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So Why Did I Defend Paul Bowles? | by Hisham Aidi | The New York Review of Books - 0 views

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Morocco literature colonialism race racism music heritage culture US USA history Berbers Amazigh authoritarianism religion politics

shared by Ed Webb on 18 Jul 20 - No Cached
  • Long a sanctuary for Spanish and French writers, American writers began visiting Tangier in the late nineteenth century: Mark Twain on his way to Jerusalem in 1867, the painters Louis Comfort Tiffany in 1870 and Henry Ossawa Tanner in 1912, and Edith Wharton in 1917. In 1931, when Bowles first visited, the American artists living in Tangier were primarily black: Claude McKay, Anita Reynolds, Juice Wilson, Josephine Baker. These African-Americans came to Morocco from Paris, where they had formed a community after World War I, and as the Harlem Rennaissance spread to France. Upon arrival, Bowles began to socialize with both McKay and Anita Reynolds. Like the other Americans, he had also discovered North Africa through France. In high school, he had read Marcel Proust, Comte de Lautréamont, and André Gide—the latter’s accounts, in particular, of his travels and sexual trysts in Algeria and Tunisia had conjured North Africa in Bowles’s teenage imagination.
  • in December 1923, France, Spain, and the United Kingdom signed the Tangier Protocol in Paris, setting up a new administration and placing the city at the center of a 150-square mile International Zone overseen by a committee of nine Western powers. The city was henceforth governed by a court that included French, Spanish, and British judges, along with the mendoub, the Moroccan sultan’s representative. It is this international period, from 1923 to 1956, especially postwar, that has shaped the image of Tangier as a free port, a tax haven, and a place of international intrigue and excess.
  • His first novel, The Sheltering Sky, told the story of an American who flees the numbing modernity of New York and meanders through the Algerian desert, only to disintegrate psychologically. Published in the fall of 1949, it became a bestseller and made Bowles a household name. Three more novels and a handful of short stories set in Tangier followed.
  • ...39 more annotations...
  • Bowles did not create the “myth of Tangier,” but he gave it a literary respectability and an American cast.
  • In the early 1950s, Burroughs, Ginsberg, Kerouac, Bryon Gysin, Tennessee Williams, Truman Capote, and Susan Sontag all gravitated to this “portal to the unknown,” as one author christened Tangier. So did European writers like Genet, Juan Goytisolo, and Joe Orton, but Bowles’s influence was not limited to the literary community. In later decades, his recordings and promotion of Moroccan music would draw producers and recording artists from Patti Smith to the Rolling Stones.
  • Paul Bowles traced the history of the medina from the early 1930s to independence. He chronicled how the sultan’s crackdown on Sufi practices (“the great puritanical purging”) in central Morocco inched northward.
  • I gave him a copy of my thesis. He looked up from the title page: “‘Orientalism’?—that’s a bad word, isn’t it?” Faux-naïveté, I would learn, was part of his manner. He told me to come back the following day.
  • I was, he said, the first Moroccan researcher—a Tangier native, to boot—to defend him. He added his signature beneath my printed name. (A few weeks ago, I got goosebumps when I found the same copy that I gave him, albeit coffee-stained, in the archives at the University of Delaware’s Paul Bowles Collection.) Later, the thesis was included in a collection titled Writing Tangier (2004). I still see citations occasionally in student dissertations on Bowles noting that one Tanjawi, at least, did not regard him as an Orientalist.
  • Tangier’s collective memory is steeped in nostalgia and centered around the medina, the old city. The medina, the elders told us, was once the epicenter of the Islamic world: it was from the port where the medina meets the sea that Tariq ibn Ziyad had set sail and conquered Spain in 711. After the fall of Granada in 1492, it was to Tangier’s medina that the Jews and Moriscos fled, settling in its alleyways, preserving the mosaic of Islamic Spain
  • The economic misery and political repression of the 1980s and 1990s made it hard to believe that the medina was ever a free space. Most locals had never heard of these famous writers. I only heard of Bowles when, in 1988, a film crew began working in front of our family restaurant at the entrance to the Kasbah as Bernardo Bertolucci began filming The Sheltering Sky. As teenagers, we came to wonder what truths the books from the Interzone contained, and if Tangier had indeed been better-off under Western rule, as the nostalgists, local and foreign, seemed to imply
  • The narrative we learned at school was that the monarchy had liberated the north from colonial oppression. But what liberation did the regime (makhzen) bring? After independence, as a local intelligentsia began forming in Tangier, many came to see the American corpus of writings about 1950s Tangier as an invaluable record of a lost golden age.
  • I made a point of reading the American authors who had written about Tangier’s Interzone. Besides Bowles, I was intrigued by the Beats, especially the Columbia University alums—Kerouac, Ginsberg, Lucien Carr—students of Lionel Trilling and fans of Arthur Rimbaud who had somehow mapped Greenwich Village onto Tangier, turning the Boulevard Pasteur into a “North African Bleecker Street.” But even as a college sophomore, I realized that their writings were more about the straitjacket of McCarthyite America that they were running from, rather than about Morocco as such.
  • It was even gratifying to see that Tangier, like Berlin, had played a significant role in launching a gay literary movement—in some ways ahead of the West, in having its finger on the “prognostic pulse of the world,” as Burroughs called it. But what was startling was that, while these writers basked in the city’s pleasures, they—with the exception of the Bowleses—didn’t really like Tangier. The Beats had a casual disdain for the natives, invariably describing Moroccans as “rakish” or “raffish.” Capote found Tangier too alien, describing the men as “noisy heathens” and the women as “anonymous bundles of laundry.” He warned friends in New York about the “smell of the arabe.” Burroughs referred to the locals as a “bunch of Ay-rabs,” and in 1958 he pronounced: “Tanger [sic] is finished. The Arab dogs are among us.”
