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If you have any intelligence about the history where fashion existed. There is a line there that indicates how to choose jeans that will fit your physique. Here are some of them Looking for the right size. At first you will find it hard to find your size. It will ask for large amount of effort from you. You have to know your hips and waist line. You have to know it as accurate as possible. Next, go to the nearest fashion store and look for one. Don't hesitate to ask for the seller's help. They know where exactly is the jeans you are looking for -(it will become easier it you do this.). Don't do the mistake of buying a smaller size than yours just because you think it will make you look slim. That is just an illusion and doesn't really make you look slim, but makes you look stuffed! Know the Right Cuts The right kind of cut goes a long way to ensure that you have a good pair of comfortable jeans. To find this out, hold the jeans in front of you and just check the curve running from the thigh to the leg. If it's too curvy, consider buying another pair. Also, try out the jeans before you buy it. Some cuts may look perfect, but may not really fit you. Jeans with the perfect cut should be comfortable at the thigh, not mold itself tightly. Try sitting and walking around in the store to ensure that the jeans don't feel tight or too loose. Choose what brand fits your personality. Make a list. Make a list of brands or stores that are known for selling the right kind of jeans. Ask your friends, colleagues at work and neighbors for ideas. There are instances that decent store has a good collection of jeans while branded stores even though have a artistic/stylish set of fashion jeans, but nothing that really fits your style, it does not appeal to you well. Jeans and Your Age. You should note this. Rejeana is now 30 years old ans she want's to look 20, atleast fake 20. Do you think she can manage it? I don't think so. Let's face it. Your body isn't wha

Do you remember that poster on Mulder's office wall on the X-Files television show? It showed a flying saucer photograph, and the caption that read, "I Want To Believe"? Actually more than one of these posters was used over the course of that show. The images used in these posters appear to have been derived from, or at least based on, one or more of the photographs of Billy Meier, which is fairly ironic in relation to the issue of believing. For there is considerable controversy regarding the question of the authenticity of Billy Meier's photographs. Among the professional researchers on this topic, some believe his photographs are the real thing, while others do not believe in the genuineness of his photographic work. Regardless of that issue, whether I believe in the work of Billy Meier, or not, I find that personally, just believing is simply not enough for me. No, I want more than just to believe. I want to know! So I created this poster with my own original work of art that is my answer to that "I Want To Believe" poster. As it says, "Belief Is Not Enough I Want To Know".

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 1 is the first color variation of this postmodern fractal image theme.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 2 is the second color variation of this postmodern fractal image theme.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 3 is the third color variation of this postmodern fractal image theme.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 4 is the forth color variation of this postmodern fractal image theme.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 7 is the seventh and final color variation of this postmodern fractal image theme.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 6 is the sixth color variation of this postmodern fractal image theme.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 5 is the fifth color variation of this postmodern fractal image theme.

"Using Cold or Warm air not heat , the wig head dryer allows you to simply wash, dry and style your wig in the comfort of your own home. Air circulates through the blow dryer wig head drying the wig net, hair roots in a fraction of the time (usually 10-15 minutes depends on length of the wig) Fresh Wigs Drying Unit is Great Value - Comprises: Fresh Wigs Drying Unit, Hair Dryer Bungee Cord and Wig Chin Strap. So what does it do? Introducing the Fresh Wigs Drying Unit, a patented, unique wig drying head that has been cleverly designed to dry your wig from the inside out, in a fraction of the time! Hailed as ""ingenious"" and ""a must-have for anyone that wears wigs"". Instructions: Simply insert any hairdryer (max. barrel size 60mm) into the opening, switch hairdryer to COLD setting and sit back and let the Fresh Wigs Drying Unit do the hard work for you!"

As I do quite often, I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. In this case, the end result was this 4 piece fractal abstract art series, the second of which I initially saved among my Abstract Images as Abstract Image 1143. I later renamed this one specifically "Fluctuating Vortex Variation 2". This color variation is essentially a complete inversion of the colors and tones of Variation 1 of this series, with a little additional tweaking. This piece of postmodern contemporary fractal abstract art, Fluctuating Vortex Variation 2, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once more, like I've been doing with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also again, like my other recently published images, I used the fractal generator, Vchira as my starting place, and created several variants then further enhanced them as layers blended together in Photoshop. The end result was this series of postmodern contemporary abstract fractal art pieces, starting with "Drifting Calibrations Variation 1", complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Again, like I've been doing with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also again, like my other recently published images, I used the fractal generator, Vchira as my starting place, and created several variants then further enhanced them as layers blended together in Photoshop. The end result was this series of postmodern contemporary abstract fractal art pieces, the second of which is this piece "Drifting Calibrations Variation 2", complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And again, like I've been doing with my last few posts, this is yet another example of one of my older works that I have brought forward and published for my Bubblews audience. Also again, like my other recently published images, this is another postmodern contemporary abstract fractal art image I created using the fractal generator software, Vchira, with post work in Photoshop. This one is the forth variation from the Ambrosia Rising image series theme. The post work that I did on "Ambrosia Rising Variation 4" included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once more, like I've been doing with my last few posts, this is another example of an older work of mine that I have brought forward and published for my Bubblews audience. Also like my other recently published images, this is yet another example of an image I created using the fractal generator software, Vchira, with post work in Photoshop. This too, is another variation, the third in the themes and variation series of Ambrosia Rising Variations. The post work for Ambrosia Rising Variation 3 included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And once more, like I've been doing with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also like many of my other recently published images, I used the fractal generator, Vchira. Additionally I also used Chaos Pro as another starting place. With both of these fractal generators I created various fractal art images, then blended them together as layers in Photoshop. The end result was this fractal art poster, entitled "Blue Bloom Dynamo", complete with the digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once again, like I've been doing with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also like many of my other recently published images, this image is another one of my creations using the fractal generator software, Vchira, with post work in Photoshop. This work of postmodern contemporary abstract fractal art is the second variation on the Horns of Hathor themes and variation series. The post work on "Horns of Hathor Variation 2" included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once again, like I've been doing with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also like many of my other recently published images, I used the fractal generator software, Vchira, with post work in Photoshop. By that means I created this first in the themes and variations on the Horns of Hathor base image. The post work included creating the digital frame, and some filtering and layering effects, as well as adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Here we we have yet another fractal image, like I've been doing with my recent posts, this is another example of one of my older works that I've brought forward and published for my Bubblews audience. Also like my other recently published images, I used the fractal generator, Vchira as my starting place, and created several variants then further enhanced them as layers blended together in Photoshop. The end result was this series of postmodern contemporary abstract fractal art pieces, the fifth of which is this piece "Drifting Calibrations Variation 5", complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And again, like I've been doing with my recent posts, this is yet another example of one of my older works that I've brought forward and published for my Bubblews audience. Also again, like my other recently published images, I used the fractal generator, Vchira as my starting place, and created several variants then further enhanced them as layers blended together in Photoshop. The end result was this series of postmodern contemporary abstract fractal art pieces, the third of which is this piece "Drifting Calibrations Variation 3", complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.