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John Evans

iPads in Education: Critiquing the Positive Spin Memes - Blog - Apps for Learning with Literacy - 2 views

www.appsforlearningliteracies.com/...g-the-positive-spin-memes.html

ipads education positive apps learning literacy memes

shared by John Evans on 27 Aug 12 - No Cached
  • John Evans on 27 Aug 12
     
    "As schools and even entire school districts take the plunge and adopt iPads, we have been following the arguments for an against the adoptions in blogs, YouTube videos, and responses, and in conversations with colleagues. "
John Evans

EdTechResearcher » Are iPads making a significant difference? Findings from Auburn Maine. - 9 views

www.edtechresearcher.com/...nce-findings-from-auburn-maine

ipads maine research

shared by John Evans on 29 Feb 12 - No Cached
  • John Evans on 29 Feb 12
     
    Audrey Watters has an interesting article on early results from an assessment of iPads deployed in kindergardens in Auburn, ME. It's a perfect place for me to get to one of the core purposes of this blog- to look at educational research results and critique them from the perspective of a fellow researcher. The goal is to help readers be more saavy consumers of educational research. My take is pretty different from Audrey's (who I think is a brilliant ed tech journalist). I also want to start the post by applauding the team of researchers for tackling this important study, even though I disagree with their interpretation of the data.
John Evans

To Teach Effective Writing, Model Effective Writing | Edutopia - 3 views

www.edutopia.org/...effective-writing-david-cutler

effective writing edutopia teaching writing

shared by John Evans on 13 Jul 15 - No Cached
  • John Evans on 13 Jul 15
     
    "When I was a kid, every weekend, my parents would drive me to Loon Mountain in New Hampshire to master the sport of skiing -- and downhill racing, in particular. On the chairlift, my instructors would critique the technique of those skiing below us. On the racecourse, I would spend hours studying and eventually trying to mimic the most experienced racers. I can't overstate the importance of effective modeling in helping me become an amazing skier. Effective modeling is also how I learned to write well. I spent equal time and effort actually watching other, more experienced writers write."
John Evans

Lesson Plan: A Place in Time with Google Tools - The Impact of Photography - 6 views

docs.google.com/View

google tools lessonplans photography googleearth history SS MY SY

shared by John Evans on 02 Jan 10 - Cached
  • John Evans on 02 Jan 10
     
    Use the study of photography to explore with your students the power of images and their impact on history. In this lesson students learn about the history of American photography by selecting and critiquing photographs in an interactive and collaborative activity. The lesson also incorporates geographic literacy into the fine arts experience by challenging students to focus on the significance of the place, captured in time, that influenced events.
John Evans

Educational Leadership:Multiple Measures:Why Every Student Needs Critical Friends - 4 views

www.ascd.org/...nt_Needs_Critical_Friends.aspx

educational leadership authentic assessment critical friends

shared by John Evans on 30 Nov 09 - Cached
  • John Evans on 30 Nov 09
     
    Using peer critiques to evaluate and improve student work is a natural outgrowth of the movement toward more authentic assessments in education (Henderson & Karr-Kidwell, 1998). Both formative and summative assessments now commonly go beyond multiple-choice tests to include live performances, digital presentations, simulations, and so on. We have moved from a focus on judging whether students know isolated facts to a focus on assessing whether students can apply newly acquired skills and concepts.
John Evans

A handy flowchart for enhancing classroom discussion - Daily Genius - 1 views

dailygenius.com/enhancing-classroom-discussion

handy flowchart classroom discussion daily genius

shared by John Evans on 16 Mar 15 - No Cached
  • John Evans on 16 Mar 15
     
    "Do you like to have a free-flowing exchange of ideas in the classroom? Do you encourage and nurture dissenting opinions? Do your students feel empowered to voice their thoughts and critiques of research or ideas? If you answered 'YES' to all of the above questions, you're leading a fantastic classroom filled with a lot of engaging discussion. Bravo! But if you aren't satisfied with the level of discourse taking place in (and out of) the classroom, then this flowchart from Wonkblog is for you. It's designed to help anyone (not just students or teachers) engage in a discussion about a topic they don't agree with. For example, let's say a student cites some research in a project-based learning assignment that another student doesn't think is quite relevant. How would that student voice his or her opinion? Is interrupting okay? Is one opinion better than another?"
John Evans

Why students need more 'math talk' - 1 views

theconversation.com/nts-need-more-math-talk-104034

math math talk students teachers

shared by John Evans on 27 Nov 18 - No Cached
  • John Evans on 27 Nov 18
     
    Test scores, school report cards and Facebook posts complaining about homework problems often drive critiques of how math is taught in schools. Amid the debates, it has become increasingly clear that one ingredient is necessary for success: opportunities for students to talk about math. Unfortunately, these are often lacking in U.S. classrooms. We are both math education researchers. While we focus on different levels of the K-12 span, a common theme across our work is the role of talk in math classrooms - what talk can sound like, how talk impacts student learning, and how teachers can support math talk. Want to support your student's understanding of math? Talking will play a critical role. And a good place to start is to talk about math yourself.
John Evans