  • Bowles’s defense of the Amazigh, or Berber, population was daringly transgressive. Morocco’s culture “is not predominantly Arabic, but Berber,” he insisted—in the face of Arab nationalists who acted as though they believed “Berbers have no culture at all,” as they tried to drag the country into the Arab League. “The general opinion is that the autochthonous population must at all costs be Arabized if it is to share in the benefits of independence,” he observed acidly. “No one seems to have conceived of the possibility of an independent Berber Morocco. In fact, to mention the Berbers at all qualifies one as a pro-French reactionary. At present, to become modern means to become Egyptian.”
  • In 1972, Tahar Ben Jelloun publicly accused Bowles (and the Beats) of exploiting illiterate, vulnerable youths in Tangier not just artistically but sexually. Choukri in 1997 would echo this charge, claiming Bowles suffered from a sexual illness. These allegations became more commonly heard once Farrar, Straus and Giroux published Bowles’s correspondence in 1994, although he expressed some reluctance about its release. The volume included letters in which he described the boys he slept with, in one letter even bragging about how cheap sex was in Algeria. “Where in this country [America] can I have thirty-five or forty people, and never risk seeing any of them again? Yet, in Algeria, it actually was the mean rate.” (In the correspondence, he reminisced about how he “never had sexual relationships without paying,” and viewed paying for sex as a form of “ownership.”)
  • Reading these words in my dorm room in wintry Pennsylvania in 1992 was both thrilling and frightening. We as Moroccans—especially those of us from the northern Berber region—grew up in a climate of fear, and I had never heard or read anyone publicly criticize Arab nationalism, or speak so openly of the Moroccan hinterland’s animus toward Fez, the city of the interior regarded as the seat of the regime. To hear this American writer openly excoriate the Moroccan ruling elite for its cruelty and skullduggery was exhilarating
  • Bowles prompted me to think beyond the binary of “Western” versus “Arab.”
  • The Moroccan reaction against Bowles began to take form in the early 1970s. His earliest critics were the philosopher Abdallah Laroui and Ben Jelloun, who both chided the American writer for promoting an image of the country as a land of primitivism, drugs, and unlimited sex. Laroui also lambasted the Moroccan bourgeoisie for buying into and reproducing Bowles’s “folkloric” portrayal of their country. Ben Jelloun, writing in 1972, accused the American of belittling the nation’s literary patrimony.
  • Bowles, in the mid-1960s, had begun translating the memoirs and stories of down-and-out illiterate youth in Tangier. (While he could not read Arabic, Bowles did understand darija, the spoken dialect.) The most prominent of these were Larbi Layachi’s A Life Full of Holes (1966), about a petty thief and male prostitute and his experiences dodging police and servicing tourists (the book was made into a BBC film); Look and Move On (1967), the tales of Mohammed Mrabet, a hustler and golf caddie who worked for an American couple; and the best-known, Mohammed Choukri’s For Bread Alone (1972), an account of his migration from the Rif to Tangier, his life as a street kid in the International Zone, and his becoming a schoolteacher, which he recounted to Bowles in Spanish. These books were marketed in the West as “Moroccan literature,” and for many in the Anglophone world, this was their introduction to it.
  • in effect erased an earlier literary tradition that had seen Moroccan writers published in French and Spanish since the 1930s, let alone the preceding centuries of poetry and other writing in Arabic
  • Laroui acted as an adviser to the king and was a strong proponent of Arabization. Tangierians saw his attack on Bowles as another attempt by the Arab nationalist elite to subdue the “sin city.” Ben Jelloun also had a complicated relationship to Tangier. The son of a merchant, a Fassi (a person from Fez) who settled in Tangier in the early 1960s, he had attended the French lycée and was seen as part of the new Francophone Fassi upper class—comprising the Alaoui, Alami, Ben Jelloun, Berrada, Omrani, and Tazi families—that had fanned out across the country as the French departed, assuming top government positions. Like Laroui, Ben Jelloun spoke neither of the two common local tongues of the north, Spanish and Tarifit (the Berber language). A paradox of Ben Jelloun’s work, in particular, was that it often featured the very tropes of mysticism, violence, and sexual deviancy he denounced in Bowles’s work. For his part, the American writer dismissed his Moroccan critics as “confirmed Marxists.”
  • as long as America was seen as a political friend, Bowles was viewed favorably. Not surprisingly, after the Gulf war of 1990 and the release of Bertolucci’s film of The Sheltering Sky that same year, more articles started to appear across the Middle East critiquing Bowles’s representations of Morocco, accusing him of racism and Orientalism
  • I myself was part of this trend—defending Bowles against the Arab nationalists who were trying to tear him down and impose their political preferences on us. In his final interviews, when asked if he was an “Orientalist,” Bowles would often cite me, noting that a Tangier-born scholar now in America had judged him not to be.
  • “Paul Bowles loves Morocco, but does not really like Moroccans.” Choukri had some powerful evidence on his side. Over the decades, Bowles had made countless derogatory remarks, speaking of Moroccans as “childlike,” “purely predatory,” and “essentially barbarous.” He claimed also that Muslims aimed for world domination through “the sword and the bomb.”
  • He was sympathetic to the Amazigh, whom he saw as the original inhabitants of North Africa, a fiercely independent people only “partially Islamicized.” This affection nevertheless rested on some unsettling ideas about racial hierarchy. Bowles was profoundly influenced by the “Hamitic hypothesis,” a late nineteenth-century anthropological theory that saw almost everything of value in Africa as imported by the Hamites, a branch of the Caucasian race, who were held as superior to the Negroid peoples. Berbers, whatever their actual skin tone—even the typically dark-skinned Tuareg—were for Bowles essentially a white “Mediterranean race.”
  • In Bowles’s idiosyncratic hierarchy, it was Berber music that encapsulated Morocco’s true African identity—and this cultural essence was threatened by the Arabs and their music. The recently released Music of Morocco collection reflects this bias, giving credence to Choukri’s claim that Bowles deliberately misrepresented local culture to reflect his personal vision of Morocco.
