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As a Sherlock Holmes fan, I'm already partial to a character whose qualities include a calculating mind and a knack for intelligent quips. If he happens to be the main character in a heist plot, then I'm sold.

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This memoir is wonderfully written, beautifully arranged, and a heart-wrenching but hopeful masterpiece. "Something is afoot within me that I do not understand, the breaking of a contract that I thought could not be broken, a slow perverting of my substance." Anna was living a pleasantly ordinary life, working for the British government, when she started to develop her sensitivity to light. At first, her face felt like it was burning whenever she was in front of the computer. Soon this progressed to intolerance of artificial lights, then of sunlight itself. The reaction soon spread to her whole body. Now, when her symptoms are at their worst, she must spend months on end in a dark room covering window and door cracks, and mummified in layers of light-protectant clothing. She spent her days in the dark talking to people on the phone, watching TV during short periods out of her blacked-out room by looking at its reflection in a mirror, making word games to keep herself occupied, but usually she got through audio books. Lyndsey discovered she could go out for a walk at dawn and dusk for about an hour without it affecting her skin, and her husband made a covering of black felt for the back of the car so they can drive somewhere else, such as a forest, during daylight hours, ready for a sunset walk. Despite everything, Anna's husband named Pete stays around with her. Pete brings some light, although only of the emotional kind, into her life. She feels she should leave him, but is incapable of doing so unless he asks her to go - and thus far, he has not. "That is the miracle that I live with, every day," she writes. With gorgeous, lyrical prose, Anna brings us into the dark with her, a place where we are able to see the true value of love and the world.

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Resurrecting a 45-year-old book, Bill Gates included Business Adventures: Twelve Classic Tales from the World of Wall Street on his 2014 summer reading list. His enthusiasm ("Warren Buffett recommended this book to me back in 1991, and it's still the best business book I've ever read"-and claims it's Warren Buffett's favorite business book, too) was contagious. With prodding by Gates's team, the out-of-print book was reissued as an e-book by Open Road, and as I write this post it's Amazon's #1 best seller in commerce and #2 in books. John Brooks originally published these business stories in The New Yorker, so it goes without saying that they are well written. Describing the stock market as "the daytime adventure serial of the well-to-do," Brooks devotes the first chapter to a blow-by-blow account of the "little crash" and rapid recovery that occurred in the last week of May 1962. On Monday the Dow dropped more than it had on any day except October 28, 1929. By Thursday, after the Wednesday Memorial Day holiday, it closed "slightly above the level where it had been before all the excitement began." The infrastructure in place at the time could not cope with the overwhelming trading volume. On Tuesday, May 29, "there was something very close to a complete breakdown of the reticulated, automated, mind-boggling complex of technical facilities that made nationwide stocktrading possible in a huge country where nearly one out of six adults was a stockholder. Many orders were executed at prices far different from the ones agreed to by the customers placing the orders; many others were lost in transmission, or in the snow of scrap paper that covered the Exchange floor, and were never executed at all.

It's neither Big Data nor innovation, despite all the business books and management gurus touting the disruptive potential of each. It's the simple question, right there on the tip of your tongue. A new book demonstrates just how far an inquisitive mind can take you. Change usually starts with a question. Inquiry has toppled monarchs and empires throughout history. It's the basis of one of the earliest forms of education - the Socratic Method - used to train young minds in the rigours of critical thinking. Yet, it's a mostly ignored business tool, overlooked by executives trained in the MBA arts that "tend to place more value on answers, pronouncements, and promises," according to author Warren Berger. Questions also overturn business empires.

Alirio Zavarce's one-man show on the nature of something he's termed "rational madness" begins in an airport. He's just flown back to Australia with a prop suitcase, and as the story reaches fever pitch, with the federal police brandishing machine guns and a gaggle of customs officials staring him down suspiciously, he stops the show. He's troubled. There's a divide between Zavarce the man and Zavarce the actor. Maybe that's the wrong place to begin. Things carry on, but it's not the last time he'll stop the show. Loco is peppered with Zavarce's asides, and the whole thing proceeds in kooky fits and starts. Jonathon Oxlade's enchanting set - a towering wall of cardboard boxes - becomes a playground. Sections fall down, some of them contain secrets, and more than a few become the canvas for Chris More's projection design. Zavarce's marriage and the twin towers of the World Trade Centre collapsed on the same day, and this is where his "rational madness" began. Everyone's a little bit loco, and sometimes we have to give in to it in order to get through. He's a beguiling, fascinating performer who's at his best engaging directly with the audience. Sasha Zahra's direction is solid, but there's a gap between the darkness and the light in these stories. These semi-autobiographical tales are told mostly in big print, and the net effect is beautifully polished, but fundamentally shallow. Like The Rabble's Room of Regret last year, this show features a plate of human faeces. But it's there to do more than just shock: it's glad wrapped, and it's a prop in a didactic little bit about the value of things.

The character and career of Sir Winston Churchill are both so protean that it is not surprising that there have been studies of the great man emphasizing innumerable aspects, running the gamut from military strategist and statesman to painter and gourmand. Certainly, Churchill as a literary figure is a topic also well worth considering. What other British prime minister won the Nobel Prize for literature? (It was awarded to him in the midst of his second premiership in 1953.) Interestingly, although it was widely believed that this accolade came to him because of his magisterial history of World War II, Jonathan Rose, Kenan professor of history at Drew University, informs us that it was the autobiography "My Early Life" that impelled the (neutral in World War II) Swedes. Well-researched and clearly informed by great admiration and attunement to its subject, "The Literary Churchill" is simply crammed with interesting facts like this - and not just about his oeuvre and his accomplishments. We find out about the origins of his writing with his discovery of it as a talent and much-needed boost as an indifferent student, his literary and theatrical tastes and his affinity for melodrama.