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Lastly, like all the rest of this series, I started off using the KPT fractal generator filter "FraxPlorer". With it, I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Spiraling Ascensions Variation 7 was the result. This work of postmodern contemporary fractal abstract art is the final of a seven piece series of image variations that follow along the same general theme. At last, here we have Variation 7 of this series, presented at Bubblews in the square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

With this image, I started the creation process using the 3D fractal generator XenoDream. With that and other tools I created this image using a variety of filtering, layering, and color enhancement effects, all in Photoshop. The end result was this work of postmodern contemporary fractal abstract art, which immediately rather reminded me of the face of a Chinese Foo Dog. When trying to figure out what I should give it as a name, I took that into account, and called it "Jubilant Face of Foo". Jubilant Face of Foo is now presented here at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once more, just like all the rest of this series, I started off using the KPT fractal generator filter "FraxPlorer". With it, I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Spiraling Ascensions Variation 6 was the result. This work of postmodern contemporary fractal abstract art is one of a seven piece series of image variations that follow along the same general theme. Here we have Variation 6 of this series, presented at Bubblews in the square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Finally we reach the end of this series with Variation 10. Like with all of the others of this particular series, I used several KPT filters as well as other layering and filtering effects in Photoshop to create this image first as a part of my overall Abstract Image series. First named Abstract Image 1090, I later renamed it "Mother's Cathedral Variation 10". One of my largest sets of image variations, these color variates number 10 in all. This piece of postmodern contemporary fractal abstract art, Mother's Cathedral Variation 10, is now presented here at Bubblews in this aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 4 is the forth color variation of this postmodern fractal image theme.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 7 is the seventh and final color variation of this postmodern fractal image theme.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 6 is the sixth color variation of this postmodern fractal image theme.

Have you ever wondered what it might look like as tiny bio-tech nanites or nano-robots do their job of making delicate genetic adjustments to cellular structures? The images of this 7 piece series may give us a clue. Imagine the central mass of the image as an abstraction of a cell nucleus, flanked above and below by a couple of these bio-tech nanites using articulated probing tools to reach into and manipulate DNA sequences. They could do micro DNA surgery correcting mutated sequences of cancer cells, transforming such cells back into healthy non-mutated cells. Nano-Cellular Adjustments Variation 5 is the fifth color variation of this postmodern fractal image theme.

Now with Ebullient Intersections Variation 7, again like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the seventh of which I initially saved among my Abstract Images as Abstract Image 1271. I later renamed this one specifically "Ebullient Intersections Variation 7". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 7, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And now, lastly with Ebullient Intersections Variation 8, like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the eighth of which I initially saved among my Abstract Images as Abstract Image 1272. I later renamed this one specifically "Ebullient Intersections Variation 8". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 8, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Now with Ebullient Intersections Variation 6, again like all of the images of this entire series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. Also again, as with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the sixth of which I initially saved among my Abstract Images as Abstract Image 1270. I later renamed this one specifically "Ebullient Intersections Variation 6". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 6, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Just like all the rest of this series, I started off using the KPT fractal generator filter "FraxPlorer". With it, I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Spiraling Ascensions Variation 5 was the result. This work of postmodern contemporary fractal abstract art is one of a seven piece series of image variations that follow along the same general theme. Now this is Variation 5 of this series, presented here at Bubblews in the square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As for Ebullient Intersections Variation 5, just like all of the images of this series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the fifth of which I initially saved among my Abstract Images as Abstract Image 1269. I later renamed this one specifically "Ebullient Intersections Variation 5". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 5, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And now for Ebullient Intersections Variation 4, as with all of the images of this series, I began using Ebullient Expulsions Variation 1 through 8, as my starting points. From those beginnings I derived these spin-off pieces in the Ebullient Intersections series. As with so many of my postmodern contemporary fractal abstract art pieces, and indeed with both of these series, I started with my frequently used KPT filter, "FraxPlorer". Using that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, all in Photoshop. The end result was this 8 piece fractal abstract art series, the forth of which I initially saved among my Abstract Images as Abstract Image 1268. I later renamed this one specifically "Ebullient Intersections Variation 4". This piece of postmodern contemporary fractal abstract art, Ebullient Intersections Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Like I so often do, I used the KPT fractal generator filter "FraxPlorer", with which I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 835 was the result, which I later put through some more filtering and came up with the first in a 4 piece series of postmodern contemporary abstract fractal art images, this one named, "In the Hall of Portals Variation 1". This piece of postmodern contemporary fractal abstract art, In the Hall of Portals Variation 1, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once more, like I so often do, I used the KPT fractal generator filter "FraxPlorer", with which I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 835 was the initial result, which I later put through some more filtering and then came up with the third in this 4 piece series of postmodern contemporary abstract fractal art images, this one named, "In the Hall of Portals Variation 3". This piece of postmodern contemporary fractal abstract art, In the Hall of Portals Variation 3, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Again, like I so often do, I used the KPT fractal generator filter "FraxPlorer", with which I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 835 was the initial result, which I later put through some more filtering and came up with the second in this 4 piece series of postmodern contemporary abstract fractal art images, this one named, "In the Hall of Portals Variation 2". This piece of postmodern contemporary fractal abstract art, In the Hall of Portals Variation 2, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Collage is a simple form of art craft that makes use of pictures, colors, and paper texture to bring out the idea or subject of the crafter. It's primarily an assembly of various things (cut-outs, torn pieces, newspaper clippings, photographs, ribbons, etc.) that are altogether formed and glued to form another picture that carries the idea you have or the subject of your artwork that you want to project. The end product is a beautiful work of art that may become one of your best novelties.

Like all the rest of this series, I started with the KPT filter, "FraxPlorer". Using that, I created this series of images in my usual way with filtering, layering, color enhancement, etc. in Photoshop. The end result was this series of seven color variations of The Eye is on You. This particular work of postmodern contemporary abstract fractal art, I first named Abstract Image 1064, then later made it variation 5 of this series. The Eye is on You Variation 5 is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Again, just like all the rest of this series, I started with the KPT filter, "FraxPlorer". Using that, I created this series of images in my usual way with filtering, layering, color enhancement, etc. in Photoshop. The end result was this series of seven color variations of The Eye is on You. This particular work of postmodern contemporary abstract fractal art, I first named Abstract Image 1065, then later made it variation 6 of this series. The Eye is on You Variation 6 is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.