  • I began to realize that Bowles’s fondness for the Berbers and his animus toward Arabs was, in many ways, a reflection of French colonial policy. Although he was well aware of the violence of French imperialism, he enjoyed its amenities—“the old, easygoing, openly colonial life of Morocco”—and as early as the 1950s, Bowles began to lament the loss of “colonial Tangier.” Above all, he believed in the International Zone, seeing its “anarchy” and “freedom from bureaucratic intervention” as an extraordinary political experiment. But these liberties, which is what drew many of the Beats, were the privileges of Europeans and Americans—ones generally not enjoyed by the city’s Muslim and Jewish natives.
  • Through the 1960s and 1970s, he focused instead on recording and translating from darija (Moroccan Arabic dialect) the oral histories of men he met in Tangier’s cafés. By the time of his death, in 1999, the idea of Tangier as a place for self-discovery had become received wisdom in the West and the Arab world, and Bowles was established as a giant of American letters despite decades of silence.
  • Although the letters simply lent credence to rumors long circulating in Tangier, Choukri and other Tanjawi writers were still shocked by them. The literary reaction in Morocco fed into a larger effort there by human rights activists campaigning against sex tourism and child prostitution. Whereas Bowles had always seemed more judicious and reputable than the Beats—in contrast, say, to Burroughs’s open bragging about buying “pre-pubescent gooks” and Ginsberg’s boasting about “paying young boys” for sex—it became increasingly difficult to defend him. For a man who had called Moroccans “purely predatory,” his own behavior now appeared in rather grotesque relief.
  • The more time I spent at the Schomburg Library uptown, the more I discovered an alternative American literature about Tangier. I stumbled upon Claude McKay’s memoir A Long Way from Home about his time in Tangier in the late 1920s, where he completed his novel Banjo; the actress Anita Reynold’s diary about life in the Interzone in the 1930s; Josephine Baker’s papers, where she talks about filming Princess Tam Tam (1935) in the International Zone, and jazz recordings produced by African-American musicians living in Tangier. Although they had their own dreams about a “Mother Africa,” the African-American writers did not see Tangier as a brothel, or its residents as primitives who needed to be contained or civilized. Most wrote and produced art in solidarity with the disenfranchised local population, connecting the civil rights struggle to North Africa’s anticolonial movements.
  • In 1998, armed with this newfound knowledge, and as a conscious revision of my earlier guiding, I began giving walking tours of “Black Tangier.” We would would meet at Cinema Mauritania, the theater where Josephine Baker had performed many times, up until her last show there in 1970. She had lived in the International Zone, then joined the French Liberation forces during the war, and later had an affair with the vice-caliph of Spanish Morocco. On the first floor of the Mauritania, pianist Randy Weston had once operated African Rhythms, a music spot that drew the likes of Max Roach and Ahmed Jamal. Then we’d walk down to the Fat Black Pussycat café where the poet Ted Joans, one of few black writers in the Beat movement, played trumpet and “blew” jazz poems.
  • Next, we’d hit Galerie Delacroix, where Joans once hosted a four-hour tribute to his mentor Langston Hughes, and had the late poet’s verse read in Arabic, English, French, and Spanish. (In 1927, Hughes had visited Tangier and written a lovely poem about travel and unrequited longing, “I Thought It was Tangiers I Wanted.”) Then we’d walk to the majestic Teatro Cervantes built in 1913, where Weston had organized the first pan-African jazz festival in Morocco in June 1972 (revived in 2002), which brought Dexter Gordon, Odetta, Billy Harper, and Pucho and the Latin Soul Brothers to the city. Our last stop was the Hotel Chellah, where, as local legend had it, the Martinican anticolonial thinker Frantz Fanon stayed overnight on July 3, 1959, following a car crash on the Morocco–Algeria border rumored to be the handiwork of La Main Rouge, the paramilitary group run by French intelligence to assassinate leading supporters of Algerian independence. Fanon was flown to Rome the following day on a Moroccan passport.
  • Paul Bowles and King Hassan II died in 1999, a few months apart. The novelist and the tyrant who had towered over Tangier for generations had more in common than either would have admitted—and that in part explains the reverence Bowles still enjoys in official Morocco
  • both shared a disdain for leftist, Third-Worldist politics. Both hated pan-Arabism, and loved Berber culture as long as it was “folkloric” and apolitical. They each thought Moroccans were congenitally ill-suited for democracy.
  • both Bowles and the monarch celebrated a “primitive,” mystical, unlettered, unfree Morocco, sharing a special appetite for the intoxicating rhythms of the Berbers. No wonder King Hassan II, who expelled numerous critics—from Arab intellectuals to French journalists and American professors—never bothered Bowles.
  • The Ministry of Culture, which almost blocked his recording project in 1959, published a remarkable essay in 2009 on the tenth anniversary of his death defending Bowles against criticism from Moroccan nationalist intellectuals, underscoring how he presciently warned of the threats that modernization posed to Morocco’s cultural and physical landscape. Government mouthpieces such as Hespress run flattering pieces about “the American who loved Morocco.”
  • The Morocco that Bowles dubbed a “land of magic” is one the Ministry of Tourism sells to the West
  • his emphasis on Morocco’s “African” essence suits the country’s recent geopolitical turn and reentry into the Africa Union
  • for all his misgivings about Western modernity, he thought Morocco as an African country would be better off attaching itself to the West. This is now the position of a significant segment of Morocco’s ruling elite.
  • That the regime celebrates Berber folklore and the oeuvre of a novelist who wanted an “independent Berber republic” even as it imprisons Berber activists across the country is evidence for many of the regime’s fraudulence and bad faith. In this respect, Bowles’s continuing eminence suggests how little has changed in the kingdom since the colonial era, with an authoritarian regime and repressive social order remaining largely intact.
  • As for Bowles’s work, I had come to realize that it reflected poorly on Morocco and America. Yes, he had brought attention to the suppression of Berber history and made invaluable musical recordings, but decolonization was supposed to dismantle colonial representations, and instead, the Moroccan regime was validating and institutionalizing Bowles’s depictions of Morocco
  • today, a new generation of Moroccan writers—among them secularists, Berber activists, music critics, and pan-Africanists—are claiming Bowles as an ally. And that is why I found myself writing about Bowles once more.
Ed Webb

