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Jac Londe

U.S. Code: Title 17 - COPYRIGHTS | LII / Legal Information Institute - 48 views

www.law.cornell.edu/...17

u s code scope exclusive graphic works information copyright Title 17

shared by Jac Londe on 23 Jan 14 - No Cached
  • U.S. Code › Title 17 U.S. Code: Title 17 - COPYRIGHTS
  • CHAPTER 1—SUBJECT MATTER AND SCOPE OF COPYRIGHT (§§ 101–122) CHAPTER 2—COPYRIGHT OWNERSHIP AND TRANSFER (§§ 201–205) CHAPTER 3—DURATION OF COPYRIGHT (§§ 301–305) CHAPTER 4—COPYRIGHT NOTICE, DEPOSIT, AND REGISTRATION (§§ 401–412) CHAPTER 5—COPYRIGHT INFRINGEMENT AND REMEDIES (§§ 501–513) CHAPTER 6—IMPORTATION AND EXPORTATION (§§ 601–603) CHAPTER 7—COPYRIGHT OFFICE (§§ 701–710) CHAPTER 8—PROCEEDINGS BY COPYRIGHT ROYALTY JUDGES (§§ 801–805) CHAPTER 9—PROTECTION OF SEMICONDUCTOR CHIP PRODUCTS (§§ 901–914) CHAPTER 10—DIGITAL AUDIO RECORDING DEVICES AND MEDIA (§§ 1001–1010) CHAPTER 11—SOUND RECORDINGS AND MUSIC VIDEOS (§ 1101) CHAPTER 12—COPYRIGHT PROTECTION AND MANAGEMENT SYSTEMS (§§ 1201–1205) CHAPTER 13—PROTECTION OF ORIGINAL DESIGNS (§§ 1301–1332)
  • Jac Londe on 23 Jan 14
     
    Everything to you must know about copyrights for your work and the work of your students.
Randolph Hollingsworth

The Code of Best Practices in Fair Use for Media Literacy Education - 60 views

www.centerforsocialmedia.org/...r-use-media-literacy-education

copyright fair use media educational technology

shared by Randolph Hollingsworth on 25 Oct 10 - Cached
  • when they occur within a restricted-access network, do enjoy certain copyright advantages
  • we as a society give limited property rights to creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment
  • Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? • Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
  • ...21 more annotations...
  • If the answers to these two questions are "yes," a court is likely to find a use fair
  • whether the use will cause excessive economic harm to the copyright owner
  • the purpose of copyright—to promote the advancement of knowledge through balancing the rights of owners and users.
  • In some cases, this will mean using a clip or excerpt; in other cases, the whole work is needed. Whenever possible, educators should provide proper attribution and model citation practices that are appropriate to the form and context of use.
  • educators should provide reasonable protection against third-party access and downloads
  • educators using concepts and techniques of media literacy should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work
  • Students’ use of copyrighted material should not be a substitute for creative effort
  • Students should be able to understand and demonstrate, in a manner appropriate to their developmental level, how their use of a copyrighted work repurposes or transforms the original.
  • but cannot rely on fair use when their goal is simply to establish a mood or convey an emotional tone, or when they employ popular songs simply to exploit their appeal and popularity
  • material that is incorporated under fair use should be properly attributed wherever possible
  • attribution, in itself, does not convert an infringing use into a fair one.
  • If student work that incorporates, modifies, and re-presents existing media content meets the transformativeness standard, it can be distributed to wide audiences under the doctrine of fair use.
  • When sharing is confined to a delimited network, such uses are more likely to receive special consideration under the fair use doctrine
  • there are no cut-and-dried rules (such as 10 percent of the work being quoted, or 400 words of text, or two bars of music, or 10 seconds of video).
  • Transformativeness, a key value in fair use law, can involve modifying material or putting material in a new context, or both
  • Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects.
  • If educators or learners want to share their work only with a class (or another defined, closed group) they are in a favorable position
  • if work is going to be shared widely, it is good to be able to rely on transformativeness
  • courts have found that asking permission and then being rejected has actually enhanced fair use claims.
  • We don’t know of any lawsuit actually brought by an American media company against an educator over the use of media in the educational process
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • Randolph Hollingsworth on 08 Jun 12
     
