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Contents contributed and discussions participated by Barbara Lindsey

Barbara Lindsey

Pixar University: Thinking Outside The Mouse - 0 views

  • Pixar University -- a professional-development program that puts as much emphasis on employee education as it does on company training -- is the company's secret weapon. "During 90 percent of your workday, you're in this box -- you get to do only certain things," said Polson. "And yet we're all here because we love movies and art. At Pixar University, all the boxes get removed. All the walls come down, and you get to be the director of your own creative idea." Polson has taken classes in drawing, screenwriting, and color, and he's completed a course in which he made his own short film.
  • The point of improv -- like most of classes in the packed curriculum -- is to push Pixar employees to try new things, work together better and test new ideas. "If you don't create an atmosphere in which risk can be easily taken, in which weird ideas can be floated, then it's likely you're going to be producing work that will look derivative in the marketplace," said Pixar University Dean Randy Nelson. "Those kind of irrational what-ifs eventually lead to something that makes you go, 'Wow, I never would have thought about it.'"
    • Barbara Lindsey
       
      Does current graduate educational system create derivative mini-mes?
  • Animators agree that Disney, Pixar's most prized partner in production of its first films -- and its recognized competitor in the animation world at large -- has begun to produce films critics call formulaic.
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  • Nelson said the university's primary purpose is to build morale, spirit and communication among employees.
  • By the time these people worked together for 25 years, you would just not believe the things that would happen."
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    "Pixar University -- a professional-development program that puts as much emphasis on employee education as it does on company training -- is the company's secret weapon. "During 90 percent of your workday, you're in this box -- you get to do only certain things," said Polson. "And yet we're all here because we love movies and art. At Pixar University, all the boxes get removed. All the walls come down, and you get to be the director of your own creative idea." Polson has taken classes in drawing, screenwriting, and color, and he's completed a course in which he made his own short film. "
Barbara Lindsey

#movemeon 2009 by Doug Belshaw in Education & Language - 0 views

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    Valuable professional development from seasoned educattors via Twitter and published for FREE with LULU!  
Barbara Lindsey

The New Socialism: Global Collectivist Society Is Coming Online - 0 views

  • In his 2008 book, Here Comes Everybody, media theorist Clay Shirky suggests a useful hierarchy for sorting through these new social arrangements. Groups of people start off simply sharing and then progress to cooperation, collaboration, and finally collectivism. At each step, the amount of coordination increases. A survey of the online landscape reveals ample evidence of this phenomenon.
  • Second, other users benefit from an individual's tags, bookmarks, and so on. And this, in turn, often creates additional value that can come only from the group as a whole. For instance, tagged snapshots of the same scene from different angles can be assembled into a stunning 3-D rendering of the location. (Check out Microsoft's Photosynth.) In a curious way, this proposition exceeds the socialist promise of "from each according to his ability, to each according to his needs" because it betters what you contribute and delivers more than you need.
  • Instead of money, the peer producers who create the stuff gain credit, status, reputation, enjoyment, satisfaction, and experience.
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  • The largely unarticulated but intuitively understood goal of communitarian technology is this: to maximize both individual autonomy and the power of people working together. Thus, digital socialism can be viewed as a third way that renders irrelevant the old debates.
  • Hybrid systems that blend market and nonmarket mechanisms are not new. For decades, researchers have studied the decentralized, socialized production methods of northern Italian and Basque industrial co-ops, in which employees are owners, selecting management and limiting profit distribution, independent of state control. But only since the arrival of low-cost, instantaneous, ubiquitous collaboration has it been possible to migrate the core of those ideas into diverse new realms, like writing enterprise software or reference books.
  • The increasingly common habit of sharing what you're thinking (Twitter), what you're reading (StumbleUpon), your finances (Wesabe), your everything (the Web) is becoming a foundation of our culture. Doing it while collaboratively building encyclopedias, news agencies, video archives, and software in groups that span continents, with people you don't know and whose class is irrelevant—that makes political socialism seem like the logical next step.
Barbara Lindsey

