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CSALT What is CSALT? CSALT is the Centre for Studies in Advanced Learning Technology. Established in 1992 the Centre for Studies in Advanced Learning Technology (CSALT) at Lancaster University is one of Europe's leading academic research groups in the field of technology enhanced learning (TEL) applied to adult education and training. The Centre carries out basic and applied research with an emphasis on the development of theory that can be used in real settings. Its members are also closely involved in the education and professional development of workers in the e-learning industry, and in consultancy. Our research has a strong focus on adult education especially in higher education and industrial contexts. Our interest is not in the technology per se, but in the social, psychological and organisational issues which are thrown into sharp relief during the design and introduction of new technology-enhanced learning environments. CSALT: * is focused on research into networked learning and the design of advanced learning technology(ALT), * is made up of staff with expertise in eg, online tutoring, computer supported collaborative learning, cognitive psychology, design of learning technology and simulation based training, * runs an innovative Doctoral distance learning programme on the design and use of technology enhanced learning * develops course designs that support e-groups and communities, * is based in the RAE grade 5 Department of Educational Research at Lancaster University, UK. This site reflects primarily the interests of CSALT in the Department of Educational Research. Other members of the university wide CSALT are part of the Department of Management Learning, in particular the Networked Management Learning research group and the Learning Technology Group.

Subject benchmark statement Art and design QAA 238 03/08 PDF version Contents * Preface * Joint foreword * Introduction * Defining principles * Nature and extent of art and design * Subject knowledge and understanding, attributes and skills: typical standard of achievement * Teaching, learning and assessment * Benchmark standards: threshold level of achievement * Appendix A: Consultation groups * Appendix B: Membership of the review group for the subject benchmark statement for art and design * Appendix C: Membership of the original benchmarking group for art and design Preface Subject benchmark statements provide a means for the academic community to describe the nature and characteristics of programmes in a specific subject or subject area. They also represent general expectations about standards for the award of qualifications at a given level in terms of the attributes and capabilities that those possessing qualifications should have demonstrated.

Resources Acknowledgement We would like to thank colleagues who have contributed materials in the spirit of sharing successful practice. Some contributions are anonymous. If you have sent us any of these and either wish to claim authorship, or would prefer them to be removed from this website, please contact c.bryan@cssd.ac.uk About the Resources These resources are intended for tutors and for students. They aim to raise awareness and/or develop and assess group processes. The student guides and activities have been trialed in diverse group situations. The Resources section includes: 'How to' Guides and Activities Commentaries Assessment Criteria & Procedures Forms and Documents Reading and useful links

Introduction The concept of preferences to different individual learning styles was introduced in an accompanying document. (See learning styles). In this document we look at the associated concept of approaches to learning. The original work on approaches to learning was carried out by Marton and Saljo (1976). Their study explored students' approaches to learning a particular task. Students were given an academic text to read, and were told that they would subsequently be asked questions on that text. The students adopted two differing approaches to learning. The first group adopted an approach where they tried to understand the whole picture and tried to comprehend and understand the academic work. These students were identified with adopting a deep approach to learning. The second group tried to remember facts contained within the text, identifying and focusing on what they thought they would be asked later. They demonstrated an approach that we would recognise as rote learning, or a superficial, surface approach.

Assessment Standards Manifesto In November 2007, ASKe hosted 'Designing assessment in the 21st Century' an assessment colloquium looking at the current state of assessment and ways in which practice might be improved in response to conclusions put forward by the Burgess Report. Watch Margaret Price, ASKe Director giving a presentation on the Manifesto. The event brought together the ASKe International Advisory Group (a group of seven world-class experts on assessment) and

