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Do you remember that poster on Mulder's office wall on the X-Files television show? It showed a flying saucer photograph, and the caption that read, "I Want To Believe"? Actually more than one of these posters was used over the course of that show. The images used in these posters appear to have been derived from, or at least based on, one or more of the photographs of Billy Meier, which is fairly ironic in relation to the issue of believing. For there is considerable controversy regarding the question of the authenticity of Billy Meier's photographs. Among the professional researchers on this topic, some believe his photographs are the real thing, while others do not believe in the genuineness of his photographic work. Regardless of that issue, whether I believe in the work of Billy Meier, or not, I find that personally, just believing is simply not enough for me. No, I want more than just to believe. I want to know! So I created this poster with my own original work of art that is my answer to that "I Want To Believe" poster. As it says, "Belief Is Not Enough I Want To Know".

Now with Ebullient Intersections Variation 7, again like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the seventh of which I initially saved among my Abstract Images as Abstract Image 1271. I later renamed this one specifically "Ebullient Intersections Variation 7". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 7, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And now, lastly with Ebullient Intersections Variation 8, like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the eighth of which I initially saved among my Abstract Images as Abstract Image 1272. I later renamed this one specifically "Ebullient Intersections Variation 8". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 8, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Now with Ebullient Intersections Variation 6, again like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the sixth of which I initially saved among my Abstract Images as Abstract Image 1270. I later renamed this one specifically "Ebullient Intersections Variation 6". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 6, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As for Ebullient Intersections Variation 5, just like all of the images of this series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the fifth of which I initially saved among my Abstract Images as Abstract Image 1269. I later renamed this one specifically "Ebullient Intersections Variation 5". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 5, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And now for Ebullient Intersections Variation 4, as with all of the images of this series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the forth of which I initially saved among my Abstract Images as Abstract Image 1268. I later renamed this one specifically "Ebullient Intersections Variation 4". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As I've said in the last few recent posts, I decided to bring some of my older works forward and publish them for my audience here at Bubblews. "A Tear in the Space Time Continuum" is another example of an image that I created using the fractal generator software, Vchira, with post work in Photoshop. Just after creating it, I sat back, gazed at it, and the first thing that came to my mind was that it looked like a tear in the space/time continuum, so without any further thought, I decided to simply give it that title, "A Tear in the Space Time Continuum". Sometimes the titles I give my abstract pieces are almost like Rorschach tests. The first thing that I see in it becomes the title. If any of them were to be interested, psychologists would probably have a field day deconstructing my titles.

I created Quetzalcoatl Blossom Variation 2 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 955, I later renamed it Quetzalcoatl Blossom Variation 2. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 4 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 957, I later renamed it Quetzalcoatl Blossom Variation 4. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this work of postmodern art I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 1 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 954, I later renamed it Quetzalcoatl Blossom Variation 1. Through further layering and color effects, I explored this basic image theme in 8 variations. As the name states, this is the first variation of this series. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this postmodern contemporary abstract fractal art image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

This image is a color variant of "A New Day Shines", which I originally created in order to commemorate the fact that the world continued to exist on December 21, 2012 and beyond into 2013. I created that original special work of art on the very day of December 21, 2012. I created it using the KPT fractal generator filter, FraxPlorer, plus a few other filters, layering and color enhancement effects. Initially titled, Abstract Image 1043, I then renamed it "A New Day Shines", for this commemoration. Afterwards, using further color enhancement tools, I created this variant called "A New Day Dawns". It is presented here in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1223, I later renamed it "Particularized Dreamtime Variation 4". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 4, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1225, I later renamed it "Particularized Dreamtime Variation 6". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 6, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1224, I later renamed it "Particularized Dreamtime Variation 5". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 5, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1222 , I later renamed it "Particularized Dreamtime Variation 3". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 3, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1221 , I later renamed it "Particularized Dreamtime Variation 2". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 2, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this work of postmodern contemporary fractal abstract art in my Abstract Image series. First named Abstract Image 1220 , I later renamed it "Particularized Dreamtime Variation 1". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 1, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1226, I later renamed it "Particularized Dreamtime Variation 7". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 7, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using several KPT filters, including "FraxPlorer", as well as other layering and filtering effects in Photoshop, I created this image in my Abstract Image series. First named Abstract Image 1227, I later renamed it "Particularized Dreamtime Variation 8". I came to that name first due to this series using some forms similar to my earlier series Particularized Hexagram, and Particularized Deltoid, then secondly when I showed Variation 1 to a good friend of mine, his first reaction was to say it reminded him of Australian Aboriginal Dreamtime Art. After creating the first variation, I subsequently created 7 more color variations off of this theme, making for a total of an eight piece series of color variation for this one. So here is Particularized Dreamtime Variation 8, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.