGBTQI, rights for individuals with disabilities and special needs, dignity, as well as freedom from oppression and violence for all.  Young feminists emphasized the right to individual freedoms and bodily integrity. These demands were beautifully and intelligently framed in an analysis of patriarchy and how it is reproduced by within the political, economic, social, and cultural spheres
  • the patriarchal/confessional system has affected all aspects of life, in both the private and public spheres
  • the social movement of 2015 revealed signs of misogyny and hostility especially with the brutal attacks against trans-women who were exercising their rights to participate in public mobilization.
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  • Revolutions in other countries of the MENA region have also shown clear indications of strong feminist expression. Sudan, Algeria, and more recently Iraq, have witnessed a significant mobilization of young feminists, often calling for women demonstrating against oppression and violence and always framing their demands within a call for change and transformation towards the rule of law, justice, equality, and dignity for all.
  • The main characteristics of what we are observing during the ongoing revolution is certainly a feminist movement that is intersectional, that emphasizes agency and bodily rights, has a critical and deep understanding of linkages and connections, and uses different modern and creative strategies for mobilization and communication including social media. But critically, the movement is not limited to or bound by geographical or thematic confines, but rather moves away from defining gender as a binary, and employs an all-inclusive and an uncompromising approach to its understanding of human rights
  • how do we collect the significant indigenous knowledge produced every day by young feminists who, for the first time, have reclaimed both space and voice from the older generation of feminists, as well as from Northern-based feminists?
Ed Webb

How Andrew Tate and the Far Right Made Common Cause with Islamists - New Lines Magazine - 0 views

  • culture wars are even having an effect on the left. The Muslim Democrats Ilhan Omar and Rashida Tlaib have both openly supported LGBTQ causes, yet Omar and Tlaib’s most steadfast backer, the Council on American-Islamic Relations (arguably the largest and most influential Muslim organization in America), has recently shifted to the right on these causes. Previously supportive of LGBTQ rights, CAIR has expressed concern over proposed legislation strengthening these rights, stating that new amendments to the Elliott-Larsen Civil Rights Act could “jeopardize religious freedom.” In the state of Michigan, CAIR is working with Catholic and Protestant groups challenging the amendments.
  • The alliances may seem improbable, but the foundations of these anti-LGBTQ and pro-traditional family movements are firm and likely not only to endure but also reshape the political landscape. In the West, the social conservatism of the traditional Muslim way of life offers a prototype for what a “woke-free” society might look like. For a sizable reactionary contingent, conservative Islam’s patriarchal structures and gender and family norms seem vastly preferable to the direction the West is heading, thanks to feminism, “cultural Marxism” and liberalism. In turn, conservative Muslims have been embracing expressions like “red pill” and “the matrix” to describe the rejection of liberalism and feminism, while expressing solidarity with the West’s manosphere. The misogyny, transphobia, antisemitism and anti-liberal sentiments of both cultures are thus being bolstered and are in turn supporting and influencing the political expression of the new radical right, represented by Trump, DeSantis and other populists. The new right may only be a splinter group, but with allies among extreme conservatives of all stripes, its power to potentially change societies and geopolitics is undeniable.
Ed Webb

