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Using several KPT filters as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1086, I later renamed it "Mother's Cathedral Variation 6". One of my largest sets of image variations, these color variates number 10 in all. This piece of postmodern contemporary fractal abstract art is presented here at Bubblews in this vertically oriented or portrait aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters as well as other layering, filtering, and color enhancement effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1088, I later renamed it "Mother's Cathedral Variation 8". One of my largest sets of image variations, these color variates number 10 in all. This piece of postmodern contemporary fractal abstract art, Mother's Cathedral Variation 8, is now presented here at Bubblews in this vertically oriented aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1087, I later renamed it "Mother's Cathedral Variation 7". One of my largest sets of image variations, these color variates number 10 in all. This piece of postmodern contemporary fractal abstract art, Mother's Cathedral Variation 7, is now presented here at Bubblews in this particular vertically oriented portrait aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1085, I later renamed it "Mother's Cathedral Variation 5". One of my largest sets of image variations, these color variates number 10 in all. This piece of postmodern contemporary fractal abstract art is now presented here at Bubblews in this portrait or vertically oriented aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1084, I later renamed it "Mother's Cathedral Variation 4". One of my largest sets of image variations, these color variates number 10 in all. This piece of postmodern contemporary fractal abstract art is now presented here at Bubblews in this portrait or vertically oriented aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Finally we reach the end of this series with Variation 10. Like with all of the others of this particular series, I used several KPT filters as well as other layering and filtering effects in Photoshop to create this image first as a part of my overall Abstract Image series. First named Abstract Image 1090, I later renamed it "Mother's Cathedral Variation 10". One of my largest sets of image variations, these color variates number 10 in all. This piece of postmodern contemporary fractal abstract art, Mother's Cathedral Variation 10, is now presented here at Bubblews in this aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1089, I later renamed it "Mother's Cathedral Variation 9". One of my largest sets of image variations, these color variates number 10 in all. This piece of postmodern contemporary fractal abstract art, Mother's Cathedral Variation 9, is now presented here at Bubblews in this vertically oriented portrait aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Now with Ebullient Intersections Variation 7, again like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the seventh of which I initially saved among my Abstract Images as Abstract Image 1271. I later renamed this one specifically "Ebullient Intersections Variation 7". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 7, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And now, lastly with Ebullient Intersections Variation 8, like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the eighth of which I initially saved among my Abstract Images as Abstract Image 1272. I later renamed this one specifically "Ebullient Intersections Variation 8". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 8, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Now with Ebullient Intersections Variation 6, again like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the sixth of which I initially saved among my Abstract Images as Abstract Image 1270. I later renamed this one specifically "Ebullient Intersections Variation 6". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 6, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As for Ebullient Intersections Variation 5, just like all of the images of this series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the fifth of which I initially saved among my Abstract Images as Abstract Image 1269. I later renamed this one specifically "Ebullient Intersections Variation 5". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 5, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And now for Ebullient Intersections Variation 4, as with all of the images of this series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the forth of which I initially saved among my Abstract Images as Abstract Image 1268. I later renamed this one specifically "Ebullient Intersections Variation 4". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once more, like with many of with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also like many of my other recently published images, this image is another one of my creations using the fractal generator software, Vchira, with post work in Photoshop. This image is the second variation on the Heart of a Psychedelic Frenzy image theme. The post work for this postmodern contemporary abstract fractal art piece, "Heart of a Psychedelic Frenzy Variation 2", included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As has been the pattern of my last few posts, this is another example of an older work of mine that I am now bringing forward and publishing for my Bubblews audience. Also like my other recently published images, I created this postmodern contemporary abstract fractal art image using the fractal generator software, Vchira, with considerable post work in Photoshop. I gave this one the title, "Sacred Emanation". As with many of the images in my fractal image series, the post work included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Like I so often do, I used the KPT fractal generator filter "FraxPlorer", with which I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 835 was the result, which I later put through some more filtering and came up with the first in a 4 piece series of postmodern contemporary abstract fractal art images, this one named, "In the Hall of Portals Variation 1". This piece of postmodern contemporary fractal abstract art, In the Hall of Portals Variation 1, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once more, like I so often do, I used the KPT fractal generator filter "FraxPlorer", with which I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 835 was the initial result, which I later put through some more filtering and then came up with the third in this 4 piece series of postmodern contemporary abstract fractal art images, this one named, "In the Hall of Portals Variation 3". This piece of postmodern contemporary fractal abstract art, In the Hall of Portals Variation 3, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And finally with the last of this series, like I so often do, I used the KPT fractal generator filter "FraxPlorer", with which I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 835 was the initial result, which I later put through some more filtering and then came up with the forth in this 4 piece series of postmodern contemporary abstract fractal art images, this one named, "In the Hall of Portals Variation 4". This piece of postmodern contemporary fractal abstract art, In the Hall of Portals Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Again, like I so often do, I used the KPT fractal generator filter "FraxPlorer", with which I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 835 was the initial result, which I later put through some more filtering and came up with the second in this 4 piece series of postmodern contemporary abstract fractal art images, this one named, "In the Hall of Portals Variation 2". This piece of postmodern contemporary fractal abstract art, In the Hall of Portals Variation 2, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 4 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 957, I later renamed it Quetzalcoatl Blossom Variation 4. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this work of postmodern art I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT fractal generator filter "FraxPlorer", I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 895 was the result, which I later renamed A Splotch of Fairy Magic Variation 3. This piece is now presented here, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.