Let's Talk About Sex - 0 views

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women Arabs opinion analysis FP gender oppression authoritarianism feminism

shared by Ed Webb on 26 Apr 12 - No Cached
  • To begin with, it is purportedly about how sex shapes the world’s politics. But with the exception of one article that urges US foreign policy makers to understand women as a foreign policy issue and a target of their “smart-power arsenal,” its focus is almost exclusively on Iran, the Arab world, and China. Thus “the world” is reduced for the most part to Arabs, Iranians, and Chinese—not a coincidental conglomeration of the “enemy.” The current war on women in the United States is erased.
  • A naked and beautiful woman’s flawless body unfolds a niqab of black paint. She stares at us afraid and alluring. We are invited to sexualize and rescue her at once. The images reproduce what Gayatri Spivak critiqued as the masculine and imperial urge to save sexualized (and racialized) others. The photo spread is reminiscent of Theo van Gogh's film Submission, based on Ayyan Hirsli Ali’s writings, in which a woman with verses of the Quran painted on her naked body and wearing a transparent chador writhes around a dimly lit room. Foreign Policy’s “Sex Issue” montage is inspired by the same logic that fuels Submission: we selectively highlight the plight of women in Islam using the naked female body as currency. The female body is to be consumed, not covered!
  • We would suggest, as many have, that oppression is about men and women. The fate of women in the Arab world cannot be extracted from the fate of men in the Arab world, and vice versa. El Tahawy's article conjures an elaborate battle of the sexes where men and women are on opposing teams, rather than understanding that together men and women must fight patriarchal systems in addition to exploitative practices of capitalism, authoritarianism, colonialism, liberalism, religion, and/or secularism.
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  • Indeed, the hatred of the people, women and men, has been a, if not the, unifying characteristic of col
  • Hatred is irrational. It is a state or emotion. As Wendy Brown reminds us, such emotional or affective states are understood to be outside of, or unwelcome in, liberalism.
  • critical thinkers have long argued that this practice has more to do with the lack of economic opportunity for women, the imperative to marry, and the hardening and modernization of tradition in response to colonial and neocolonial interventions (including rights frameworks) than some irrational and razor crazed “hatred.” The same insight could be extended to the question of ages of consent. A reductive framework of hatred makes these topics even more difficult to critically think about and work on.
  • to reflect on why the liberalism that Sha‘rawi and her cohorts fought for—men and women—drastically and resoundingly failed. One reason, and there are many, was that liberalism resonated with only a small elite. As Hanan Kholoussy points out, women under domestic confinement who like Sha‘rawi were expected to don the face veil made up only two percent of Egypt’s five million females at the end of the nineteenth century
  • moderate Islam has often been produced on the wings of women's and minority rights
  • in the Palestinian context, the women’s movement lacked a coherent strategy linking gender equality to democracy. The women’s movement thus appeared to be sponsored by the Palestinian Authority; its fate became dependent on that of the political system
  • Turkey, Algeria, Egypt are situations where you have small women’s movements whose popular legitimacy is lost because over time they have been seen as linked to or sponsored by authoritarian secular regimes.1
  • We respectfully invite El Tahawy to join the conversation among women and men in Tahrir and outside of it. After all, the shameful and state-sanctioned sexual violence of the Supreme Council of the Armed Forces’ “virginity tests” did not take place in silence. They happened a day after International Women’s Day when women claimed Tahrir as a space of gender equality and liberation. The “virginity tests” did not meet silence either, as El Tahawy herself points out. Samira Ibrahim continues her fight; her following and her courage are formidable.
  • There is no one answer because there is no single culprit, no single “culture” or “hatred” that we can root out and replace with “tolerance” or “love.” Similarly, the absence of a sustained and critical attention to sex and gender cannot be solved, syllabus style, by a separate glossy special “Sex Issue,” the content and form of which reproduce what it purports to critique.
Ed Webb

Debating the War on Women - An FP Roundtable | Foreign Policy - 0 views

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women Arabs Muslims opinion FP

