Episode #1148
American Icons: The Great Gatsby
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Thursday, November 25, 2010
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Episodes of false identity, living large, and murder in the suburbs add up to the great American novel.
More than love, sex, courtship, and marriage; more than inheritance, ambition, rivalry, or disgrace; more than hatred, betrayal, revenge, or death, orphanhood—the absence of the parent, the frightening yet galvanizing solitude of the child—may be the defining fixation of the novel as a genre, what one might call its primordial motive or matrix, the conditioning psychic reality out of which the form itself develops.
"This is the play-date generation. ... There was a time when children came home from school and just played randomly with their friends. Or hung around and got bored, and eventually that would lead you on to something. Kids don't get to do that now. Busy parents book them into things constantly-violin lessons, ballet lessons, swimming teams. The kids get the idea that someone will always be structuring their time for them."