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"Would you be better off paying for online newspapers like this one? Should you feel guilty about downloading free music? Is the Web's "information-wants-to-free" culture hurting writers, musicians and the rest of the "digital peasants," as Jaron Lanier calls us, now providing unpaid content to be exploited by the "lords of the clouds" like Google? In my Findings column, I discuss Mr. Lanier's new book, "You Are Not A Gadget," a manifesto decrying the Web's effect on individual creativity. (You can see excerpts of his criticism at Edge and at Cato Unbound.) Mr. Lanier mentions this newspaper as one of the victims as well as the promoters of the Web's ideology. "The New York Times," he writes, "promotes so-called open digital politics on a daily basis even though that ideal and the movement behind it are destroying the newspaper and all other newspapers. It seems to be a case of journalistic Stockholm syndrome." Mr. Lanier also faults himself: "

"Our early ancestors, Homo sapiens, managed to evolve and journey across the earth by exchanging and improving their technology"

"On May 12, 1996, like a benevolent mad scientist, Brewster Kahle brought the Internet Archive to life. The World Wide Web was in its infancy and the Archive was there to capture its growing pains. Inspired by and "

"On May 12, 1996, like a benevolent mad scientist, Brewster Kahle brought the Internet Archive to life. The World Wide Web was in its infancy and the Archive was there to capture its growing pains. Inspired by and "

"The popularity and worldwide scope of rock music resulted in a powerful impact on society. Rock and roll influenced daily life, fashion, attitudes and language in a way few other social developments have equalled. As the original generations of rock and roll fans matured, the music became an accepted and deeply interwoven thread in popular culture. Beginning in the early 1970s, rock songs and acts began to be used in a few television commercials; within a decade this practice became widespread, and rock music also featured in film and television program soundtracks"

""It is not who you are nor what you are, but what you do.""

"Paul Ray y Sherry Anderson hace tiempo que están hablando de los Creativos Culturales, un colectivo representativo de un fenómeno social que arrancó en Estados Unidos y se extiende por prácticamente todo el mundo, agrupando millones de personas. En esencia, los Creativos Culturales son personas: con un nivel cultural medio - alto, adultas, críticas con el capitalismo consumista que impera en nuestra sociedad, con ciertos valores que rigen su comportamiento y su posicionamiento ante la sociedad: bajo el gran paraguas del compromiso, luchan por empoderar a la mujer, cuidar el planeta, mejorar personalmente, fomentar la solidaridad… Todos esos rasgos podrían agruparse en cuatro valores: transparencia, sostenibilidad, autenticidad e impacto social."

[New hacker ethics Steve Mizrach of the dept. of Anthropology, University of Florida, analyzed several recent hacker texts in the paper Is there a hacker ethic for 90s hackers? (1997). He summarizes his findings in a new set of ethical principles. Above all else, do no harm. Do not damage computers or data if at all possible. Much like the key element of the Hippocratic Oath.]

"Edited by Annie J. Randall Music, Power, and Politics Overview Photo: Barry Feinstein Peter, Paul, and Mary at The Long March, August 28th, 1963 Music, Power, and Politics presents thirteen different cultural perspectives on a single theme: the concept of music as a site of socio-political struggle. Essays by scholars from seven countries (UK, People's Republic of China, Germany, South Africa, USA, Serbia and Montenegro, and Iran) explore the means by which music's long-acknowledged potential to persuade, seduce, indoctrinate, rouse, incite, or even silence listeners has been used to advance agendas of power and protest."

"I recently had the opportunity to speak with Jim Whitehurst, Red Hat CEO and author of The Open Organization, about his book. Because I also believe that a healthy culture is at the cornerstone of a successful business, Jim and I share a lot of the same philosophies, and he helped me see more clearly that the concept of an open organization is the model that drives employee engagement, growth, and continued improvement."

All Things Open interview with Kaitlin Devine, 18F "Keep an eye on govcode.org-it pulls GitHub issues from lots of government repos, and it's a great place to get started if you want to contribute. Also follow @newgovrepos if you want to see new government repos as they appear on GitHub. Don't forget that repos aren't just for code-you can file issues and give feedback on government services even if you don't code."

Clay Shirky joined an intimate group at the Berkman Center for a deep dive discussion on one chapter of his new book, Here Comes Everybody, which deals with protest culture -- ad hoc vs institutional, and what it means.

The networked information economy improves the practical capacities of individuals along three dimensions: (1) it improves their capacity to do more for and by themselves; (2) it enhances their capacity to do more in loose commonality with others, without being constrained to organize their relationship through a price system or in traditional hierarchical models of social and economic organization; and (3) it improves the capacity of individuals to do more in formal organizations that operate outside the market sphere. This enhanced autonomy is at the core of all the other improvements I describe. Individuals are using their newly expanded practical freedom to act and cooperate with others in ways that improve the practiced experience of democracy, justice and development, a critical culture, and community. ... [M]y approach heavily emphasizes individual action in nonmarket relations. Much of the discussion revolves around the choice between markets and nonmarket social behavior. In much of it, the state plays no role, or is perceived as playing a primarily negative role, in a way that is alien to the progressive branches of liberal political thought. In this, it seems more of a libertarian or an anarchistic thesis than a liberal one. I do not completely discount the state, as I will explain. But I do suggest that what is special about our moment is the rising efficacy of individuals and loose, nonmarket affiliations as agents of political economy.

"The design of everyday things is an important cultural movement. Of that, most of us have no doubt. We want our tools to work flawlessly and naturally. And open source projects are catching up on this too."

[... Their goal is to bring more scholarly and encyclopedic content under free licenses. ...]

[... Their goal is to bring more scholarly and encyclopedic content under free licenses. ...]

"This post was first published at Consortium News. In the realm of physics, the opposite of matter is not nothingness, but antimatter. In the realm of practical epistemology, the opposite of knowledge is not ignorance but anti-knowledge. This seldom recognized fact is one of the prime forces behind the decay of political and civic culture in America."

[... 2. f. Conjunto de operaciones materiales ejecutadas para la obtención, transformación o transporte de uno o varios productos naturales. ...]

" Andy on September 7, 2016 C: 98 News Two leading anti-piracy groups have penned an open letter and Change.org petition calling on Clinton and Trump to adopt a tough approach to copyright law. Copyright Alliance and CreativeFuture, which count dozens of major studios and record labels among their members, say that protecting content is vital, no matter which party is in power."

Ernesto on August 27, 2016 C: 78 News The U.S. Copyright Office is considering expanding the mandatory deposit requirement for publishers, so that record labels would also have to submit their online-only music to the Library of Congress. The Library would then allow the public to access the music. The RIAA, however, warns that this plan introduces some serious piracy concerns.

Ernesto on August 27, 2016 C: 78 News The U.S. Copyright Office is considering expanding the mandatory deposit requirement for publishers, so that record labels would also have to submit their online-only music to the Library of Congress. The Library would then allow the public to access the music. The RIAA, however, warns that this plan introduces some serious piracy concerns.

"In October, the OpenOrg and DevOps communities joined forces for an #OpenOrgChat."

"There's apparently a new way to invest in the music industry: finance concerts and recordings by emerging artists."