    Good place to look for guidelines about use of media
Brad Belbas

update on Warner Music (UPDATED) (AGAIN) (Lessig Blog) - 0 views

www.lessig.org/...update_on_warner_music.html

fair use dmca copyright creativity read-only culture read-write creativity

shared by Brad Belbas on 06 May 09 - Cached
  • Brad Belbas on 06 May 09
     
    This is a video of a talk that Lawrence Lessig (Professor, Stanford Law School) gave for an organization. In his talk, Lessig provides a powerful and piercing analysis and critique on the impact that legal restrictions on the re/use of media resources has on creativity and cultural production. During his talk, Lessig shows some remarkably creative mash-ups videos on YouTube to exemplify the kind of creativity/cultural production that is possible through ubiquitous digital media. Ironically, the organization that hosted the talk received a notice from Warner Bros Music after posting a video of the Lessig's talk on YouTube, which, according to Lessig's blog, "objected to its being posted on copyright grounds." Warner Brother Music Group has implemented content-id algorithms (i.e., technology that detects the digital "fingerprint" of corporate-"owned" copyrighted works) through media hosting services, including YouTube, FaceBook, and others. When the video of Lessig's talk was posted, it was 'dusted' for fingerprints of WBMG copyrighted works. The detection system identified the soundtracks in the YouTube videos Lessig showed, as materials to which they held copyright. Both the video of Lessig's talk and the blog conversation regarding WBMG's objection are must-see resources.
Jennifer Clark Evans

IP Reports - 50 views

www.ncte.org/...ipreports

copyright fair use NCTE

shared by Jennifer Clark Evans on 15 Jan 10 - Cached
  • copyright
  • also meant to protect the rights of users in order to promote creativity, innovation, and the spread of knowledge
  • not on how much of a piece of copyrighted work that we use, but instead on the ways in which we use it.
  • ...4 more annotations...
  • fair use requires judgment.
    • Jennifer Clark Evans
      Jennifer Clark Evans on 16 Jan 10
       
      which is why it is so crucial to examine in our classrooms-helping our students develop fair judgment when using technoligies.
  • if the user “transforms” the material in some way, repurposing it in a new media composition, for instance, then fair use likely applies.
  • or did it just repeat the work for the same intent and value as the original?
  • Students’ use of copyrighted material should not be a substitute for creative effort.
  • Chris Sloan on 15 Jan 10
     
    from NCTE's Monthly Intellectual Property Reports, Troy Hicks writes: "In November 2008, educators were introduced to the "Code of Best Practices in Fair Use for Media Literacy Education," and our concept of how to deal with copyright issues in the classroom has, literally, been transformed. As the official policy of NCTE related to fair use in the teaching of English, it is a document worth our attention as students learn to comprehend and compose texts utilizing a variety of forms of media."
anonymous

Copyright & Fair Use in Teaching Resources -- Center for Social Media at American Unive... - 44 views

www.centerforsocialmedia.org/...fair_use_and_teaching

copyright fairuse education teaching media Fair_use plagiarism fair

shared by anonymous on 23 Feb 10 - Cached
  • anonymous on 23 Feb 10
     
    Comprehensive website on copyright and fair use of media. Many useful links to resources, information, related news and blogs.
anonymous

Rights Clash on YouTube, and Videos Vanish - NYTimes.com - 0 views

www.nytimes.com/...23warner.html

copyright freedom of expression

shared by anonymous on 24 Mar 09 - Cached
  • anonymous on 24 Mar 09
     
    Copyright--how does it affect you? What limits should there be to copyright protection?
Marc Safran

Code of Best Practices for Fair Use in Media Literacy Education | Media Education Lab - 0 views

www.mediaeducationlab.com/r-use-media-literacy-education

copyright media_literacy medialiteracy creativecommons fair use fairuse

shared by Marc Safran on 17 Aug 09 - Cached
  • Marc Safran on 17 Aug 09
     
    UPDATED INFO!! - The Code of Best Practices in Fair Use for Media Literacy Education helps educators gain confidence about their rights to use copyrighted materials in developing students' critical thinking and communication skills.
Enid Baines

Copyright - Playing with Media - 56 views

playingwithmedia.com/...copyright

copyright fair use creativecommons guidelines Disney scoop.it!

shared by Enid Baines on 28 Jul 12 - No Cached
  • Attribution, in the form of a thorough “Works Cited” section of a document or project, does NOT guarantee full copyright compliance in the United States. Judges ruling on intellectual property cases never write, “The defendant created a great bibliography, so I find find him not guilty of these charges.”
  • We would never accept the following entry in a written, student bibliography in a research paper: "I found this information in the school library."
  • We should not accept student media projects which include similar, non-specific attribution statements like “Images from Google” or “Images from Flickr.”
anonymous

