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Drove House has always loomed large over village life. Boarded-up for years, it is reputed to be brimming with ghosts, and is shunned by the locals - all except Billy, for whom it has been the site of childhood dens and secret adolescent adventures. When the captivating Muriel moves in with her bohemian mother, they sweep out the ghosts and breathe new life into both the house and Billy's quiet rural existence. After an idyllic summer, though, Muriel returns to her life in London, and the newly empty Drove House becomes the backdrop for Billy's struggle to reconcile the vanishing agricultural lifestyle he has inherited with the glimpses of a baffling new way of life Muriel seemed to offer. Charting the conflict between these two competing worlds, Peter Benson's award-winning first novel is at once a lyrical portrait of the landscape of the Somerset Levels and a touching evocation of first love.

Escaping the ghetto 11-year-old Hugo is left by his mother in the local brothel, where Mariana, one of the prostitutes, has agreed to hide him. Mariana is a bitterly unhappy woman who hates what she has done to her life, and night after night Hugo sits in her closet and listens uncomprehendingly as she rages at the Nazi soldiers who come and go. Quickly the two become fiercely protective of each other and, as her life spirals downwards, Mariana reaches out for consolation to the adoring boy who is on the cusp of manhood.

There are no reasons for unreasonable things. Following in the footsteps of Samuel Beckett's tramps from 'Waiting for Godot' Milligan and Murphy finally cut the ties to their ma's apron strings and head out into the big bad world. But they are not alone. Someone is looking after then. Someone else is cycling after them. Will they get to see the sea and once they have what then? Scottish author Jim Murdoch's new novel is an existentialist delight.

Each year, the storyteller, Hassan, gathers listeners to the city square to share their recollections of a young, foreign couple who mysteriously disappeared years earlier. As various witnesses describe their encounters with the couple-their tales overlapping, confirming, and contradicting each other-Hassan hopes to light upon details that will explain what happened to them, and to absolve his own brother, who is in prison for their disappearance. As testimonies circle an elusive truth, the couple takes on an air as enigmatic as their fate. But is this annual storytelling ritual a genuine attempt to uncover the truth, or is it intended instead to weave an ambiguous mythology around a crime?

`The Next Stop is Croy' is a skilfully written collection of short stories revolving around the same set of characters that takes the reader straight to the bittersweet spot of the human condition. Exploring familiar terrains of shame, frustration and loss, the writer differentiates these stories by revealing those elusive, critical moments in life that knit together to make a boy into a man. The writer manages to distil a lifetime into the spoken (and unspoken) language of fathers and sons. Only available as an ebook.

I consider Robert Heinlein's most fascinating novel to be his prescriptive utopia Beyond This Horizon. (A prescriptive utopia is where an author "prescribes" what he or she believes a better civilization would look like.) While Heinlein did opine, extensively, about society in many books, from Starship Troopers to Glory Road, it is in Beyond This Horizon (BTH) that you'll find him clearly stating This Is The Way Things Ought To Be. And it turns out to be a fascinating, surprisingly nuanced view of our potential future.

Free e-books at the University of Michigan, with one annoying feature - almost everything is reached by search, not by menu, which might be how some librarians approach libraries, but not really how anybody else does. Such a design eliminates the digital analog of the experience of walking into the stacks and just running into a book. Still, it is free reading and that is always of interest.

The anti-globalisation movement suffered a dizzying setback on 9/11. Symbolic gatecrashing into the well-guarded meeting places of the super-rich suddenly seemed a much more sinister activity than before. Busting up branches of Starbucks and other Seattle-style antics became anathema in an atmosphere of injured and vindictive patriotism. But Naomi Klein, the combative theorist and publicist of anti-globalisation, was not about to accept such guilt by association. Her reply, The Shock Doctrine, deals with the corporate acquisitiveness that she sees as ravaging the planet and reformulates the ideas of the anti-globalisation and anti-corporate movements for a post-9/11 world. Klein believes she has found the answer to a question that has perplexed many on the left: if every modern American government has been a tool of powerful business interests, what, if anything, makes the Bush administration uniquely odious? Her answer is that the Bush administration draws its political support not from America's corporate class generally, but rather from a particular part of it: 'the sprawling disaster capitalism complex'. She has in mind the companies that reap huge profits from catastrophes, both man-made and natural. They include defence contractors, arms dealers, high-tech security firms, the oil and gas sectors, construction companies, private healthcare firms and so on. Not exactly ambulance-chasers, they are driving the ambulances themselves - for a profit. For the most part, they capitalise on emergencies rather than deliberately bringing them about. But the distinction is not always so clear: the stock price of Lockheed Martin, the world's largest defence contractor, almost tripled between 2003 and 2007 after a former vice president at the firm chaired a committee agitating for war with Iraq. The Iraq war was also 'the single most profitable event' in the history of Halliburton, whose former CEO, who still retains stock options, is Dick Cheney.

