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Constructivism in Music Education - Arts Education Policy Review - Volume 116, Issue 3 - 0 views

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    Article in Arts Education Policy Review by Joe Shively "Over the past twenty years, constructivism, as a theory of learning, has taken on an increasingly important role in music education. Efforts to shift music education toward a more constructivist practice have significant implications for policymaking at all levels of music education. In this article, I seek to recalibrate our thinking about what it might or might not mean to take a constructivist teaching stance in the music classroom. Building on constructivism as a theory of learning, I revisit its principles and their implications for our work with learners, the nature of knowledge, and the musics and musical experiences we bring into our classrooms. Further, I consider how constructivism has informed music education reform efforts. Throughout, I discuss ways in which a constructivist view of learning and teaching might better inform our professional practice by finding a balance between progressive and traditional views of music education. Through this, we can find a constructivist view that is more resonant with music educators."
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The Practice Implications of Constructivism - SEDL Letter, Constructivism, Volume IX, N... - 0 views

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    The Practice Implications of Constructivism by Wesley A. Hoover Published in SEDL Letter Volume IX, Number 3, August 1996, Constructivism
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Social Constructivism - Emerging Perspectives on Learning, Teaching and Technology - 0 views

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    Information on social constructivism - Beaumie Kim The University of Georgia
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SEDL - SCIMAST Classroom Compass - Constructing Knowledge in the Classroom - 1 views

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    SEDL articles on constructivism Winter 1994
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Constructivist Learning - 1 views

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    Constructivist Learning by Dimitrios Thanasoulas, Greece
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Constructivist Perspectives for Developing and Implementing Lesson Plans in General Music - 1 views

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    Article from General Music Today  "Stacy McKenzie is challenged to find new ways to involve students in their learning. She begins this journey by developing a lesson planning framework based on constructivist principles for learning. The perspectives Stacy applies in her program are shared in this article: First, by examining how she crafts a lesson framework that provides opportunities for students to build new understandings from what they already know through active involvement with music; and, second, by exploring how she uses questions to guide and support students' learning and how her students use questions as a means to assume an active role in their learning. This lesson is part of a larger unit of study using the piece Simple Gifts."
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