Don't Confuse Technology With Teaching - Commentary - The Chronicle of Higher Education - 5 views

chronicle.com/...133551

technology education teaching learning

shared by John Evans on 18 Aug 12 - No Cached
  • Education is not the transmission of information or ideas. Education is the training needed to make use of information and ideas. As information breaks loose from bookstores and libraries and floods onto computers and mobile devices, that training becomes more important, not less.
  • Just as coaching requires individual attention, education, at its core, requires one mind engaging with another, in real time: listening, understanding, correcting, modeling, suggesting, prodding, denying, affirming, and critiquing thoughts and their expression.
John Evans

Educational Leadership:Giving Students Meaningful Work:Seven Essentials for Project-Based Learning - 11 views

www.ascd.org/...or_Project-Based_Learning.aspx

pbl project-based learning students educational projects leadership ASCD edcuationalleadership

shared by John Evans on 26 Oct 10 - Cached
  • launching a project with an "entry event" that engages interest and initiates questioning
  • Students created a driving question
  • product of students' choice created by teams
  • ...6 more annotations...
  • each team regularly paused to review how well they were collaborating and communicating, using rubrics they had developed with the teacher's guidance
  • generated a list of more detailed questions
  • more meaningful if they conduct real inquiry
  • student teams critiqued one another's work
  • emphasizes that creating high-quality products and performances
  • A Publicly Presented Product
Clint Hamada

The Code of Best Practices in Fair Use for Media Literacy Education -- Publications -- Center for Social Media at American University - 7 views

