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The third Cruise Galliera is now out, the Galliera Amalfitana! This bag is a perfect example of resourcefulness and creativity as the material used in this Galliera is Raffia, a genus of palms native to tropical regions of Africa and Madagascar, that is weaved along a textile Monogram canvas for a natural summery feel. The craftsmanship is beyond compare, this bag is definitely the epitome of Monogram reinterpretation. The bag is named after Italy's world renowned Amalfi Coast, (Costiera Amalfitana in Italian) which is famous for its rugged terrain, scenic beauty, picturesque towns and diversity. Definitely the ultimate summer getaway! Galliera Amalfitana features microfiber lining and vachetta trimmings, a magnetic closure, an inside pocket with press stud closure, a cellphone compartment, an internal D-ring for attaching key holders and stuff, and of course, a golden brass Louis Vuitton Inventeur plate as the bag's glorious centerpiece. Like it's other sisters, Amalfitana can be carried on the shoulder thanks to the wide adjustable (and comfortable) leather strap. Pair it with a tank top, shorts, straw hat and a smoothie, you're ready to hit the beach! Comes with Louis Vuitton certificate of authenticity card, care booklet and dust cover

If you have any intelligence about the history where fashion existed. There is a line there that indicates how to choose jeans that will fit your physique. Here are some of them Looking for the right size. At first you will find it hard to find your size. It will ask for large amount of effort from you. You have to know your hips and waist line. You have to know it as accurate as possible. Next, go to the nearest fashion store and look for one. Don't hesitate to ask for the seller's help. They know where exactly is the jeans you are looking for -(it will become easier it you do this.). Don't do the mistake of buying a smaller size than yours just because you think it will make you look slim. That is just an illusion and doesn't really make you look slim, but makes you look stuffed! Know the Right Cuts The right kind of cut goes a long way to ensure that you have a good pair of comfortable jeans. To find this out, hold the jeans in front of you and just check the curve running from the thigh to the leg. If it's too curvy, consider buying another pair. Also, try out the jeans before you buy it. Some cuts may look perfect, but may not really fit you. Jeans with the perfect cut should be comfortable at the thigh, not mold itself tightly. Try sitting and walking around in the store to ensure that the jeans don't feel tight or too loose. Choose what brand fits your personality. Make a list. Make a list of brands or stores that are known for selling the right kind of jeans. Ask your friends, colleagues at work and neighbors for ideas. There are instances that decent store has a good collection of jeans while branded stores even though have a artistic/stylish set of fashion jeans, but nothing that really fits your style, it does not appeal to you well. Jeans and Your Age. You should note this. Rejeana is now 30 years old ans she want's to look 20, atleast fake 20. Do you think she can manage it? I don't think so. Let's face it. Your body isn't wha

I created Quetzalcoatl Blossom Variation 2 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 955, I later renamed it Quetzalcoatl Blossom Variation 2. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

created Quetzalcoatl Blossom Variation 3 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 956, I later renamed it Quetzalcoatl Blossom Variation 3. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 4 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 957, I later renamed it Quetzalcoatl Blossom Variation 4. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this work of postmodern art I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 1 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 954, I later renamed it Quetzalcoatl Blossom Variation 1. Through further layering and color effects, I explored this basic image theme in 8 variations. As the name states, this is the first variation of this series. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this postmodern contemporary abstract fractal art image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

This image is a color variant of "A New Day Shines", which I originally created in order to commemorate the fact that the world continued to exist on December 21, 2012 and beyond into 2013. I created that original special work of art on the very day of December 21, 2012. I created it using the KPT fractal generator filter, FraxPlorer, plus a few other filters, layering and color enhancement effects. Initially titled, Abstract Image 1043, I then renamed it "A New Day Shines", for this commemoration. Afterwards, using further color enhancement tools, I created this variant called "A New Day Dawns". It is presented here in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

'Denim' is the modern replica of French serge de Nîmes, a 17th century twill-weave fabric made in Nîmes. Fustian Another European fabric. It is made from a cotton, linen and/or wool blend. Before blue jeans was considered blue jeans, it was known as 'jean' after Genoans, sailors from Italy, wore it. It was in 18th century when jeans was made entirely from cotton, through the slave labour, trade and and massive develpoment of cotton plantations and Frech tailors. It was valued for its durability. Indigo blue, extracted from plants in the Americas and India, became a familiar colour for workwear.\n\n1872: "It started in a letter". It started in 1872 when Jacob Davis gave send an letter Levi Strauss, Jacob Davis was then making riveted clothing for miners in the Reno area. Mr. Jacob Davis had no money to file for a patent and offered Levi Strauss a deal if he would pay for the patent. Levi Strauss, overwhelmed enough, began to make copper-riveted 'waist overalls', and so jeans virus spread widely in Reno and from there, to the whole world.\n\n1886: "Levi's Generation". In 1886, Levi's 'Two Horse Brand' leather patch, showing the garment pulled between two horses to prove its strength, was first used. By 1890 lot-numbers were being used for Levi products: 501 was assigned to copper-riveted overalls.

It's always best to plan ahead, before you actually begin a home decorating project, whether large or small, it's a good idea to understand what is involved and to think about how it will be accomplished. Home decorating can start anywhere, with the given advice to spruce up a room; you can fall in love with a new color, or by adding a piece of furniture. But remember to think through the process of your home decorating project before you paint a wall or buy any furniture.