Using the KPT filter "FraxPlorer" and other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1020, I later renamed it Argiopidae Emerging, primarily due to it having certain shapes and forms that remind me of that specific type of spider. This piece of postmodern contemporary abstract fractal art is now presented here at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
As is often the case, of late, I started off using the KPT filter "FraxPlorer", along with considerable additional layering, color enhancements, and filtering effects in Photoshop. Through my processes, I created this image in my Abstract Image series. First named Abstract Image 1072, I later renamed this one "The Eye Again Arises Variation 1", first in a contemporary 5 piece postmodern fractal abstract series. This piece of fractal art, which some might describe as being perhaps a little "Cthulhu like", is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
As is often the case, of late, I started off using the KPT filter "FraxPlorer", along with considerable additional layering, color enhancements, and filtering effects in Photoshop. Through my processes, I created this image in my Abstract Image series. First named Abstract Image 1074, I later renamed this one "The Eye Again Arises Variation 3", third in a contemporary 5 piece postmodern fractal abstract series. This piece of fractal art, which is perhaps a little "Cthulhu like", is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
As is often the case, of late, I started off using the KPT filter "FraxPlorer", along with considerable additional layering, color enhancements, and filtering effects in Photoshop. Through my processes, I created this image in my Abstract Image series. First named Abstract Image 1076, I later renamed this one "The Eye Again Arises Variation 5", fifth in a contemporary 5 piece postmodern fractal abstract series. This piece of fractal art, which some might see as being perhaps a little "Cthulhu like", is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
As is often the case, of late, I started off using the KPT filter "FraxPlorer", along with considerable additional layering, color enhancements, and filtering effects in Photoshop. Through my processes, I created this image in my Abstract Image series. First named Abstract Image 1075, I later renamed this one "The Eye Again Arises Variation 4", forth in a contemporary 5 piece postmodern fractal abstract series. This piece of fractal art, which some might describe as perhaps a little "Cthulhu like", is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
As is often the case, of late, I started off using the KPT filter "FraxPlorer", along with considerable additional layering, color enhancements, and filtering effects in Photoshop. Through my processes, I created this image in my Abstract Image series. First named Abstract Image 1073, I later renamed this one "The Eye Again Arises Variation 2", second in a contemporary 5 piece postmodern fractal abstract series. This piece of fractal art, which is perhaps a little "Cthulhu like" in its overall feel, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
Using several KPT filters as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 942, I later renamed it "Malah Himbilo One With Many Mouths". This almost "Tiki like", piece of postmodern contemporary fractal abstract art is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
I created this image through a complex combination of Photoshop filtering and layering, after initially rendering the base image with the 3D fractal program, XenoDream. The final work of art bears little resemblance to that base image. Among other filters and effects, I used Kaleidoscope 2.1 by Mehdi, set to 20 mirror petals, and the KPT Gradient Lab. The end result almost looks like an elaborate symbol of an esoteric secret society. Sitting back and meditating on it, I found myself seeing it as symbolic of the complex web of the Cosmic Collective Consciousness. In ancient Greek philosophy the Nous was thought to be the Cosmic Mind, or Primary Intellect. Thus, that of a Noedic nature is akin to this Cosmic Mind, this web of intellect interconnecting all conscious beings throughout the entire Universe. Out of all of these considerations, I ultimately came up with the name for this work of postmodern contemporary abstract fractal art, "Mandala of the Noedic Web". It is here presented at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
As with all of the images in this series, I started with the KPT filter, "FraxPlorer", with which I created this series of images in my usual way with filtering, layering, color enhancement, etc. in Photoshop. The end result was this series of seven color variations of The Corridor of Ahbus. The culmination of this series, variation seven was given a 3D look, by way of added layering effects. Now as for the imaginative aspect of this image series: Shifting through various color combinations, and of a non-corporeal nature this energetic corridor serves as connection between alternate realities throughout the Multiverse. The psychic masters of Ahbus control which realities connect at any given time, through mutual telepathic union with this corridor. This piece of postmodern fractal abstract art is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 1 is the first color variation of this postmodern fractal image theme.
Using several KPT filters, including "FraxPlorer", as well as other layering, filtering, and color enhancement effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1183 , I later renamed it "Infinity's Echo", since the primary form looks a bit like the infinity symbol, and it echos in a rotating fashion around the center. This piece of postmodern contemporary fractal abstract art is now presented here at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 2 is the second color variation of this postmodern fractal image theme.
Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 3 is the third color variation of this postmodern fractal image theme.
Lastly, like all the rest of this series, I started off using the KPT fractal generator filter "FraxPlorer". With it, I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Spiraling Ascensions Variation 7 was the result. This work of postmodern contemporary fractal abstract art is the final of a seven piece series of image variations that follow along the same general theme. At last, here we have Variation 7 of this series, presented at Bubblews in the square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
As with many of my postmodern contemporary fractal abstract art pieces, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the first of which I initially saved among my Abstract images as Abstract Image 1257. I later renamed this one specifically "Ebullient Expulsions Variation 1". This piece of postmodern contemporary fractal abstract art, Ebullient Expulsions Variation 1, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1223, I later renamed it "Particularized Dreamtime Variation 4". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 4, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1225, I later renamed it "Particularized Dreamtime Variation 6". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 6, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1224, I later renamed it "Particularized Dreamtime Variation 5". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 5, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1222 , I later renamed it "Particularized Dreamtime Variation 3". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 3, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1221 , I later renamed it "Particularized Dreamtime Variation 2". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 2, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.
