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Padhaaro Maare Desh! It is the flavor, culture and true spirit of Rajasthan. Rajasthani culture can be tagged as on of the most warm and loving cultures of India. If you are the connoisseurs of the Rajasthani palate and are looking forward to some scrumdiddlyumptious 'daal baati churma' served by gracious people with hearty smiles, do not miss on our following list of top 5 Rajasthani restaurants in Delhi/ NCR.

This is a video of a talk that Lawrence Lessig (Professor, Stanford Law School) gave for an unnamed organization. In his talk, Lessig provides a powerful and piercing analysis on the impact that legal restrictions on the re/use of media resources has on creativity and cultural production. During his talk, Lessig shows some remarkably creative mash-up videos on YouTube to exemplify the kind of creativity/cultural production that is possible through ubiquitous digital media, yet is considered copyright violation, for example, in the eyes of Warner Brothers Music Group. Ironically, the organization that hosted the talk received a notice from Warner Bros Music after posting a video of the Lessig's talk on YouTube, which, according to Lessig's blog, "objected to its being posted on copyright grounds." Warner Brother Music Group has implemented content-id algorithms (i.e., technology that detects the digital "fingerprint" of corporate-"owned" copyrighted works) through media hosting services, including YouTube, FaceBook, and others. When the video of Lessig's talk was posted, it was 'dusted' for fingerprints of WBMG copyrighted works. The detection system identified the soundtracks in the YouTube videos Lessig showed, as materials to which they held copyright. Both the video of Lessig's talk and the blog conversation regarding WBMG's objection are must-see resources.

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An interesting video I came across about the main issues concerning fair use, copyright, and video mashups. Highlights from my transcription below: We're seeing this blossoming of amateur cultures, video remixes and creativity, and a lot of these works are circulating on the Internet. Copyright law is all about balance........

A Brisbane-based, international remixable literature project named Remix My Lit released this summer their first publication, "Through the Clock's Workings": it's defined as the world's first remixed and remixable anthology of literature. (continue....)

He appeared in a documentary about the genre of rockabilly and its culture titled It's a Rockabilly World! Bell later reprised his role as Spider-Man in the 2015 game Disney Infinity 3.0. He also guest-starred in an episode with his Drake & Josh co-star Josh Peck on Peck's FOX television series Grandfathered; Bell guest stars as Kirk, a wealthy tech investor.

Article sobre com marca una bretxa digital el periodisme de qualitat

"Productivity is important to the business success. According to the IDC report, by 2015, the world's mobile worker population will reach 1.3 billion, bringing major changes to the work culture. A little while ago mobile productivity was understood as phone call to get information. These days mobile productivity has broader meaning and more and more often it is used as work tool in multiple areas."

Librarians have adapted amazingly well to the challenges of an Internet-enabled, web-dominated world. It's been quite a ride as we worked with digital content, learned new search tools, and strived to get our many and varied systems interconnected. Now the roller coaster really begins as we deal with the next generation-those "born with the chip"-who have grown up in the 1980s with computers and don't think of them as technology. They are part of their cultural DNA.

Thousands of years of compiled information in mathematics, science, architecture and engineering has steadily advanced cultures around the world. When simplified, much of this observation, trial-and-error and progress boils down to one word - Analytics.

Metal Edge Magazine has called brokeNCYDE "fucking horrendous."[1] British commentator Warren Ellis calls brokeNCYDE's "Freaxxx" music video "a near-perfect snapshot of everything that's shit about this point in the culture."[2] Says August Brown of the Los Angeles Times, "The 'Albucrazy'-based band has done for MySpace emo what some think Soulja Boy did for hip-hop: turn their career into a kind of macro-performance art that exists so far beyond the tropes of irony and sincerity that to ask 'are they kidding?' is like trying to peel an onion to get to a perceived central core that, in the end, does not exist and renders all attempts to reassemble the pieces futile."

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