www.centerforsocialmedia.org/...e_for_media_literacy_education

Best Practice Fair Use literacy CC copyright guide guidelines

shared by Clint Hamada on 07 Apr 10 - Cached
  • Fair use is the right to use copyrighted material without permission or payment under some circumstances—especially when the cultural or social benefits of the use are predominant.
  • This guide identifies five principles that represent the media literacy education community’s current consensus about acceptable practices for the fair use of copyrighted materials
  • This code of best practices does not tell you the limits of fair use rights.
  • ...51 more annotations...
  • Media literacy is the capacity to access, analyze, evaluate, and communicate messages in a wide variety of forms. This expanded conceptualization of literacy responds to the demands of cultural participation in the twenty-first century.
  • Media literacy education helps people of all ages to be critical thinkers, effective communicators, and active citizens.
  • Rather than transforming the media material in question, they use that content for essentially the same purposes for which it originally was intended—to instruct or to entertain.
  • four types of considerations mentioned in the law: the nature of the use, the nature of the work used, the extent of the use, and its economic effect (the so-called "four factors").
  • this guide addresses another set of issues: the transformative uses of copyright materials in media literacy education that can flourish only with a robust understanding of fair use
  • Lack of clarity reduces learning and limits the ability to use digital tools. Some educators close their classroom doors and hide what they fear is infringement; others hyper-comply with imagined rules that are far stricter than the law requires, limiting the effectiveness of their teaching and their students’ learning.
  • However, there have been no important court decisions—in fact, very few decisions of any kind—that actually interpret and apply the doctrine in an educational context.
  • But copying, quoting, and generally re-using existing cultural material can be, under some circumstances, a critically important part of generating new culture. In fact, the cultural value of copying is so well established that it is written into the social bargain at the heart of copyright law. The bargain is this: we as a society give limited property rights to creators to encourage them to produce culture; at the same time, we give other creators the chance to use that same copyrighted material, without permission or payment, in some circumstances. Without the second half of the bargain, we could all lose important new cultural work.
  • specific exemptions for teachers in Sections 110(1) and (2) of the Copyright Act (for "face-to-face" in the classroom and equivalent distance practices in distance education
  • Through its five principles, this code of best practices identifies five sets of current practices in the use of copyrighted materials in media literacy education to which the doctrine of fair use clearly applies.
  • Fair use is in wide and vigorous use today in many professional communities. For example, historians regularly quote both other historians’ writings and textual sources; filmmakers and visual artists use, reinterpret, and critique copyright material; while scholars illustrate cultural commentary with textual, visual, and musical examples.
  • Fair use is healthy and vigorous in daily broadcast television news, where references to popular films, classic TV programs, archival images, and popular songs are constant and routinely unlicensed.
  • many publications for educators reproduce the guidelines uncritically, presenting them as standards that must be adhered to in order to act lawfully.
  • Experts (often non-lawyers) give conference workshops for K–12 teachers, technology coordinators, and library or media specialists where these guidelines and similar sets of purported rules are presented with rigid, official-looking tables and charts.
  • this is an area in which educators themselves should be leaders rather than followers. Often, they can assert their own rights under fair use to make these decisions on their own, without approval.
  • ducators should share their knowledge of fair use rights with library and media specialists, technology specialists, and other school leaders to assure that their fair use rights are put into institutional practice.
  • In reviewing the history of fair use litigation, we find that judges return again and again to two key questions: • Did the unlicensed use "transform" the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? • Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?
  • When students or educators use copyrighted materials in their own creative work outside of an educational context, they can rely on fair use guidelines created by other creator groups, including documentary filmmakers and online video producers.
  • In all cases, a digital copy is the same as a hard copy in terms of fair use
  • When a user’s copy was obtained illegally or in bad faith, that fact may affect fair use analysis.
  • Otherwise, of course, where a use is fair, it is irrelevant whether the source of the content in question was a recorded over-the-air broadcast, a teacher’s personal copy of a newspaper or a DVD, or a rented or borrowed piece of media.
  • The principles are all subject to a "rule of proportionality." Educators’ and students’ fair use rights extend to the portions of copyrighted works that they need to accomplish their educational goals
  • Educators use television news, advertising, movies, still images, newspaper and magazine articles, Web sites, video games, and other copyrighted material to build critical-thinking and communication skills.
  • nder fair use, educators using the concepts and techniques of media literacy can choose illustrative material from the full range of copyrighted sources and make them available to learners, in class, in workshops, in informal mentoring and teaching settings, and on school-related Web sites.
  • Students’ use of copyrighted material should not be a substitute for creative effort
  • Where illustrative material is made available in digital formats, educators should provide reasonable protection against third-party access and downloads.
  • Teachers use copyrighted materials in the creation of lesson plans, materials, tool kits, and curricula in order to apply the principles of media literacy education and use digital technologies effectively in an educational context
  • Wherever possible, educators should provide attribution for quoted material, and of course they should use only what is necessary for the educational goal or purpose.
  • Educators using concepts and techniques of media literacy should be able to share effective examples of teaching about media and meaning with one another, including lessons and resource materials.
  • fair use applies to commercial materials as well as those produced outside the marketplace model.
  • curriculum developers should be especially careful to choose illustrations from copyrighted media that are necessary to meet the educational objectives of the lesson, using only what furthers the educational goal or purpose for which it is being made.
  • Curriculum developers should not rely on fair use when using copyrighted third-party images or texts to promote their materials
  • Students strengthen media literacy skills by creating messages and using such symbolic forms as language, images, sound, music, and digital media to express and share meaning. In learning to use video editing software and in creating remix videos, students learn how juxtaposition reshapes meaning. Students include excerpts from copyrighted material in their own creative work for many purposes, including for comment and criticism, for illustration, to stimulate public discussion, or in incidental or accidental ways
  • educators using concepts and techniques of media literacy should be free to enable learners to incorporate, modify, and re-present existing media objects in their own classroom work
  • Media production can foster and deepen awareness of the constructed nature of all media, one of the key concepts of media literacy. The basis for fair use here is embedded in good pedagogy.
  • Whenever possible, educators should provide proper attribution and model citation practices that are appropriate to the form and context of use.
  • how their use of a copyrighted work repurposes or transforms the original
  • cannot rely on fair use when their goal is simply to establish a mood or convey an emotional tone, or when they employ popular songs simply to exploit their appeal and popularity.
  • Students should be encouraged to make their own careful assessments of fair use and should be reminded that attribution, in itself, does not convert an infringing use into a fair one.
  • Students who are expected to behave responsibly as media creators and who are encouraged to reach other people outside the classroom with their work learn most deeply.
  • . In some cases, widespread distribution of students’ work (via the Internet, for example) is appropriate. If student work that incorporates, modifies, and re-presents existing media content meets the transformativeness standard, it can be distributed to wide audiences under the doctrine of fair use.
  • educators should take the opportunity to model the real-world permissions process, with explicit emphasis not only on how that process works, but also on how it affects media making.
  • educators should explore with students the distinction between material that should be licensed, material that is in the public domain or otherwise openly available, and copyrighted material that is subject to fair use.
  • ethical obligation to provide proper attribution also should be examined
  • Most "copyright education" that educators and learners have encountered has been shaped by the concerns of commercial copyright holders, whose understandable concern about large-scale copyright piracy has caused them to equate any unlicensed use of copyrighted material with stealing
  • This code of best practices, by contrast, is shaped by educators for educators and the learners they serve, with the help of legal advisors. As an important first step in reclaiming their fair use rights, educators should employ this document to inform their own practices in the classroom and beyond.
  • Many school policies are based on so-called negotiated fair use guidelines, as discussed above. In their implementation of those guidelines, systems tend to confuse a limited "safe harbor" zone of absolute security with the entire range of possibility that fair use makes available.
  • Using an appropriate excerpt from copyrighted material to illustrate a key idea in the course of teaching is likely to be a fair use, for example.
  • Indeed, the Copyright Act itself makes it clear that educational uses will often be considered fair because they add important pedagogical value to referenced media objects
  • So if work is going to be shared widely, it is good to be able to rely on transformativeness.
  • We don’t know of any lawsuit actually brought by an American media company against an educator over the use of media in the educational process.
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