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Following the same basic procedures with this entire series, and as with many of my postmodern contemporary fractal abstract art pieces, I started with my usual KPT filter, "FraxPlorer". Making use of that and other tools, I created this series of images utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the second of which I initially saved among my Abstract Images as Abstract Image 1258. I later renamed this one specifically "Ebullient Expulsions Variation 2". This piece of postmodern contemporary fractal abstract art, Ebullient Expulsions Variation 2, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once more, following the same basic procedures with this entire series, and as with many of my postmodern contemporary fractal abstract art pieces, I started with my usual KPT filter, "FraxPlorer". Making use of that and other tools, I created this series of images utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the third of which I initially saved among my Abstract Images as Abstract Image 1259. I later renamed this one specifically "Ebullient Expulsions Variation 3". This piece of postmodern contemporary fractal abstract art, Ebullient Expulsions Variation 3, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As for Ebullient Intersections Variation 5, just like all of the images of this series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the fifth of which I initially saved among my Abstract Images as Abstract Image 1269. I later renamed this one specifically "Ebullient Intersections Variation 5". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 5, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using Ebullient Expulsions Variation 1 through 8, as my starting points, I created these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the third of which I initially saved among my Abstract Images as Abstract Image 1267. I later renamed this one specifically "Ebullient Intersections Variation 3". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 3, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using Ebullient Expulsions Variation 1 through 8, as my starting points, I created these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the second of which I initially saved among my Abstract Images as Abstract Image 1266. I later renamed this one specifically "Ebullient Intersections Variation 2". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 2, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And now for Ebullient Intersections Variation 4, as with all of the images of this series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the forth of which I initially saved among my Abstract Images as Abstract Image 1268. I later renamed this one specifically "Ebullient Intersections Variation 4". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using Ebullient Expulsions Variation 1 through 8, as my starting points, I created these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the first of which I initially saved among my Abstract Images as Abstract Image 1265. I later renamed this one specifically "Ebullient Intersections Variation 1". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 1, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 4 piece fractal abstract art series, the first of which I initially saved among my Abstract Images as Abstract Image 1312. I later added to it this specific name, "Boundless Descending Variation 4". This piece of postmodern contemporary fractal abstract art, Boundless Descending Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As per usual, I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 4 piece fractal abstract art series, the second of which I initially saved among my Abstract Images as Abstract Image 1311. I later added to it this specific name, "Boundless Descending Variation 3". This piece of postmodern contemporary fractal abstract art, Boundless Descending Variation 3, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series, created with a mixture of filter effects in Photoshop, and sometimes fractal layers.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series, created with a mixture of filter effects in Photoshop, and sometimes fractal layers.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series, created with a mixture of filter effects in Photoshop, and sometimes fractal layers.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series, created with a mixture of filter effects in Photoshop, and sometimes fractal layers.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series, created with a mixture of filter effects in Photoshop, and sometimes fractal layers.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series. These images are created with a mixture of various filter effects layered and combined in Photoshop.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series. These images are created with a mixture of various filter effects layered and combined in Photoshop.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series. These images are created with a mixture of various filter effects layered and combined in Photoshop.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series. These images are created with a mixture of various filter effects layered and combined in Photoshop.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series. These images are created with a mixture of various filter effects layered and combined in Photoshop.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series. These images are created with a mixture of various filter effects layered and combined in Photoshop.