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Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series. These images are created with a mixture of various filter effects layered and combined in Photoshop.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series. These images are created with a mixture of various filter effects layered and combined in Photoshop.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series. These images are created with a mixture of various filter effects layered and combined in Photoshop.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series. These images are created with a mixture of various filter effects layered and combined in Photoshop.

Yet another image from my Psychedelic Fractals Dude series, this one subtly reminded me of a lens flare effect, thus the name. I created this image with a combination of the programs Vchira and Photoshop.

From the Psychedelic Fractals Dude series, I created this variation on the earlier "Psychedelic Trilobites Dude", evolving the fractal formula bringing out greater complexity in the shapes and forms. I created this image with a combination of the programs Vchira and Photoshop.

This image is another one of my 2008 outer space science fiction image creations. As with all my outer space scenes, I created the initial image with Bryce. I then added a few post render effects with Photoshop.

This image is another one of my 2008 science fiction image creations. As with all my outer space scenes, I created the initial image with Bryce. I then added a few post render effects with Photoshop, including the digital frame.

This image is yet another one of my 2008 science fiction image creations. As with all my outer space scenes, I created the initial image with Bryce. I then added a few post render effects with Photoshop, including the digital frame.

A few years back I did a series of abstract images I called my KaleidoCross Series. This image is just one small sample of the images from this series. I achieved these images with a combination of layering several filter effects in Photoshop, and a liberal use of a filter tool called Persian Rug.

I created Quetzalcoatl Blossom Variation 2 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 955, I later renamed it Quetzalcoatl Blossom Variation 2. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

created Quetzalcoatl Blossom Variation 3 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 956, I later renamed it Quetzalcoatl Blossom Variation 3. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 4 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 957, I later renamed it Quetzalcoatl Blossom Variation 4. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this work of postmodern art I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 1 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 954, I later renamed it Quetzalcoatl Blossom Variation 1. Through further layering and color effects, I explored this basic image theme in 8 variations. As the name states, this is the first variation of this series. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this postmodern contemporary abstract fractal art image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT fractal generator filter "FraxPlorer", I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 893 was the result, which I later renamed A Splotch of Fairy Magic Variation 1. This piece is now presented here at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT fractal generator filter "FraxPlorer", I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 892 was the result, which I later renamed A Splotch of Fairy Magic Variation 2. This piece is now presented here at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT fractal generator filter "FraxPlorer", I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 891 was the result, which I later renamed A Splotch of Fairy Magic Variation 4. This piece is now available as a poster print in several sizes all the way up to the extra-large 40" by 40" size, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT fractal generator filter "FraxPlorer", I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 895 was the result, which I later renamed A Splotch of Fairy Magic Variation 3. This piece is now presented here, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Okay, so now this is the forth piece of a 5 piece series, each one a distinct color variation off of the image theme. I created The Many Eyes of Izzaac Variation 4 with my usual mixture of filtering, layering, and color enhancing in Photoshop. KPT filter, and fractal generator, "FraxPlorer" was heavily involved in that process. And in the end Izzaac's portrait would not be complete without the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

This piece is the first of a 5 piece series, each one a distinct color variation off of the image theme. I created The Many Eyes of Izzaac Variation 1 with my usual mixture of filtering, layering, and color enhancing in Photoshop. KPT filter, and fractal generator, "FraxPlorer" was heavily involved in that process. And in the end Izzaac's postmodern contemporary abstract fractal portrait would not be complete without the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.