Let's Talk About Sex - 0 views

  • To begin with, it is purportedly about how sex shapes the world’s politics. But with the exception of one article that urges US foreign policy makers to understand women as a foreign policy issue and a target of their “smart-power arsenal,” its focus is almost exclusively on Iran, the Arab world, and China. Thus “the world” is reduced for the most part to Arabs, Iranians, and Chinese—not a coincidental conglomeration of the “enemy.” The current war on women in the United States is erased.
  • A naked and beautiful woman’s flawless body unfolds a niqab of black paint. She stares at us afraid and alluring. We are invited to sexualize and rescue her at once. The images reproduce what Gayatri Spivak critiqued as the masculine and imperial urge to save sexualized (and racialized) others. The photo spread is reminiscent of Theo van Gogh's film Submission, based on Ayyan Hirsli Ali’s writings, in which a woman with verses of the Quran painted on her naked body and wearing a transparent chador writhes around a dimly lit room. Foreign Policy’s “Sex Issue” montage is inspired by the same logic that fuels Submission: we selectively highlight the plight of women in Islam using the naked female body as currency. The female body is to be consumed, not covered!
  • We would suggest, as many have, that oppression is about men and women. The fate of women in the Arab world cannot be extracted from the fate of men in the Arab world, and vice versa. El Tahawy's article conjures an elaborate battle of the sexes where men and women are on opposing teams, rather than understanding that together men and women must fight patriarchal systems in addition to exploitative practices of capitalism, authoritarianism, colonialism, liberalism, religion, and/or secularism.
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  • Indeed, the hatred of the people, women and men, has been a, if not the, unifying characteristic of col
  • Hatred is irrational. It is a state or emotion. As Wendy Brown reminds us, such emotional or affective states are understood to be outside of, or unwelcome in, liberalism.
  • critical thinkers have long argued that this practice has more to do with the lack of economic opportunity for women, the imperative to marry, and the hardening and modernization of tradition in response to colonial and neocolonial interventions (including rights frameworks) than some irrational and razor crazed “hatred.” The same insight could be extended to the question of ages of consent. A reductive framework of hatred makes these topics even more difficult to critically think about and work on.
  • to reflect on why the liberalism that Sha‘rawi and her cohorts fought for—men and women—drastically and resoundingly failed. One reason, and there are many, was that liberalism resonated with only a small elite. As Hanan Kholoussy points out, women under domestic confinement who like Sha‘rawi were expected to don the face veil made up only two percent of Egypt’s five million females at the end of the nineteenth century
  • moderate Islam has often been produced on the wings of women's and minority rights
  • in the Palestinian context, the women’s movement lacked a coherent strategy linking gender equality to democracy. The women’s movement thus appeared to be sponsored by the Palestinian Authority; its fate became dependent on that of the political system
  • Turkey, Algeria, Egypt are situations where you have small women’s movements whose popular legitimacy is lost because over time they have been seen as linked to or sponsored by authoritarian secular regimes.1
  • We respectfully invite El Tahawy to join the conversation among women and men in Tahrir and outside of it. After all, the shameful and state-sanctioned sexual violence of the Supreme Council of the Armed Forces’ “virginity tests” did not take place in silence. They happened a day after International Women’s Day when women claimed Tahrir as a space of gender equality and liberation. The “virginity tests” did not meet silence either, as El Tahawy herself points out. Samira Ibrahim continues her fight; her following and her courage are formidable.
  • There is no one answer because there is no single culprit, no single “culture” or “hatred” that we can root out and replace with “tolerance” or “love.” Similarly, the absence of a sustained and critical attention to sex and gender cannot be solved, syllabus style, by a separate glossy special “Sex Issue,” the content and form of which reproduce what it purports to critique.
Ed Webb

French Muslims and the Subversive Call of Intersectionality - 0 views

  • Islamophobia occupies a central place in France’s “culture wars.” Among these battles is the attack by President Macron and his top ministers on the dubious phenomenon of Islamo-gauchisme, as well as certain academic areas of study including postcolonialism and theories of race, deemed as unwelcome and divisive imports from American universities.
  • intersectionality is precisely one of the intellectual traditions that French politicians and journalists criticize as a dangerous import, owing to its emphasis on identity categories. Yet intersectionality, according to Patricia Hill Collins, was never meant to be about identities per se. Rather, it is about the complex intersections of different forms of power.
  • In my research, I met women who quit university, avoided medical treatment, lost their jobs, were expelled from neighborhood childcare networks, and confronted threats and insults on public transit, all for the simple, personal act of wearing a headscarf. Now, Muslim mothers face the added humiliation of being barred from accompanying their children on public school field trips. 
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  • Perhaps the greatest irony of France’s policy debates on Islam involves the role of gender, in particular the ways politicians and public figures have manipulated gender for the purpose of excluding and targeting Muslims. In the name of protecting women and gender equality, they have increasingly regulated Muslim women’s veiling practices, claiming that they violate the so-called neutrality of the public sphere and promote sexism. They have long claimed that women are forced into wearing the hijab yet deliberately excluded Muslim women’s voices from Assembly hearings. As Muslim women activists increasingly organize and speak out against the state’s policies, the argument that anti-veiling legislation protects them from coercion becomes clearly implausible. In my own research, almost all the women I encountered chose to wear the hijab or jilbab, at times even against the wishes of their husbands or parents. 
  • its own historical complicity with colonialism and racism has allowed feminism to be mobilized toward anti-Muslim policies that ultimately oppress minority women
  • In a national context where the extreme cultural assimilation of minorities remains the expectation and the government refuses to enumerate racial and ethnic categories, the attacks on academic schools of thought that analyze structural racism are not surprising. The denial of racism allows for rampant discrimination against those with Muslim backgrounds, as well as everyday slights, like when my interlocutor Amal was reprimanded this winter by her son’s schoolteacher for teaching him Arabic
  • the oppressive conditions of many French Muslims are explained in part by the intersections of gender and race as axes of power. The state’s attempts to undermine even the intellectual tools and language that facilitate discussion of such power and domination only reinforces this reality.
Ed Webb