Peak Moment 191: What we eat is destroying both our bodies and the planet, according to author Lierre Keith, a recovering twenty-year vegan. While she passionately opposes factory farming of animals, she maintains that humans require nutrient-dense animal foods for good health. A grain-based diet is the basis for degenerative diseases?we take for granted?(diabetes, cancer, heart disease) - diseases?of civilization. Annual grain production is destroying topsoil and creating deserts on a planetary scale.? Lierre urges the restoration of perennial polycultures for longterm sustainability.

Dino is a placid, unambitious man. Living in a small provincial town, he and his wife spend their time planning journeys to faraway places-journeys they never take. Dino's only passion is billiards, and he spends his evenings in the local billiards hall honing his technique. One day, however, Dino's quiet life is interrupted - his wife falls pregnant. This the first in a series of events that shake him from his slumber and force Dino to test himself for the first time. As in his widely praised Fists, Pietro Grossi's stripped-down prose brings out the epic human drama in a tale of everyday life.

If you enjoyed the movie `Thor' and wondered where Stan Lee got his ideas from then you might want to check this out. Recently evacuated to the British countryside and with WWII raging around her, a young girl is struggling to make sense of her life. Then she is given a book of ancient Norse legends and her inner and outer worlds are transformed. Intensely autobiographical and linguistically stunning, this book is a landmark work of fiction from one of Britain's truly great writers.

Tamarisk Row is the story of a young boy growing up in Australia. He is a solitary-type and prefers to immerse himself in an imaginary world rather than mingle with kids his own age. His father is a compulsive gambler and because of this the world of horse racing becomes central to the boy's fantasies which feature a complex web of images involving calendars, colours, grasslands, creeks and rivers, Catholic rituals, priests' houses, horse races and racking skills, marbles, stones, freckles, books and libraries, and tunnels and secret places, that have all been used repeatedly and with remarkable consistency by Murnane in his subsequent fiction. It has been called "one of the very best books about childhood and the world as the child finds it."

It is an amazing book that introduces reader to the determined, restless, and unbeatable imagination of children. It is important to understand that the common activity of asking questions can be life-changing to the society. The book is helpful for every age group and for professionals as well.

Can Spotify dominate the audiobook scene in the same way it has music? No is the simple answer. But it will fundamentally change the audiobook model in the western markets before this decade is over.

So the Wind Won't Blow it All Away is hugely underrated in the Brautigan canon. The narrative is laced with a sense of sadness for a lost way of life, the loss of childhood and the death of the American gothic, something Brautigan blames on television for the way it "crippled the imagination of America and turned people indoors and away from living out their fantasies with dignity". Whereas in earlier works, Brautigan's characters viewed the world with child-like fascination, in this last book he reverses the process by examining a child's world through an adult's sad and diminishing gaze. It's a summation of all that Brautigan had previously achieved but in the harsher, colder climate of the late 20th century.

WW2 is about to start but life for a young boy in a small town in Albania is still a game. Yet, as the town falls to the Italians, the Greeks, then the Nazis, the boy grows up. Falling in love with unattainable women, seduced by magic and literature and finally forced to flee, his existence changes from marvellous, terrifying and extraordinary into a primitive world where the severed arm of a British airman becomes a talisman and girls vanish-possibly killed by their own fathers. Forging the unexpected and terrible link between childish playfulness and a horrifying political future, Kadare has created a story with a depth and brilliance characteristic of the master story-teller.

In some respects this is just another book about growing up. We all have to do it and none of find it easy. Growing up in a small town in America is bad enough but growing up in one of the most beautiful spots in America probably accentuates how ugly the rest of life can get. In these interlinked short stories we get to see one boy's struggles as he tries to understand the world about him and why he isn't always attracted to the beautiful things in his life.

"Dear friend, I am writing to you because she said you listen and understand and didn't try to sleep with that person at that party even though you could have. Please don't try to figure out who she is because then you might figure out who I am, and I really don't want you to do that. I will call people by different names or generic names because I don't want you to find me. I didn't enclose a return address for the same reason. I mean nothing bad by this. Honest. I just need to know that someone out there listens and understands and doesn't try to sleep with people even if they could have. I need to know that these people exist." - The Perks of Being a Wallflower. The film is out soon.

A story about a little person in a very big world. Magnus Mandalora never thought he would leave the safe confines of the small homely village of Lower Kertoob. He certainly never expected to end up in the middle of a long-running war between the saintly Cherines and the beastly Glurgs. But when circumstance places him in such a dubious position, he finds himself on a rollicking adventure where nothing is quite as it seems. Magnus Opum is an epic fantasy that's slightly skewed - Tolkien with a twist.

Another marriage is under attack. Will this one survive? As time goes by Brian and Betty drift further apart, wrongly assuming their Christian values will keep them safe. Based on a true story, the dialogs from this feature film screenplay are a breeze to read as an ebook. The role of the children is not ignored - sometimes adding their own selfishness to the drama - sometimes having to step in and behave like grown-ups. Deliverance comes and people's mindsets change for the better.