shared by Ed Webb on 25 Apr 12 - No Cached
  • There is misogyny in the Arab world. But if we want progress for Arab women, we must hack at the roots of evil, not at its branches.
  • what we need are sustained, nationwide campaigns to raise awareness and dissociate religion from repression of women
  • Economic security for women is as essential as political and cultural change
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  • The fact of the matter is that Arab women, throughout the region, are exercising their moral and political agency, but not necessarily in the ways we might expect.
  • The reality is that democracy and liberalism do not necessarily go hand-in-hand, at least not in the Arab world. If anything, the opposite is true. Democracy means that governments need to be responsive to the will of the people. But the will of Arab men, and even Arab women, does not seem to be particularly supportive of the Western conception of gender equality.
  • What if Arabs decide they want to be illiberal?
  • "One of the most problematic assumptions behind quotas is that having more women in parliament somehow represents a de facto gain for women's causes."
  • To grasp our strength, we must accept that freedom involves freedom of expression, which is not about right or wrong but rather the right of choice, including the right to choose and use our sexuality.
  • Here is where American Muslims become so important. As it has in other countries, Islam as practiced in the United States is taking on many of the cultural norms of American society. American Muslim women drive cars. No one advocates genital mutilation here. Muslim women enjoy the rights and privileges of all American women. These new practices are transforming Islam here and, as with so many other immigrant groups, American Muslims are positively influencing events back in their native countries.
  • they also fear us, as much as our dictators feared us
  • Quotas, like any top-down solution, fail to address the root of the problem -- that the prevailing culture in the Arab world, for now at least, does not view women the same way that Western cultures do. In other words, getting to gender equality is probably going to take a very long time. The other possibility, and the more likely one, is that Arab societies will decide to go their own way -- a different way -- on women's rights. And they may do so both democratically and with the support and active encouragement of Arab women themselves.
  • The image of Nekkid Burqa Woman is lazy and insulting. Let's talk lazy first. And by lazy I mean editorially. Illustrations for print stories are meant to illuminate the text, to present a further dimension to the written word. They are not incidental to the item. The image of a naked woman with a painted-on burqa does nothing to illuminate the essay it accompanies. It's trite and boring -- been there, done that. Nekkid Burqa Woman is, in fact, so common that she doesn't even shock or provoke anymore. Her image simply elicits, in the language of the Internet, a "Really, Foreign Policy? Really?" The covered-yet-naked-yet-covered Unknown Brown Woman is all over the place. You can find her on book covers and in movie trailers. You'll see her used in making the case for war and you'll see her used in making the case for jihad.
  • Muslim women are typically presented in two ways in the West: traditional/veiled/subservient or modern/unveiled/autonomous. In the Muslim world, it's the reverse. The best, most free woman is the most covered. Uncovering is for a woman without morals, one who is oppressed by her own desires. In both views, Muslim women are defined by how they (un)dress.
  • The further insult stems from the fact the woman in the picture is inactive. She is simply presented for consumption.
  • And it's not just about Muslim women. The illustration is insulting to women in general. It takes the profound problem of gender-based violence and reduces it to sexual imagery: "Hey, we might be talking about the endemic hatred of one gender for the other but here's a naked painted lady to keep you company!"
Ed Webb

Azza al Garf: Is she Egypt's answer to Michele Bachmann? - Slate Magazine - 0 views

www.slate.com/..._michele_bachmann_.single.html

Egypt religion politics ikhwan MB GOP US USA opinion

shared by Ed Webb on 29 Mar 12 - No Cached
  • The rise of the strong female politician with regressive ideas about women’s rights seems to be a global phenomenon. In Egypt, the sisters of the Muslim Brotherhood share similarities with the extreme right wing of the Republican Party including relying on the supernatural advice of a “higher power” for their political involvement and an unabashed commitment to policies that limit or reverse women’s rights. Though these women have benefitted from the notion that women are equal, they work hard to differentiate themselves from feminists and attack them whenever possible
  • Funded by infusions of hundreds of millions of dollars over the years from conservative donors in the Gulf countries, al Garf and thousands of women like her have a powerful political ground game the Tea Partiers can only look upon with awe.
  • She understands that the majority of Egypt’s poor women already work outside the home and must at least travel alongside men, often supporting deadbeat husbands and children
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  • there is no correlation between the Muslim Brotherhood's rise to power and sexual harassment. Sexual harassment has existed long before they came along
  • This article reeks of prejudice and confirmation bias with the author conveying her pre-conceived notions of what she expects an islamic party or muslims to behave and act like regardless of what she saw in actuality. 
  • The fact is that women in Egypt and other countries in the region are already legally second class citizens, and one would hope that their revolution, to which the women gave so much, would begin to change that, rather than have a regressive effect.
  • Although I am no fan of the Brotherhood (or the Tea Party), I am dismayed by crude generalizations and stereotypes employed by this author. I would hope that Slate could choose something a little more insightful to present to Western readers wanting to understand the Islamist movement (and what this means for the shape of politics in the Middle East) instead of perpetuating crude stereotypes.  
  • Nina, you are not fit to write about the "fate" of women after any Arab revolution. As an Arab, Muslim FEMINIST who "swaddles" herself in a headscarf, I can tell you that you just don't know enough. Plain and simple. I know Egyptian womyn who "swaddle" themselves in headscarves and identify as anarchists. I know Egyptian womyn who "swaddle" themselves in headscarves and go tagging in downtown Cairo. I know Egyptian womyn who "swaddle" themselves in headscarves and are members of the Revolutionary Socialist movement. I wonder if these womyn will be featured in your book. Probably not because it seems to me you have a very specific portrait you'd like to portray about the Arab, Muslim womyn donning the headscarf.
  • the orientalising nature of this piece
  • are you sure those are 'conservative' foreign donors? are they even the majority of donors? Are you implying the most popular political party in egypt for the last century cannot afford to pay its own bills? Actually 'conservative' donors would donate to the salafis, not to the Muslim Brotherhood. 
  • There are massive social and economic problems in Egypt and in the Arab world at large. And yeah, women are largely treated as second-class citizen and face cultural and legal hurdles. But this is not something that outsiders can fix. Every society and every culture changes on their own terms. The fact that Azza al-Garf is even in that position is progress. Whether or not one likes it, religious women are seen to have more "legitimacy" when it comes to challenging and changing the cultural mores in many Islamic societies than outsiders or people deemed to be too "Western."  And really, swaddled? I'm an American Muslim woman who has worn all sorts of garb. Sorry, but her abaya is likely far more comfortable than whatever business suit the author was wearing.
  • Ed Webb on 29 Mar 12
     