Yochai Benkler's wealth of nations book online Next Chapter: Part I: The Networked Information Economy » read paragraph Chapter 1: Introduction: A Moment of Opportunity and Challenge 1 Information, knowledge, and culture are central to human freedom and human development. How they are produced and exchanged in our society critically affects the way we see the state of the world as it is and might be; who decides these questions; and how we, as societies and polities, come to understand what can and ought to be done. For more than 150 years, modern complex democracies have depended in large measure on an industrial information economy for these basic functions. In the past decade and a half, we have begun to see a radical change in the organization of information production. Enabled by technological change, we are beginning to see a series of economic, social, and cultural adaptations that make possible a radical transformation of how we make the information environment we occupy as autonomous individuals, citizens, and members of cultural and social groups. It seems passé today to speak of "the Internet revolution." In some academic circles, it is positively naïve. But it should not be. The change brought about by the networked information environment is deep. It is structural. It goes to the very foundations of how liberal markets and liberal democracies have coevolved for almost two centuries.

Omnium - Online Creative and Education Communities\n\nOmnium is a research group of artists, designers, programmers, writers and academics who work collaboratively (and from different countries) to explore the potential the Internet allows for what we term - online collaborative creativity (OCC). Our activities are split into four main areas:

Frustrated With Corporate Course-Management Systems, Some Professors Go 'Edupunk' A group of tech-savvy professors are claiming punk music as inspiration for their approach to teaching. They call their approach Edupunk. Punk rock was a rebellion against the clean, predictable sound of popular music and it also encouraged a do-it-yourself attitude. Edupunk seems to be a reaction against the rise of course-managements systems, which offer cookie-cutter tools that can make every course Web site look the same.

This Directory contains over 2,700 tools for learning in two main sections:\n\n 1. for creating, delivering and managing learning and performance support solutions\n 2. for personal learning and productivity, for sharing resources, as well as group collaboration (also includes some enterprise tools)\n\nThe tools in this Directory are both freeware/open source and commercial.

Highlight and Share the Web! Diigo is a powerful research tool and a knowledge-sharing community Research and Collaborate * Don't just bookmark! Highlight the web! Add sticky notes too! * Access and search your findings from any PC or iphone! * Create groups to pool resources for specific projects. Connect and Discover * You are what you annotate, creating a presence for you in the community. * Connect with friends effortlessly and non-intrusively through content. * Discover quality resources on any subject or get personalized recommendations. * Learn More » Play Demo Video

Alverno's Eight Abilities Communication Make connections that create meaning between yourself and your audience. Learn to speak, read, write and listen effectively, using graphics, electronic media, computers and quantified data. Analysis Think clearly and critically. Fuse experience, reason and training into considered judgment. Problem Solving Define problems and their causes, and use a range of abilities and resources to reach decisions, make recommendations, or carry out plans. Valuing Recognize different value systems while holding strongly to your own ethic. Recognize the moral dimensions of your decisions and accept responsibility for the consequences of your actions. Social Interaction Know how to get things done in committees, task forces, team projects and other group efforts. Elicit the views of others and help reach conclusions. Developing a Global Perspective Act with an understanding of and respect for the economic, social and biological interdependence of global life. Effective Citizenship Be involved and responsible in the community. Act with an informed awareness of contemporary issues and their historical contexts. Develop leadership abilities. Aesthetic Engagement Engage with various forms of art and in artistic processes. Take and defend positions regarding the meaning and value of artistic expressions in the contexts from which they emerge.

International Student Experience UAL, like London itself, is a melting-pot of nationalities. But how well do the ingredients of the pot blend together? How easy is it for international students in the creative arts to find their feet, to find accommodation, make friends, and adapt to the English education system?Do we, as a host institution and host staff and students, understand their needs, and do we give them the appropriate support? This project tackled these issues. Fourteen postgraduate researchers interviewed 141 first-year students across the University from six regional groups - Japan, South Korea, India, Taiwan, Hong Kong and the USA - in their own languages. We also interviewed 21 British students to help us make comparisons. An internal report was presented to senior management in March 2008. There have been a number of dissemination activities and presentations at conferences. The project is coordinated by Dr Silvia Sovic. For further information, please contact s.sovic@fashion.arts.ac.uk