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Otherwise known as Darth Hooter, Chester the Cybernetic Owl started life as a normal owl, but due to an unforeseen series of mishaps too numerous to recount, as well as some filtering, layering, and color enhancement in Photoshop, he ended up as we see him now, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Okay, so now this is the forth piece of a 5 piece series, each one a distinct color variation off of the image theme. I created The Many Eyes of Izzaac Variation 4 with my usual mixture of filtering, layering, and color enhancing in Photoshop. KPT filter, and fractal generator, "FraxPlorer" was heavily involved in that process. And in the end Izzaac's portrait would not be complete without the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

This piece is the first of a 5 piece series, each one a distinct color variation off of the image theme. I created The Many Eyes of Izzaac Variation 1 with my usual mixture of filtering, layering, and color enhancing in Photoshop. KPT filter, and fractal generator, "FraxPlorer" was heavily involved in that process. And in the end Izzaac's postmodern contemporary abstract fractal portrait would not be complete without the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

This is now the third piece of a 5 piece series, each one a distinct color variation off of the image theme. I created The Many Eyes of Izzaac Variation 3 with my usual mixture of filtering, layering, and color enhancing in Photoshop. KPT filter, and fractal generator, "FraxPlorer" was heavily involved in that process. And in the end Izzaac's portrait would not be complete without the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And now last but not least, here we have the fifth piece of this 5 piece series, each one a distinct color variation off of the image theme. I created The Many Eyes of Izzaac Variation 5 with my usual mixture of filtering, layering, and color enhancing in Photoshop. KPT filter, and fractal generator, "FraxPlorer" was heavily involved in that process. And in the end Izzaac's portrait would not be complete without the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 8 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 961, I later renamed it Quetzalcoatl Blossom Variation 8. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Just like the rest of the series, Quetzalcoatl Blossom Variation 8 is presented here, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Like the other images in this series,I created Quetzalcoatl Blossom Variation 7 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 960, I later renamed it Quetzalcoatl Blossom Variation 7. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. As with the rest of this series, Quetzalcoatl Blossom Variation 7 is presented here, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, color enhancement effects, etc. in Photoshop. The end result was this series of seven color variations. Initially I called this one Abstract Image 1173. I later renamed it "Cross Barbs Variation 3". This piece, Cross Barbs Variation 3, is now presented here at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, etc. in Photoshop. The end result was this series of seven color variations. Initially I called this one Abstract Image 1171. I later renamed it "Cross Barbs Variation 1". Cross Barbs Variation 1, is now presented here at Bubbles, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, color enhancement effects, etc. in Photoshop. The end result was this series of seven color variations. Initially I called this one Abstract Image 1172. I later renamed it "Cross Barbs Variation 2". This piece, Cross Barbs Variation 2, is now presented here at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, color enhancement effects, etc. in Photoshop. The end result was this series of seven color variations. Initially I called this one Abstract Image 1174. I later renamed it "Cross Barbs Variation 4". This piece, Cross Barbs Variation 4, is now presented here at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As with many of my recent fractal image creations, this image started with the KPT filter, "FraxPlorer", after which I put it through my processes of filtering, layering, color enhancement, etc. in Photoshop. The Face of Lorvious emerged from these processes, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity. As can be seen, Lorvious is of an extra-dimensional nature, having 4 physical dimensions rather than just our familiar 3. As a result, when he manifest in our 3 dimensional world, parts of him are visible, while other parts are not. When he moves through 3 dimensional space, loops of his body appear and disappear in what seems to us a random way, but in reality conforming to the natural patterns of 4 dimensional beings interacting on a 3 dimensional plane.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, color enhancement effects, etc. all in Photoshop. The end result was this small series of 2 color variations I call Consanguineous Ephemera. This piece, Consanguineous Ephemera Variation 1, is now presented here in this square same aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As is so often the case, I started with my frequently used KPT filter, "FraxPlorer". making use of that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects in Photoshop. Among the steps of this process I used Mehdi's Kaleidoscope set to 3 petals. The end result was this series of six color variations I call Particularized Deltoid. This piece, Particularized Deltoid Variation 1, is now available as a poster print in several recommended sizes of this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created the base image from which this series was derived with the KPT fractal generator filter "FraxPlorer". I followed up by putting that base image through several more filters, along with several layering and color enhancements effects in Photoshop. The result was this piece of postmodern contemporary abstract fractal art, Multifarious Pentagram Variation 1, the first of 7 color variations, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

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