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Maryam Shakir Ms.Jensen AP Lit 12 Janurary 20 Uncle Tom's Cabin Literary Criticism Not surprisingly, the story Uncle Tom's Cabin by Harriet Beecher Stowe was based on a story of a real ex- slave. This is exactly what the article by Ilona Kromenzsky attempts to unearth. Along with the usual props given to Beecher for being the first international bestseller in the United states, topping the sales of even the Bible with the controversial story, there is also an unusual aspect to Kromenzsky's analysis of the writer and her tale. She relates that a the man who inspired the book had actually given his story in an autobiography prior to the actually Uncle Tom's Cabin by Harriet. Josiah Hensen was a real man who escaped slavery by running to Canada and establishing his place in society partially by his love of religion, nearly verbatim to the story line of Stowe's story. There is now a historical site on the grounds of where the true Uncle Tom's cabin was, a tribute to both the book an the man who inspired the phenomenon.

Argument: The argument is that this book forces the reader to think a little out of the box and it can seem as a realistic story.The reader must be able to intertwine their "senses" between the fast and present, between reality and fantasy, and through the lives of yin and yang. The critic, Benzi Zhang, just summarizes the book and discusses the points in the book where the characters changes between past and present. Evidence: "Tan's novel moves toward the subversion of our rational perception of life, elaborating on "the question of life continuing beyond our ordinary senses" (Zhang). "Western rationalism and materialism have left Olivia with a limited view of life, and she cannot grasp the spiritual values embodied in Kwan's Chinese way of thinking" (Zhang). Thoughts: I think that this book just forces the reader to go deeper into the book, and makes them read beyond the words. This book may be realistic in some ways, since everyone gets confused between reality and fantasy. Tan uses symbolism and creativity to explain her life, or how shoe would have liked it to be. She views everything so open minded, and she observes every detail, and wondering how the it might portray to someone else. This book is the perfect book to describe Tan's thinking.

According to Cheryl Reed, A Thousand Splendid Suns is a multi-generational story that spans a 45 year time span, told from dual perspectives of powerless Afghani women. While The Kite Runner was a story of redemption, A Thousand Splendid Suns is a story of survival in a war ridden country where women are beyond powerless and must hide behind their burqas. Hosseini uses many of his own experiences to build his stories of fictional characters. From his recent visits back to Afghanistan, A Thousand Splendid Suns was made. Reed states her argument clearly although it isn't presented until the end of her critique. Her critic is logically and coherently written starting with the emotions reading this book makes one feel. Overall she is fairly focused in the entire essay making sure to give examples of interviews with Hosseini. There does not appear to be any biases in Reeds critic except for the main one that A Thousand Splendid Suns is written about two women who must endure many hardships in Afghanistan and Cheryl Reed is a woman. The one thing about this critique that also got in the way of her argument was the long summary she put before she actually critiqued the novel. "Readers will certainly wince at the brutality of this book--the bruises beneath the burqa, the grotesque murders--but ultimately their faith in humanity will be rewarded." This statement is true about this novel, it is hard to endure and imagine that this happens to women everyday in Afghanistan but the fact that some humans are still good inside is also seen. The best quote though, in my opinion of this essay is when Reed notes the main difference between The Kite Runner and A Thousand Splendid Suns: "There is a subtle difference, of course, between imagining the depravity of war and actually smelling the orphans left in its wake. That is the difference between these two haunting novels."

Joyce Carol Oats is the author of this critical analysis of Wuthering Heights. Oats explains how Emily Bronte's writing is unique and anticipated, but still brings in the basics of a romantic novel. She feels that it evolves well through loss and love. The novel also uses the time period it was written in very well through many examples. The purpose of this critical analysis is to prove Bronte's writing and show how well she can fit everything together. Wuthering Heights has a storyline to it, where it could seem like there are two tales in one. One tale would be of the romance and the second would be of maturing through life's challenges. Oats determines that Bronte includes nature into society, which makes up the theme of the novel. Passion is also incorporated into this romantic, gothic novel through various generations of people falling in love. The purpose of this was to prove the theme, in Oats' eyes. Joyce Oats feels that Wuthering Heights has to be understood on two levels to obtain the entire meaning. Emily Bronte has a writing style that gets her point across, but most of the time has an underlying meaning pertaining to the historical aspect and also the romantic aspect.