Seth's Blog: How to protect your ideas in the digital age - 0 views

  • So, how to protect your ideas in a world where ideas spread?Don't.Instead, spread them. Build a reputation as someone who creates great ideas, sometimes on demand. Or as someone who can manipulate or build on your ideas better than a copycat can. Or use your ideas to earn a permission asset so you can build a relationship with people who are interested. Focus on being the best tailor with the sharpest scissors, not the litigant who sues any tailor who deigns to use a pair of scissors.
Barbara Lindsey

Student challenges prof, wins right to post source code he wrote for course - Boing Boing - 0 views

  • Kyle's a student at San Jose State University who was threatened with a failing grade for posting the code he wrote for the course -- he wanted to make it available in the spirit of academic knowledge-sharing, and as code for potential future employers to review -- and when he refused, his prof flew into a fury and promised that in future, he would make a prohibition on posting your work (even after the course was finished) a condition of taking his course.
  • The most important lesson from it for me is that students want to produce meaningful output from their course-assignments, things that have intrinsic value apart from their usefulness for assessing their progress in the course. Profs -- including me, at times -- fall into the lazy trap of wanting to assign rotework that can be endlessly recycled as work for new students, a model that fails when the students treat their work as useful in and of itself and therefore worthy of making public for their peers and other interested parties who find them through search results, links, etc.
  • And in this case, it's especially poignant, since Kyle's workflow actually matches the practices of real-world programmers and academic computer scientists: coders look at one anothers' examples, use reference implementations, publish their code for review by peers. If you hired a programmer who insisted that none of her co-workers could see her work, you'd immediately fire her -- that's just not how software is written. Kyle's prof's idea of how computer programmers work is exactly what's meant by the pejorative sense of "academic" -- unrealistic, hidebound, and out-of-touch with reality. Bravo to Kyle for standing his ground!
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  • I love learning by making my own mistakes - and that is certainly part of learning to be a decent programmer
  • Or are we to allow that "this is a solved problem, that is a solved problem (read about it here if it helps) but here is a real-world problem that needs research done on it..."
  • Wouldn't it be great if universities once again became places where new knowledge grew and spread from, rather than where it went to be locked up and die?
  • The model of "Trust no-one and write all your code yourself" is outdated. The model of "Trust your fellow humans and write your code with their help" is the future.
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    Thx to Russel Tarr
Barbara Lindsey

YouTube - The Future Internet: Service Web 3.0 - 0 views

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    EU initiative
Barbara Lindsey

YouTube Blog: Curator of the Month: Michael Wesch - 0 views

  • What I love about online video is the way that it has allowed more people to join a global conversation.
  • So much of this creativity relies on the freedom to remix and build on the material created by others, a freedom that's constantly being challenged.
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    What I love about online video is the way that it has allowed more people to join a global conversation.
Barbara Lindsey

Steve's HR Technology - Journal - Welcome to the Company! Here is your iPhone - 0 views

  • The school distributed the iPhones with some specific, and fairly modest goals. Let students participate in class polls, have access to some information systems, etc.  These were important and valuable benefits.  But the students proceeded to leverage the technology to better connect with each other, to facilitate their own projects and group activities, and ultimately to derive more value than the administration had ever foreseen.
  • When technology is designed to promote adaptation, or is developed and consumed in ways that can support changes to configuration and flexible levels of personalization the opportunity for end users and employees to 'discover' new and better uses is significantly enhanced.
  • Abilene Christian certainly seems like an unlikely place to be at the forefront of an innovative, cutting edge technology-based project like this.  And it is.  But it shows that even from unlikely sources, ones without national reputations, and billion-dollar endowments, that fantastic innovations can arise.
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  • How about next year, when your first batch of new recuits come marching in the door, you hand them a brand new iPhone, and encourage them to use it to connect, learn, share, and experiment? I know what you are thinking, where is the budget for that going to come from? I would bet the extra productivity you will get from the program will more than fund the phones over the year. Ask Abilene Christian if the investment was worth it, they have gotten more mileage as the 'iPhone College' than they ever bargained for.
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    The school distributed the iPhones with some specific, and fairly modest goals. Let students participate in class polls, have access to some information systems, etc.  These were important and valuable benefits.  But the students proceeded to leverage the technology to better connect with each other, to facilitate their own projects and group activities, and ultimately to derive more value than the administration had ever foreseen.
Barbara Lindsey

