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Now with variation 2 of this small series, I continue as I have been with my last few posts, bringing forward this postmodern contemporary abstract fractal art piece from my older works and publishing it here for my Bubblews audience. This fractal art piece is another one of my creations using the fractal generator software, Vchira, with post work in Photoshop. This work is the second variation of my "Penetrating Convergence" abstract fractal art series theme. The post work for Penetrating Convergence Variation 2 included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once again, like I've been doing with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also like many of my other recently published images, this image is another one of my creations using the fractal generator software, Vchira, with post work in Photoshop. This work of postmodern contemporary abstract fractal art is the second variation on the Horns of Hathor themes and variation series. The post work on "Horns of Hathor Variation 2" included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And again, like with many of with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also like many of my other recently published images, this image is another one of my creations using the fractal generator software, Vchira, with post work in Photoshop. This work of postmodern contemporary abstract fractal art is the third variation on the Horns of Hathor themes and variation series. The post work on "Horns of Hathor Variation 3" included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once more, like with many of with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also like many of my other recently published images, this image is another one of my creations using the fractal generator software, Vchira, with post work in Photoshop. This image is the second variation on the Heart of a Psychedelic Frenzy image theme. The post work for this postmodern contemporary abstract fractal art piece, "Heart of a Psychedelic Frenzy Variation 2", included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Now with Ebullient Intersections Variation 7, again like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the seventh of which I initially saved among my Abstract Images as Abstract Image 1271. I later renamed this one specifically "Ebullient Intersections Variation 7". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 7, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And now, lastly with Ebullient Intersections Variation 8, like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the eighth of which I initially saved among my Abstract Images as Abstract Image 1272. I later renamed this one specifically "Ebullient Intersections Variation 8". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 8, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Now with Ebullient Intersections Variation 6, again like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the sixth of which I initially saved among my Abstract Images as Abstract Image 1270. I later renamed this one specifically "Ebullient Intersections Variation 6". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 6, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As for Ebullient Intersections Variation 5, just like all of the images of this series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the fifth of which I initially saved among my Abstract Images as Abstract Image 1269. I later renamed this one specifically "Ebullient Intersections Variation 5". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 5, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using Ebullient Expulsions Variation 1 through 8, as my starting points, I created these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the third of which I initially saved among my Abstract Images as Abstract Image 1267. I later renamed this one specifically "Ebullient Intersections Variation 3". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 3, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using Ebullient Expulsions Variation 1 through 8, as my starting points, I created these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the second of which I initially saved among my Abstract Images as Abstract Image 1266. I later renamed this one specifically "Ebullient Intersections Variation 2". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 2, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And now for Ebullient Intersections Variation 4, as with all of the images of this series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the forth of which I initially saved among my Abstract Images as Abstract Image 1268. I later renamed this one specifically "Ebullient Intersections Variation 4". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using Ebullient Expulsions Variation 1 through 8, as my starting points, I created these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the first of which I initially saved among my Abstract Images as Abstract Image 1265. I later renamed this one specifically "Ebullient Intersections Variation 1". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 1, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I continue as I have been with my last few posts, bringing forward this postmodern contemporary abstract fractal art piece from my older works and publishing it here for my Bubblews audience. Like many others of my recently published images, I created this one using the fractal generator software, Vchira, with post work in Photoshop. This image is the first variation from the "Penetrating Convergence" abstract fractal art image series theme. Also like the others, the post work on "Penetrating Convergence Variation 1" included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once more, like I've been doing with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also again, like my other recently published images, I used the fractal generator, Vchira as my starting place, and created several variants then further enhanced them as layers blended together in Photoshop. The end result was this series of postmodern contemporary abstract fractal art pieces, starting with "Drifting Calibrations Variation 1", complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Again, like I've been doing with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also again, like my other recently published images, I used the fractal generator, Vchira as my starting place, and created several variants then further enhanced them as layers blended together in Photoshop. The end result was this series of postmodern contemporary abstract fractal art pieces, the second of which is this piece "Drifting Calibrations Variation 2", complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And again, like I've been doing with my last few posts, this is yet another example of one of my older works that I have brought forward and published for my Bubblews audience. Also again, like my other recently published images, this is another postmodern contemporary abstract fractal art image I created using the fractal generator software, Vchira, with post work in Photoshop. This one is the forth variation from the Ambrosia Rising image series theme. The post work that I did on "Ambrosia Rising Variation 4" included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

gain, like my last few posts, this is another example of an older work of mine that I have brought forward and published for my Bubblews audience. Also like my other recently published images, this image is another one of my creations using the fractal generator software, Vchira, with post work in Photoshop. This image is the second variation on Ambrosia Rising themes and variation series. The post work for Ambrosia Rising Variation 2 included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As has been the pattern of my last few posts, this is another example of an older work of mine that I am now bringing forward and publishing for my Bubblews audience. Also like my other recently published images, I created this postmodern contemporary abstract fractal art image using the fractal generator software, Vchira, with considerable post work in Photoshop. I gave this one the title, "Sacred Emanation". As with many of the images in my fractal image series, the post work included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once again, like I've been doing with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also like many of my other recently published images, I used the fractal generator software, Vchira, with post work in Photoshop. By that means I created this first in the themes and variations on the Horns of Hathor base image. The post work included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Here we we have yet another fractal image, like I've been doing with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also like my other recently published images, I used the fractal generator, Vchira as my starting place, and created several variants then further enhanced them as layers blended together in Photoshop. The end result was this series of postmodern contemporary abstract fractal art pieces, the fifth of which is this piece "Drifting Calibrations Variation 5", complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.