Argument: Coupland uses noteworthy pop-culture to name and create his novel Girlfriend in a Coma. The Smiths' a popular band of the '80s was the reason behind the books title while Karen Ann Quinlan was the true reason the teenage girl in the book who slipped into a coma was also ironically named Karen. Starting with the basics Coupland constructed Girlfriend in a Coma to mean more than what was put on the surface. The turning point of Coupland's career as a serious author blossomed after he successfully published Girlfriend in a Coma, a dark and daring book that involves post-apocalyptic events. Difficult overbearing situations was what fascinated Coupland and was one of the main influential reasons Coupland wrote the novel Girlfriend in a Coma; the thrill of watching teenagers and later on adults survive in a world where their only worry was to find their true purpose on Earth. Evidence: "On the surface, the book seems vintage Coupland, taking a cue from pop-culture icons like Karen Ann Quinlan, the New Jersey teenager who spent 10 years in a coma before dying in 1985, and The Smiths, the quintessential band of '80s disaffection from whose song the book takes its title." ". And yet, Girlfriend in a Coma is Coupland's most audacious novel to date, and it marks something of a watershed in his career." "Sitting in a posh Toronto hotel lounge sipping coffee, Coupland struggles to find words to describe the genesis of Girlfriend in a Coma. "It's so weird to talk about this out loud," he says. But eventually, between frequent changes of subject, he remembers that it began with a quote from novelist Thomas Pynchon. "He said the way young people deal with the overwhelming-ness of existence--I'm paraphrasing--is through time travel or sleep," Coupland says. "So what I wanted to do was present sleep and time travel, and the coma as the embodiment of both." "Then there was his fascination with Karen Ann Quinlan. "I just remember in the '70s, every

Carolyn Williams author of the literary criticism "Trying to do without God" in the Color Purple by Alice Walker criticizes how the main character Celie turns away from God and begins to write to Nettie, her sister. When Celie stops, writing to God it seems as if she felt betrayed by him because apparently God did not like poor colored women. Based on what Williams wrote, Celie felt as if God was like all other men, liars and cheaters. Celie began to refer to God because her stepfather always told her not to tell anyone but God because it would her mother. I think that is where Celie felt betrayed, because she probably imagined God as her stepfather since back then, society did not have enough knowledge about religion. When Celie found love, her personality changed because before she was lonely and empty inside. Now that she has a man on her side, her world completely changed because she has a sense of wholeness and she managed to recognize God once more. Williams included a small passage from the story and it said "Man corrupt everything" meaning that men feel like they can do whatever they want and they will get it and I think that is why Williams targeted the "trying to do without God". Alice Walker compared men to a God and that is why Celie stopped because she had, had terrible experiences with men like her stepfather. I would say that Williams criticized Walker because she tried to exclude God, and Williams believes that in order for something to happen people must acknowledge God in their lives.

Argument Heller used juxtaposition and the idea of "déjà vu" to create the insight on the world that Yossarian had been it at the time (World War 2). By the use of "black" comedy and the influence of works such as Crime and Punishment and Dante's Inferno, Heller was able to craft such a fine "epic" that there are authors today who use the similar style of non-organized (or non-chronological) order - such as William Faulkner. Evidence * "Most significant is Heller's incremental repetition of the Snowden episode; he presents fragments of the scene and builds to a climax where Yossarian learns the extent of his gunner's injuries." * "Heller relies heavily upon patterns of recurrence-whether of scene, image, or verbal exchange-so that the reader experiences a sense of deja vu." * "Heller uses the technique of black humor, juxtaposing comic and tragic effects, mixing the slapstick with the grotesque." Thoughts This article stresses the importance of the non-chronological order that Heller had to defend upon Catch-22's initial release - in which critics were just stupid and though he did it out of panic and misrepresentation rather than using it as a true surface style with meaning.

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