Sonic controversy: "Hinduistic music" in Pakistan - The Immanent Frame - 0 views

  • hostility toward Sufi music is increasingly visible across denominational lines in Pakistan’s religious discourse
  • Spiritual music has long been a vital element of Islam in the region comprising areas of Pakistan and North India. What explains the growing antagonism toward mystical sound art in a country that has inherited a rich legacy of devotional music?
  • shifting assumptions about “authentic Islam” have catalyzed the scandalization of mystical music in Pakistan. The emergence of Arabization, with its emphasis on rediscovering true Islam in Arab culture, has vilified local sonic genres in the Islamic republic.
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  • liturgical music has been a site of audacious spiritual experimentation in prominent Persian and South Asian Sufi traditions since the medieval era
  • For al-Ghazali, music was a divine blessing because it could elicit preconscious and automatic emotional reactions. Sound was felt before it was thought. Thus, melody was a secret potion for mystics because it facilitated intense intimacy with God in a manner that minimized ritualistic mediation. Al-Ghazali was one among many crucial figures whose groundbreaking mystical theorization of sound reverberated and precipitated liturgical creativity in transcultural Sufi orders
  • a growing faction of scholars who insist on banning qawwali
  • Casual observers might assume that the polemic against qawwali is a symptom of rising “Talibanization,” when in fact, even pro-Sufi scholars participate in this discourse.
  • Zia believed that divesting Pakistan’s Islam from Persian, Indian and all non-Arab layers would usher a new golden era in Muslim history
  • determining a musical instrument’s moral status requires deciphering its cultural identity
  • Although these instruments have a complicated cross-cultural history, most ulema associate them with different musical streams: they consider the daff a part of an “Arabian musical system,” while the tabla, they explain, comes from the Hindustani (North Indian classical music) tradition
  • I listened to some of these mystically inclined scholars dwell on qawwali’s feminizing effects. Muscular manhood, they pointed out, consists of physical robustness, extraordinary bravery, and superior tactical acumen. Far from nurturing these traits, however, qawwali promotes soft emotions. The sound of the tabla, a pair of hand drums used in qawwali, was said to “breed soft men” who are “gentle, submissive, and vulnerable.” The pervasive use of the tabla, they concluded, poses a grave threat to Muslim masculinity
  • During the 1980s, the state framed an ideological narrative by partly disassociating Pakistan from some of its inherited traditions, including Hindustani music
  • President Zia ul-Haq emphasized that Pakistan must emulate “authentic (Arab) Islamic culture” and cast “Hindu influences” aside
  • the Hindustani system is a product of Hindu-Muslim musical syncretism. It is a blend of Persian, Arab, and Indian musical elements, and has been prevalent in the northern parts of the subcontinent since the thirteenth century CE. So why does this legacy of religious and musical synthesis pose a pressing problem for ulema today?
  • To paraphrase one Pakistani Television (PTV) executive, President Zia-ul-Haq did not wish to merely police Pakistan’s music; he wished to recreate it. To that end, his regime patronized Arab vocal and instrumental arts in the country
  • the authorities regulated the music market and selectively censored sonic material on state-owned radio and television
  • Zia’s regime incited widespread religious hatred against such “Hinduistic” sonic art.
  • popular preachers laud the “great deeds of the pious men of the 1980s” who raised their voice (and sometimes their hands) against “paganistic musical ceremonies” in the “land of the pure.”
  • This story of “Hinduistic” melodies reveals unexpected connections that challenge us to broaden our analysis of religion’s sonic dimensions. It exposes how complex debates about bodies, emotions, masculinity, and national religious identity have shaped notions of cultural purity in Pakistan.
  • the state has not banned music but done something more consequential: it has sought to transform Pakistan’s soundscape
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