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The WIPO Broadcasting Treaty (officially, the WIPO Treaty on the Protection of Broadcasting Organizations) is a proposal within the World Intellectual Property Organization to give broadcasters intellectual property rights in their signals, in addition to the copyrights held by the creators of the works. Public Knowledge opposes the treaty, as it would create numerous conflicts with existing copyright law and policy in the US, as well as creating an additional hurdle for any users of broadcast content.

"Over the past years, various Member States have repeatedly requested that WIPO become inclusive of all methodologies to foster innovation, including Copyright, Patents, Free Software and Open Innovation Models. Many Member States successfully employ a wider mix of methodologies on a national level already, such as Germany, which as part of its response to the financial crisis decided to invest 500m EUR into the focus areas Green IT, IT-Security and Free Software. Other examples exist from various Member States around the world, spanning all regional groups."

"When Canada started a consultation on implementing these treaties in June, 2001, one of the first books I read was Jessica Litman's book "Digital Copyright". The website for the book is Digital-Copyright.com, and the similarity to the Digital-Copyright.ca name is not a coincidence. This book is the journey in the United States from 1993 and the Bruce Lehman Working Group, through the policy-laundering of their harmful ideas through WIPO in 1996, to the passage of the USA's Digital Millennium Copyright Act (DMCA) in 1998. This is likely the best book to understand how the USA got their DMCA, and by extension why this harmful policy is now being pushed into Canada. It should be noted that even Bruce Lehman has stated publicly that his Clinton-era policies didn't work out well. Probably the best resource for understanding how the DMCA has harmed (and continues to harm) the United States is to read the DMCA archives of the Electronic Frontier Foundation. This includes the paper Unintended Consequences: Seven Years under the DMCA from April, 2006."

Sam Ricketson's seminal 86 page opus, presented at the 9th session of the SCCR in 2003.