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Acoustics and Psychoacoustics Applied - Part 1: Listening room design | Audio DesignLine - 0 views

  • Part 1 of an excerpt from the book "Acoustics and Psychoacoustics", 4th edition, examines the ways to make rooms better for the purpose of critically listening to music.
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    I have to get me the full book....
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C9 Lectures: Dr. Don Syme - Introduction to F#, 1 of 3 | Going Deep | Channel 9 - 0 views

  • F# is Microsoft's first functional programming language to be included as one of Visual Studio's official set of languages. F# is a succinct, efficient, expressive functional/object-oriented programming language under joint development by Microsoft Developer Division and Microsoft Research. During the course of Erik Meijer's fantastic lecture series on functional programming fundamentals several of you asked for examples of specific topics in F#. Well, we listened. Dr. Don Syme is a principal researcher in MSR Cambridge. He has a rich history in programming language research, design, and implementation (C# generics being one of his most recognized implementations), and is the principle creator of F#. Who better to lecture on the topic than Don? This three part series will serve as an introduction to F#, including insights into the rationale behind the history and creation of Microsoft's newest language.
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The Blue Talkz...: Winduino II - 4 views

  • This is really kool. I mean REALLY REALLY. Based on the ancient Aeolian harp, and made out of Adruino BT Bluetooth board, this little instrument plays with wind. Oh, and it’s solar powered. More info can be found here.  
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    Very interesting idea, but I'm not really impressed by the music it generates.
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    Thanks for the tip, Aasemoon - I liked it so much - http://www.jackdlogan.com/music/winduino_II.html - surely, the Aeolian harp must have been the way humans first learned about pitched sound; in its original form - "Aeolian harps in literature and music Aeolian harps are featured in at least two Romantic-era poems, "The Aeolian Harp" and "Dejection, an Ode", both by Samuel Taylor Coleridge. In William Heinesen's novel The Lost Musicians set in Tórshavn, Kornelius Isaksen takes his three sons to a little church where, in the tower, they sit listening to the 'capriciously varying sounds of an Aeolian harp', which leads the boys into a lifelong passion for music. Aeolian harps are mentioned in Vladimir Nabokov's classic Lolita. A lyre is mentioned in Percy Bysshe Shelley's "Ode to the West Wind" which is another name for an Aeolian Harp. An aeolian harp is featured in Ian Fleming's 1964 children's novel Chitty Chitty Bang Bang to make a cave seem haunted. Henry Cowell's Aeolian Harp (1923) was one of the first piano pieces ever to feature extended techniques on the piano which included plucking and sweeping the pianist's hands directly across the strings of the piano. The Etude in A flat major for piano (1836) by Frédéric Chopin (Étude Op. 25, No. 1 (Chopin)) is sometimes called the "Aeolian Harp" etude, a nickname given it by Robert Schumann. The piece features a delicate, tender, and flowing melody in the fifth finger of the pianist's right hand, over a background of rapid pedaled arpeggios. One of Sergei Lyapunov's 12 études d'exécution transcendante, Op.11 No.9, is named by the author "Harpes éoliennes" (aeolian harps). In this virtuoso piece, written between 1897 and 1905, the tremolo accompaniment seems to imitate the sounding of the instrument. Young Thomas at work on his harp. In 1972, Chuck Hancock and Harry Bee recorded a giant 30 foot
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    Cool... glad you like this Jack! =) It amazed me quite a bit too...
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robots.net - Robots: Chaos Control - 0 views

  • Walking, swallowing, respiration and many other key functions in humans and other animals are controlled by Central Pattern Generators (CPGs). In essence, CPGs are small, autonomous neural networks that produce rhythmic outputs, usually found in animal's spinal cords rather than their brains. Their relative simplicity and obvious success in biological systems has led to some success in using CPGs in robotics. However, current systems are restricted to very simple CPGs (e.g., restricted to a single walking gait). A recent breakthrough at the BCCN at the University of Göttingen, Germany has now allowed to achieve 11 basic behavioral patterns (various gaits, orienting, taxis, self-protection) from a single CPG, closing in on the 10–20 different basic behavioral patterns found in a typical cockroach. The trick: Work with a chaotic, rather than a stable periodic CPG regime. For more on CPGs, listen to the latest episode of the Robots podcast on Chaos Control, which interviews Poramate Manoonpong, one of the lead researchers in Göttingen, and Alex Pitti from the University of Tokyo who uses chaos controllers that can synchronize to the dynamics of the body they are controlling.
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Acoustics and Psychoacoustics Applied - Part 2: Audiometry and psychoacoustic testing |... - 0 views

  • Part 2 of an excerpt from the book "Acoustics and Psychoacoustics", 4th edition, looks at acoustic and psychoacoustic principles applied to the clinical measurement of hearing ability, as well as procedures used in psychoacoustic testing.
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The Blue Talkz...: Enough Dubs 2 - 0 views

  • This has to have a blog post. =) I've been listening to this album for the past couple of days more or less non-stop... and I love it. Very nice collection of "bass-driven sounds from all over the world". Totally recommended. Check it out! =)
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This Robotic Dragonfly Flew 40 Years Ago | BotJunkie - 0 views

  • In the 1970s the CIA had developed a miniature listening device that needed a delivery system, so the agency’s scientists looked at building a bumblebee to carry it. They found, however, that the bumblebee was erratic in flight, so the idea was scrapped. An amateur entymologist on the project then suggested a dragonfly and a prototype was built that became the first flight of an insect-sized machine. A laser beam steered the dragonfly and a watchmaker on the project crafted a miniature oscillating engine so the wings beat, and the fuel bladder carried liquid propellant. Despite such ingenuity, the project team lost control over the dragonfly in even a gentle wind. “You watch them in nature, they’ll catch a breeze and ride with it. We, of course, needed it to fly to a target. So they were never deployed operationally, but this is a one-of-a-kind piece.”
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