Skip to main content

Diigo Home
Home/ Groups/ Music // Multiculti
Aviva Gabriel

ILAM: International Library of African Music - 0 views

  • Aviva Gabriel
     
    Founded by Hugh Tracey at Rhodes University
Aviva Gabriel

A History of Jazz : Piero Scaruffi - 0 views

  • Aviva Gabriel
     
    New Orleans; Chicago; New York City; Kansas City; Swing; Big Band; Bebop; Cool Jazz; Hard Bop; Post-Bop; Free Jazz; Creative Jazz; Post-Modernism; Latin Jazz; Fusion Styles; Traditionalism; M-Base; Acid Jazz; New-Age Jazz; Post-Fusion; Post-Jazz; Post-Creativity; Rebirth; Digital Improvisation...
Aviva Gabriel

Jazzcore, Punkjazz - 0 views

  • Aviva Gabriel
     
    Amalgamation of elements of jazz tradition (especially free jazz and jazz fusion of 60s-70s) with instrumentation/concepts of avant punk rock (especially dissonant strains, no wave, grindcore, hardcore). Examples: John Zorn, Bill Frisell, Fred Frith, James Chance & the Contortions, Lounge Lizards. Roots of punk: Velvet Underground, Stooges, MC5. Roots of avant/free jazz: Albert Ayler, Archie Shepp, Roscoe Mitchell, Sonny Sharrock.
Aviva Gabriel

History of Avant-Garde Music | Concrete, Dadaism, Post-Chamber, Electronic, Minimalist, Amb... - 0 views

  • Aviva Gabriel
     
    The birth of soundscape aesthetics; postmodernism; minimalism and droning minimalism; second-generation minimalists; event music in the electronic age; collage and field recordings in the electronic age; collage in the age of the sampler; post-jazz; post-chamber; glitch; digital minimialism; ambient avantgarde; database of contemporary composers; chronology; selected works...
Aviva Gabriel

Avant-Garde + Third-Stream Jazz: Rapprochement + Convergence of Classical Music + Jazz - 0 views

  • Aviva Gabriel
     
    Jazz + Classical Music: Convergence + Rapprochement, or Third-Stream Genre :: Essay (Liner Notes for Mirage/New World)
Aviva Gabriel

Sharhabeel Ahmed: Sudan's 'King of Jazz' - 0 views

  • Aviva Gabriel
     
    Sharhabeel launched a new genre of Sudanese song, melding jazz vocals with a big band sound, and Sharhabeel and his band became Khartoum's most sought after ensemble. It was a popularity that mushroomed. His synthesiser-driven renditions of traditional songs brought further success and recognition. "It is ironic," he muses, "that in the 21st century, there is not a single recording studio in Sudan," in contrast to the exuberance & optimisim of the 1950s, after Sudan's 1956 independence from Britain. The pentatonic scale of Sudanese music contrasts sharply with the septatonic scale of Arabic music.
1 - 20 of 1601 Next › Last »
Showing 20 items per page
Apply to join this group