    Heh. Not great journalism, some good comments.
Ed Webb

3quarksdaily - 0 views

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opinion analysis #jan25 protests Tunisia Egypt Libya Bahrain US

shared by Ed Webb on 21 Feb 11 - No Cached
  • in a post-9/11 world, any non-state actor caught throwing a stone, be it the first stone or the thousandth, risks total warfare under the guise of counterinsurgency
  • The coming constitutional showdown between human law and divine law in the revolutionary Arab states may turn on the question of gay rights and sexual freedom generally
  • Mass, sustained civil disobedience at the corporate headquarters of insurance 'providers' and banks and petrol companies remains a long way off. Instead, Koch-funded campaigns continue to succeed at electing Republican governors who then refuse federal money to build high-speed rail networks . (See Wisconsin, Ohio, Florida, and more to come. Special shoutout to New Jersey.) When Americans begin to thirst for health care, re-pedestrianised cities, and the return of usury laws with the same fervor that Egyptians have shown in clamouring for democracy and the rule of law, only then will we know the revolution is here.
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  • may all the peoples of the world live free with leaders of their own choosing and with easy access to medical care as every human being deserves. Let's hope that something close to that awaits us all in this life
Ed Webb

Jadaliyya - 0 views

www.jadaliyya.com/...to-Title-VI-Notice-on-UNC-Duke

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shared by Ed Webb on 04 Oct 19 - No Cached
  • This is the first program to be hit with a gag order by the US government, but it likely will not be the last. Instead, this gag order hopes to stimulate a programmatic shift in the way all Middle East studies programs who utilize Title VI funds teach about the Middle East and Islam.
  • As graduate students involved in the Duke-UNC Center for Middle East and Islamic Studies, we will not kowtow to the state—this state or any other. Our first preoccupation is critical thinking and academic freedom, which is integrally linked to the pursuit of justice. We reject the premise of this gag order and its underlying intentions. We stand against all forms of discrimination—racial, religious, gender, sexuality, class, age, ability, and otherwise—in particular as a result of state vision and rhetoric. We will not support imperialism, jingoism, and military hegemony, and we do not support the idea that these are necessary for maintaining peace in any nation, including the US.
Ed Webb

IFI Op-ed - Women in Revolution: A Fourth Wave of Feminism? - 0 views

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shared by Ed Webb on 07 Mar 20 - No Cached
  • With the start of the Lebanese Revolution on October 17th, young feminists were an integral part of an unprecedented social movement in Lebanon.  In fact, young feminists have been engaged in formulating the revolution’s demands pertaining to equality, justice, inclusion, dignity, rights, and the rule of law in our country.   Feminist demands during the revolution included but were not limited to calls for an egalitarian family code, an end to violence against women, call out against sexual harassment, the abolishment of the Kafala system - which holds migrant workers in a servile relationship with their employers - inclusion of all women and girls, rights for LGBTQI, rights for individuals with disabilities and special needs, dignity, as well as freedom from oppression and violence for all.  Young feminists emphasized the right to individual freedoms and bodily integrity. These demands were beautifully and intelligently framed in an analysis of patriarchy and how it is reproduced by within the political, economic, social, and cultural spheres
  • the patriarchal/confessional system has affected all aspects of life, in both the private and public spheres
  • the social movement of 2015 revealed signs of misogyny and hostility especially with the brutal attacks against trans-women who were exercising their rights to participate in public mobilization.
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  • Revolutions in other countries of the MENA region have also shown clear indications of strong feminist expression. Sudan, Algeria, and more recently Iraq, have witnessed a significant mobilization of young feminists, often calling for women demonstrating against oppression and violence and always framing their demands within a call for change and transformation towards the rule of law, justice, equality, and dignity for all.
  • The main characteristics of what we are observing during the ongoing revolution is certainly a feminist movement that is intersectional, that emphasizes agency and bodily rights, has a critical and deep understanding of linkages and connections, and uses different modern and creative strategies for mobilization and communication including social media. But critically, the movement is not limited to or bound by geographical or thematic confines, but rather moves away from defining gender as a binary, and employs an all-inclusive and an uncompromising approach to its understanding of human rights
  • how do we collect the significant indigenous knowledge produced every day by young feminists who, for the first time, have reclaimed both space and voice from the older generation of feminists, as well as from Northern-based feminists?
Ed Webb

Top Egyptian actor and trans son stir debate in rare media appearance | Middle East| Ne... - 0 views

www.dw.com/...a-53353144

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shared by Ed Webb on 07 May 20 - Cached
  • The appearance of prominent Egyptian actor Hesham Selim and his transgender son on DW's Arabic program "Jaafar Talk" has made waves in a country where sexual identities are rarely discussed.
  • After the actor first spoke publicly about Nour, formerly Noura, on local television last weekend, the two went on international TV to express support for one another and talk about Nour's transition and the challenges he has faced.
  • As Egyptians stay glued to their favorite TV series during Ramadan, the rare public message of solidarity from a top actor in a largely conservative and patriarchal country generated an emotional response on social media.
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  • Many were surprised by the positive reactions of their families and older generations
  • a conservative state where official gender transitions require religious approval.
  • in the eyes of the law, he is still considered female.
  • According to an Associated Press report, only 87 transitions were officially allowed for "physical reasons" between 2014 and 2017 in Egypt, while none were approved for "gender identity disorder."
Ed Webb

