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Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 2 is the second color variation of this postmodern fractal image theme.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 3 is the third color variation of this postmodern fractal image theme.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1224, I later renamed it "Particularized Dreamtime Variation 5". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 5, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1223, I later renamed it "Particularized Dreamtime Variation 4". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 4, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1222 , I later renamed it "Particularized Dreamtime Variation 3". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 3, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1221 , I later renamed it "Particularized Dreamtime Variation 2". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 2, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this work of postmodern contemporary fractal abstract art in my Abstract Image series. First named Abstract Image 1220 , I later renamed it "Particularized Dreamtime Variation 1". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 1, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1227, I later renamed it "Particularized Dreamtime Variation 8". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 8, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1225, I later renamed it "Particularized Dreamtime Variation 6". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 6, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1226, I later renamed it "Particularized Dreamtime Variation 7". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 7, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As is so often the case, I started with my frequently used KPT filter, "FraxPlorer". making use of that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects in Photoshop. Among the steps of this process I used Mehdi's Kaleidoscope set to 3 petals. The end result was this series of six color variations I call Particularized Deltoid. This piece, Particularized Deltoid Variation 1, is now available as a poster print in several recommended sizes of this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 4 is the forth color variation of this postmodern fractal image theme.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 7 is the seventh and final color variation of this postmodern fractal image theme.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 6 is the sixth color variation of this postmodern fractal image theme.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 5 is the fifth color variation of this postmodern fractal image theme.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects in Photoshop. Among the steps of this process, I used Mehdi's Kaleidoscope set to 6 petals. It is using the petals set to 6 that makes this image into a hexagram. The end result was this series of eight color variations. This one I first named Abstract Image 869, then later gave the entire series the final name, "Luminous Hexagram". Second in the series, this piece of postmodern contemporary fractal abstract art, Luminous Hexagram Variation 2, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects in Photoshop. Among the steps of this process, I used Mehdi's Kaleidoscope set to 6 petals. It is using the petals set to 6 that makes this image into a hexagram. The end result was this series of eight color variations I call Luminous Hexagram. This piece of postmodern contemporary fractal abstract art, Luminous Hexagram Variation 1, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects in Photoshop. Among the steps of this process, I used Mehdi's Kaleidoscope set to 6 petals. It is using the petals set to 6 that makes this image into a hexagram. The end result was this series of eight color variations. This one I initially named Abstract Image 870, then later gave the entire series the final name, "Luminous Hexagram". Third in the series, this piece of postmodern contemporary fractal abstract art, Luminous Hexagram Variation 3, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects in Photoshop. Among the steps of this process, I used Mehdi's Kaleidoscope set to 6 petals. It is using the petals set to 6 that makes this image into a hexagram. The end result was this series of eight color variations. This one I initially named Abstract Image 871, then later gave the entire series the final name, "Luminous Hexagram". Forth in the series, this piece of postmodern contemporary fractal abstract art, Luminous Hexagram Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once again, following the same basic procedures with this entire series, and as with many of my postmodern contemporary fractal abstract art pieces, I started with my usual KPT filter, "FraxPlorer". Making use of that and other tools, I created this series of images utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the fifth of which I initially saved among my Abstract Images as Abstract Image 1261. I later renamed this one specifically "Ebullient Expulsions Variation 5". This piece of postmodern contemporary fractal abstract art, Ebullient Expulsions Variation 5, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.