The mad Ophelia and the mock-mad Hamlet expressed the poet’s many-sided rebellion against the world’s ordinariness. For there is a kind of normality that is unacceptable, a base, comfortable normality that submits to reality, forgets easily. It is universal because some inner law of economics doesn’t allow us to experience reality to the full, to the depths, at the level of the most profound feelings and meanings. The same instinct for self-preservation in the sphere of the mind protects us from an excessive sensitivity, from the ultimate why and wherefore. Hamlet is the contradiction of that attitude.