Muslim in America - Reason.com - 0 views

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shared by Ed Webb on 04 Sep 17 - No Cached
  • The Muslims of Dearborn and Hamtramck are indeed increasing their participation in political life, but that isn't a plot to turn the towns into little Shariahvilles—it's an effort to assimilate into American life.
  • only 30 percent of Detroit's Arab Muslims go to mosque every month, compared to 66 percent of Arab Christians who attend church that often. Just 18 percent of the area's Muslims were active in their mosques, far less than the 47 percent of Arab Christians who were active in their churches. This is not what an incubator of zealotry looks like
  • Hamtramck's 15,000-strong Muslim population dates back only about two decades, and it consists of everyone from blue-eyed, light-skinned Bosnians to swarthy Bangladeshis. By contrast, Dearborn's community has 100-year-old roots and hails predominantly from the Middle East. Its Muslim population is almost three times bigger than Hamtramck's—more if you count Dearborn Heights, its companion city. Because the Hamtramck community is newer, it has an air of innocence, as if it hasn't fully comprehended how much post-9/11 hostility there is toward Muslims in America. Its politics are primarily driven by economic security and ties to the old world. Dearborn's community is more settled, savvy, and middle-class, and it is acutely aware of the harsh national Klieg lights pointed at it. Its political participation is a complicated coping dance motivated not just by its economic interests but also the need to cooperate with anti-terrorism efforts without ceding civil or religious rights.
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  • There are about 35 bars in Hamtramck. That may sound like a lot, but there were 200 before Muslims started displacing Poles. Some of the former bars have been converted into mosques such as the Masjid Al-Iman Al-Ghazalli on Joseph Campau Street.They look like the poor cousins of Hamtramck's grand churches, especially the tall and majestic St. Florian that looms over the town
  • Fox & Friends' Pete Hegseth performed a typical hit job, finding an obligatory Polish American to say on camera that Muslims aren't "ready for Western culture yet."
  • most of the people protesting the muezzin's call weren't locals but Christian fundamentalists sent from neighboring towns, some in Ohio. Greg Kowalski, a retired editor of the local Observer & Eccentric newspaper chain, confirms the same. Indeed, he says he was contacted by Christian attorneys in Chicago offering their services pro bono to stop the call. But Majewski insists the protesters didn't understand that the call was constitutionally protected speech; the council couldn't ban it any more than it could cut off the church bells that ring every hour. The council meeting that became the focus of protests was in fact never about banning the call; the aim was just to regulate its volume and timing.
  • If anything, says Kowalski, a lifelong Hamtramck resident, Muslims have been far less aggressive in remaking the city compared to earlier European immigrants. The retiree, who volunteers at the Hamtramck Historical Museum, believes the current transition is far less contentious than the early-20th century conflict between the new Polish arrivals and the previously dominant Germans. The two groups already had some bad blood between them from the old country. Germans, who outnumbered Poles 10–1 in 1900, pulled every trick in the book to prevent the Polish from gaining power, including stopping voting at 4 p.m., one hour before the Polish factory workers got off. They also held citywide elections for City Council rather than electing representatives by district—a system that still persists—to prevent Pole-heavy neighborhoods from getting a foothold in the local government.
  • The animosities within the Islamic community are probably fiercer than the divisions between Muslims and everyone else. East-Asian Bangladeshi Muslims (20 percent of Hamtramck's population) don't have much in common with Middle Eastern Yemeni Muslims (also 20 percent), who don't have much in common with European Bosnian Muslims (7 percent) and so on. Over the past two decades, strong disagreements between these groups, but also within them, have broken out. For example, various Bangladeshi factions, who tend to be the most politically active group, fought so hard over whose favorite icon from back home should be used when picking honorary names for streets that the whole project had to be dropped. If Hamtramck's politics show anything, it is the crudeness of viewing Muslims as a monolith whose religious identity trumps its linguistic, cultural, political, and economic interests.
  • The diverse political motivations and interests of the Muslim council members make it difficult for them to come together as a block, notes Kowalski. It also makes them similar to local politicians everywhere. One of the few times they did unite was over a barnyard animal ordinance two years ago. A burgeoning urban farm movement pushed the council to allow small barnyard animals in backyards. But this threatened local Muslim merchants, who control the live chicken business in town. They successfully lobbied some of the Muslim council members to make an exception in the final bill. The upshot is that people can now keep rabbits, ducks, and pigeons—but chickens are a no-no. "You can tie [that debate] to religion if you want," mused Majewski when queried about the incident. "But it's really got more to do with internal Hamtramck politics." In other words, the grandest Muslim conspiracy in Hamtramck aimed to advance not Shariah law but old-fashioned low-stakes crony capitalism.
  • Hamtramck is poor—at least 50 percent of its population consists of recent immigrants who work in trucking, cabbing, or house cleaning or run small mom-and-pop stores—but it couldn't be more different from Jindal's imaginary European no-go ghettos. In the last few years it has become a trendy spot for hipsters priced out of Detroit's reviving downtown but who want good ethnic eateries, a cool bar scene, and cheap housing. (The average home here costs $50,000; an Albanian house painter told me that's a third of what a home costs in his country.)
  • Al-Haramain represents the live-and-let-live version of Islam that has established itself in America. "I don't see much radicalization among Muslims in Hamtramck," observes Andriy Zazulya, a Ukrainian student in his mid-20s who came to America with his family nine years ago. "They have the same aspirations as every other immigrant group here. And the immigrant bond that we all share is much stronger than any religious differences."
  • American Muslims were turning solidly Republican before 9/11 interrupted the process. That makes sense because Muslims are naturally conservative, argues Osama Siblani, a Lebanese-American engineer who founded the Dearborn-based Arab American News in 1984. George W. Bush was the community's clear favorite in the 2000 election, because he combined his conservatism with calls for a "humble" foreign policy and opposition to racial profiling. Siblani's paper gave Bush a ringing endorsement, and the Republican went on to win 71 percent of the national Muslim vote, prompting Weekly Standard editor Bill Kristol, no dove, to identify Siblani among the people Bush should thank for his victory.
