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"Suzanne Haik-Vantoura's approach was the mirror-image of that of the Masoretes. Like them, she used the Hebrew verbal syntax as the "virtual bilingual" necessary to assign a function to each accent. Unlike the Masoretes, she actually believed what both Jewish tradition and musicological consensus indicate: the accents are primarily musical, secondarily exegetical. The resulting "deciphering key" is the only one possible based on that premise, and it explains all the features the Masoretic paradigm explains plus all the features it does not. (I owe to Masoretic scholar James D. Price the needed clue to correct the interpretation of one rare accent by her key. The correction is not in this book, however, but on my King David's Harp, Inc. Web site.)"

Sung here: http://www.youtube.com/watch?v=1rgP1cZOkWU, skip forward to 1:15

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