Group items tagged

The WIPO Broadcasting Treaty (officially, the WIPO Treaty on the Protection of Broadcasting Organizations) is a proposal within the World Intellectual Property Organization to give broadcasters intellectual property rights in their signals, in addition to the copyrights held by the creators of the works. Public Knowledge opposes the treaty, as it would create numerous conflicts with existing copyright law and policy in the US, as well as creating an additional hurdle for any users of broadcast content.

NRK, Norway's public broadcaster, has decided that its BitTorrent distribution experiment has gone so well that the company will launch its own tracker in order to distribute its programming. Norway's commitment to openness means that the files are DRM-free and even available for fansubbing.

The government recently released Decree 47, raising the maximum fine for copyright infringement from 70 million to 500 million dong. The highest fine will be imposed in the following cases: appropriating copyrights, directly or indirectly copying shows, directly or indirectly copying visual and audio recording works, copying broadcasting programmes, appropriating related rights. The decree also stipulates supplementary forms of punishment and measures to repair damages. Vietnam Literary Copyright Centre Director Doan Thi Lam Luyen said: "The new decree is harsher but it is insufficient if only a fine is applied. While someone who steals a chicken or a cow faces imprisonment, stealing intellectual products only results in a fine." The new decree will take effect on June 30, 2009.

A landmark study by the Institute of European Media Law (EML) found that a levy on internet usage legalising non-commercial online exchanges of creative works conforms with German and European copyright law, even though it requires changes in both. The German and European factions of the Green Party who had commissioned the study will make the "culture flat-rate," as the model is being called in Germany, an issue in their policies. The global debate on a new social contract between creatives and society is getting more pronounced by the day. Two models are emerging: a free-market approach based on private blanket licences and voluntary subscriptions, and a legal licence approach based on exceptions in copyright law and mandatory levies, that now has been proven legally feasible and appropriate by the EML study.

April 1, 2009: China's powerful State Administration of Radio, Film and TV has tightened its grip on the biz by ordering all online content providers to apply for a license before broadcasting material on the Internet.

There is a growing debate about the best successor model to commercial newspapers, with many contending proposals. I will mention three, each of which assigns a large role to an electronic public sphere: (1) private foundations or donors either provide endowment for newspapers or for nonprofits that employ political journalists (Propublica is the leading example, with editors and twenty-eight journalists who provide content to print and online media); (2) a public system that would extend the public broadcasting model to print media; and (3) a national endowment for journalism, with support tied to audience size (proposed by Bruce Ackerman and Ian Ayres). This is not the time or place to explore these alternatives. But in this fourth arena, cyber-utopianism-a celebration of the dispersed, decentralized, egalitarian, Jeffersonian, participatory, deliberative electronic public sphere-is not only misplaced but dangerous.