  • even before Donald Trump called for banning Muslims from the U.S. and Newt Gingrich laid out a proposal to require loyalty oaths, the GOP started to lose the Islamic vote. In the aftermath of the September 11 attacks, hawkish Republicans began to demonize Shariah and questioned Islam's compatibility with American values. And as some in the GOP rejected Muslims, they returned the favor. In the 2016 presidential primaries, 59 percent of Dearborn's Muslims voted for Bernie Sanders, a Jewish socialist. In Michigan, they helped fuel his upset victory over Hillary Clinton.
  • One issue that spurred action was a desire for more resources to help absorb refugees of the Iraq War, many of whom were clustering in East Dearborn and straining public services, especially schools. Dearborn authorities wanted to simply bus the kids to West Dearborn schools, but Siblani used his newspaper and his clout to campaign successfully for a $150 million millage to build three new schools in East Dearborn. Arabs also sought and won spots on school boards, campaigning to address the special needs of Muslim kids, such as halal lunches and bilingual education.
  • It is notable that all of Dearborn's Muslim City Council members, in contrast to their Hamtramck counterparts, have assumed American names such as Susan Dabaja, Mike Sareini, Robert Alex Abraham, and David Bazzy. They aren't the only ones. I met one second-generation Lebanese Christian businessman who assumed a milquetoast American name after 9/11, switching because he was afraid for his children and grandchildren. "I've read American history, and I know what happened to Japanese Americans in World War II," he shudders. The fear of internment camps haunts many Dearborn Arabs, Siblani affirms.
  • After 9/11, the feds illegally detained 1,400 Arab-American Muslims, many from Dearborn, sending shockwaves through the community. Despite that, about 4,000 of them voluntarily signed up as translators and agents for the CIA and FBI. Meanwhile, many Michigan Muslims used their familiarity with the Middle East to obtain lucrative defense contracts during the Iraq War, making veritable fortunes. But the biggest boon for Dearborn was, paradoxically, the PATRIOT Act. The feds used that law to crack down on Muslim charities sending money overseas for relief efforts out of suspicion that they were using philanthropy as a cover to fund militant outfits such as Hamas and Hezbollah. This spooked Dearborn Muslims into keeping their almsgiving closer to home.
  • An influx of wealth within the community combined with rising Islamophobia outside, he argues, retarded the normal process of outward mobility. Dearborn has become a safe haven for Arab Muslims, so that even as they become more affluent, they don't necessarily move to tonier suburbs—or at least not ones too far from Dearborn. As a result, the town has become an enclave, observes Matthew Stiffler, a Lebanese Christian researcher at Dearborn's Arab American National Museum. Muslims can visit mosques, patronize Arabic-speaking doctors, send their kids to predominantly Arab public schools, and eat at halal restaurants without having to venture outside city limits. Many conservatives see this and scream "Dearbornistan." But the city's Muslims say they have built parallel institutions as an act of self-protection, largely to avoid uncomfortable encounters with people who scream things like "Dearbornistan."
  • Shiites see Al Qaeda and ISIS—the worst 21st century terrorist groups—as Sunni terrorists, not "Islamic" terrorists. They don't think 9/11 or the San Bernardino and Orlando attacks have any more to do with them than the Catholic pedophilic priest scandal has to do with Protestants.
  • younger, college-educated, American-born Muslims are more likely to want to stand up to the authorities and defend their civil rights. Many of them condemn their elders as collaborators
  • the hijab is experiencing something of a revival among Michigan's Muslims—but not because the community is coming under the grip of some retrograde form of patriarchal Islam. Rather, women are donning it as a symbol of resistance to demands for mainstream conformity. Several Muslim men told me that they'd feel better if their wives ditched their headscarves to avoid harassment. But the wives themselves were digging in their heels, because they wanted to fight for the space to practice their faith on their own terms.
  • The central paradox that American Muslims confront is that they are being challenged to assimilate in mainstream America, even as mainstream American has turned suddenly hostile to them.
  • there are two potential tension points between the Muslims and other Americans, one involving sexual politics and the other involving religious speech. In both cases, the conflict doesn't involve American conservatives who oppose the Muslim presence but American progressives who support it
  • Like Christian puritanism, Muslim puritanism is a lifestyle choice. The crucial thing is that the moral high ground in the American Islamic community is on the side of educating and empowering women.
  • Elturk, who has a son in the Marines, says that there is growing sentiment among Muslims that anti-apostasy laws don't represent the true teachings of the Koran. But he acknowledges that most Muslims, including him, believe in setting outside limits to free speech when it comes to religion. A 2012 Wenzel Strategies poll found that 58 percent of Muslim Americans believe criticism of Muhammad should not be protected under the First Amendment. If he were president, Elturk imagines, he would hold a multi-faith conclave to draw up red lines for every religion beyond which free speech rights would not be protected. "If non-Muslim Americans understood that Muslims love the prophet even more than their children and parents, they'd see why insulting him is unacceptable," he says. This betrays a fundamental inability to comprehend that such restrictions would eviscerate both free speech and the separation of church and state.
  • How threatening are these Muslim attitudes to bedrock liberal values? Given how small the Muslim presence in America is, not very. If this presence grows substantially, it will certainly affect the national conversation on religious speech and gay rights, just as the Catholic presence has affected the debate over abortion and reproductive rights—and the Jewish presence has affected the debate over Middle Eastern policy. But Muslims will not just influence the culture; they will be influenced by it. Islam in the West loses about a fourth of each Muslim-born generation. If Muslim numbers increase, interaction with the rest of America will splinter the community's already fraught cohesiveness. "There will be Democratic Muslims and Republican Muslims and civil libertarian Muslims and socialist Muslims and progressives and conservatives," Siblani predicts.
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