Buying Copyrights, Then Patrolling the Web for Infringement - NYTimes.com - 55 views

www.nytimes.com/...03righthaven.html

copyright

shared by anonymous on 03 May 11 - No Cached
  • “I was shocked,” Mr. Hill said. “I thought maybe it was a joke or something to scare me. I didn’t know the picture was copyrighted.”
  • Peter Linehan on 03 May 11
     
    The article describes a company named Righthaven that purchases the rights to stories and images from newspapers. It then sues anyone who uses the material without copyright clearance. They seem to specialize in non-corporate infringers who are likely to settle before a trial. Bloggers beware!
Jac Londe

Google Terms of Service - 30 views

www.google.com/TOS

Google TOS Docs license copyright copyrights

shared by Jac Londe on 04 Jul 11 - Cached
  • 11.1 You retain copyright and any other rights you already hold in Content which you submit, post or display on or through, the Services. By submitting, posting or displaying the content you give Google a perpetual, irrevocable, worldwide, royalty-free, and non-exclusive license to reproduce, adapt, modify, translate, publish, publicly perform, publicly display and distribute any Content which you submit, post or display on or through, the Services. This license is for the sole purpose of enabling Google to display, distribute and promote the Services
  • 11.2 You agree that this license includes a right for Google to make such Content available to other companies, organizations or individuals with whom Google has relationships for the provision of syndicated services, and to use such Content in connection with the provision of those services. 11.3 You understand that Google, in performing the required technical steps to provide the Services to our users, may (a) transmit or distribute your Content over various public networks and in various media; and (b) make such changes to your Content as are necessary to conform and adapt that Content to the technical requirements of connecting networks, devices, services or media. You agree that this license shall permit Google to take these actions.
Mary Beth Messner

The Code of Best Practices in Fair Use for Media Literacy Education -- Publications -- ... - 41 views

www.centerforsocialmedia.org/...e_for_media_literacy_education

Copyright Fair Use

shared by Mary Beth Messner on 12 May 10 - Cached
Karen Brooks liked it
  • Karen Brooks on 13 May 10
     
    This is a wonderful resource. I use it along with others when I train on copyright and Creative Commons.
James Shockley

Web 2.0 Smack Down - 149 views

www.techlearning.com/38258

tools tech learning resources Web2.0

shared by James Shockley on 14 Apr 11 - No Cached
  • James Shockley on 14 Apr 11
     
    Digital Edition mag Top Stories Benjamin Franklin: An Extraordinary United States Global Change Research National World War II Museum Mayan Math Activity Product Review: StudySync FORUMS How did you choose an SIS? Are schools ready for open source? Can you Google-proof a question using Bloom's Taxonomy? Does online training work? top tech resources LCD or DLP? More.. Subscribe| Customer Service|Contact Us|About Us|eNewsletters|Advertising New Articles From the Classroom Leadership Professional Development Tech/Media Coordinators Tech Talk Studies in Ed Tech Ideas and Opinions How To EdTech Ticker TL Advisor Blog Leader of the Year Awards of Excellence Portraits of Learning Other Contests Upcoming Webinars Data Management Security eLearning Copyright Funding Mobile & Wireless Assessment & Testing Curriculum News & Trends Products Features Editor's Desk Issues Current Issue Newsletters eBooks White Papers Grants Columns Podcasts Web Tours Buyers Guide News Site of the Day QuickFlicks IT Guy Interactive Whiteboards Student Information Systems
Gloria Maristany

Copyright and Fair Use Guidelines for Teachers - 2 views

www.halldavidson.net/chartshort.html

guidelines CopyRight

shared by Gloria Maristany on 15 Jul 11 - Cached
  • Gloria Maristany on 15 Jul 11
     
    Chart that tells you what can be done in terms of copying different kinds of media
Kathleen N

Personal Technology Learning and the Teaching of Writing | Digital Writing, Digital Tea... - 1 views

hickstro.org/...ng-and-the-teaching-of-writing

teachers blogging

shared by Kathleen N on 05 Apr 09 - Cached
  • Kathleen N on 05 Apr 09
     
    Understanding and applying technologies to the teaching of writing - as well as understanding concepts associated with them such as copyright and fair use - has become the professionally responsible way to teach writing . Professional organizations such as NCTE NWP IRA ISTE the Center for Media Literacy and others have moved quickly and clearly in the past few years to show that integrating technology across content areas, including the teaching of writing, is critical for creating students who are literate in a variety of ways.
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