The relationship between tolerance for ambiguity and need for course structure | Journa... - 0 views

  • Results suggest that tolerance for ambiguity may be an important variable to assess and train so that students are better prepared for unstructured elements of a course that promote critical thinking and parallel the complexities of the applied world.
  • Although many other researchers have theorized that tolerance for ambiguity is associated with critical thinking, empirical evidence to support the relationship between tolerance for ambiguity and critical thinking is lacking (Murphy, 1999). Johnson, Court, Roersma & Kinnaman (1995) have suggested that instructors of undergraduate programs actively examine tolerance for ambiguity as an important element in development of flexible, integrative, and independent thinking.
  • Assessment of the relationship between comfort with ambiguity and affinity to structured elements of classroom teaching and evaluation seem important to address given the changing nature of the classroom environment.
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  • Collectively, these findings suggest that tolerance for ambiguity is a dimension particularly worthy of examination in individuals in training or practice for the mental health field.
Barbara Lindsey

Why Indie Directors Are Releasing Movies Online - For Free - TIME - 0 views

  • So Vuorensola took matters into his own hands: he used a Finnish social networking site to build up an online fan base who contributed to the storyline, made props and even offered their acting skills. In return for the help, Vuorensola released Star Wreck in 2005 online for free. Seven hundred thousand copies were downloaded in the first week alone; to date, the total has now reached 9 million.
  • "Whether it's through piracy or distribution your film is out there on the Internet, so we decided to harness this."
  • "I have my blog, but I essentially gave the film to the audience and they ran with it," Paley says. "It wasn't self-distribution, it was audience distribution."
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  • "What I have learned is that the more freely you show the film, the more audiences will buy the DVD and surrounding merchandise," she says.
  • The Internet has become a free distribution machine, so what can you sell that makes money? Things you can't copy. They need to be things that are based around your audience. Directors cuts, merchandise, 35mm prints of your film."
Barbara Lindsey

Why Indie Directors Are Releasing Movies Online -- For Free - Yahoo! News - 0 views

  • "What I have learned is that the more freely you show the film, the more audiences will buy the DVD and surrounding merchandise," she says. "
  • And in May, documentary filmmaker Franny Armstrong launched a website called www.indiescreenings.net, where people can buy a license and then screen her climate-change documentary, The Age of Stupid. Armstrong incentivizes buyers by allowing them to keep any profits from ticket sales.
  • So Vuorensola took matters into his own hands: he used a Finnish social networking site to build up an online fan base who contributed to the storyline, made props and even offered their acting skills. In return for the help, Vuorensola released Star Wreck in 2005 online for free. Seven hundred thousand copies were downloaded in the first week alone; to date, the total has now reached 9 million.
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  • "Whether it's through piracy or distribution your film is out there on the Internet, so we decided to harness this." And he has managed to make quite a bit of money out of it.
  • The Internet has become a free distribution machine, so what can you sell that makes money? Things you can't copy. They need to be things that are based around your audience. Directors cuts, merchandise, 35mm prints of your film."
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    "What I have learned is that the more freely you show the film, the more audiences will buy the DVD and surrounding merchandise," she says.
Barbara Lindsey

"What is Schooliness?" - Overview and Open Thread at Beyond School - 0 views

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    From a guest post by C Burell on Wes Fryer's blog
Barbara Lindsey

All This ChittahChattah | Reading Ahead: Research Findings - 0 views

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    Reading Ahead Research Project
Barbara Lindsey

A New Diigo Vision and Call for Advice: On Students Teaching China to the West at Beyon... - 0 views

  • But before doing any of that, I'm going to assign the final exam essay questions in the first week of class, and have the students Diigo the hell out of our readings and forums on Ning for the rest of the course in order to arrive at their "answers."
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