The Iron Curtain Diaries - 1989 2009 - 0 views
Charlie Beckett, POLIS Director » Blog Archive » The news from Iran: new research... - 1 views
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"Everybody likes to cite the Iranian protests as a great example of how the Internet and Social Media was able to bypass censorship and narrate a powerful, fast-shifting story to the world. But how much do we really know about what was happening online and how journalists outside of Iran connected to the Online information?"
melaniemcbride.net » "Authority" v. wikipedia (why teachers are picking the wrong fight) - 0 views
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"ast week, one of my media course (ed PD) classmates talked about the ongoing struggle to help students make sense of the flood of information online. She cited a negative experience with wikipedia, which resulted in an energetic exchange about the merits (and challenges) with open online content.
It's not about "authority" nor should it be
As a long time defender of the open web and open content, I wanted to point out that the educational bias towards "authoritative" or "received" sources, though relevant, is also highly political/ideological - especially in relation to emergent sources of knowledge (i.e., Open Content). Ideological in the contexts of: 1) who has access or control of the means of knowledge power and production 2) who endorses or authorizes those voices and 3) "what" forms are accepted as "valid"."
dispatches / War and Photography - 1 views
PhotoShelter integration plugins & themes for Wordpress - Graph Paper Press - 0 views
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"Now this is going to be fun….
We're excited to announce our first batch of Wordpress + PhotoShelter plugins that allow you to:
1. Integrate your PhotoShelter photos and galleries into your Graph Paper Press themes for Wordpress
2. Allow your visitors to search your PhotoShelter photos from your site's sidebar
3. Pull in your PhotoShelter gallery updates into your site's sidebar
If you are a photographer who uses PhotoShelter, these integration plugins will enable you to manage your portfolio, blog, and PhotoShelter photos and galleries all from one site. The combination of Wordpress, PhotoShelter and our themes and plugins will push your web presence into the future, allowing you to connect with clients, promote, sell and license your work all from one place."
How Bloggers can Prepare for the Future of Journalism - 0 views
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"Journalists everywhere are starting blogs and entering the next phase in the history of journalism. Whether you call it Journalism 2.0, or a shift in media consciousness. It's pretty clear, the game has completely transformed.
Transformation for the Better
As the future of journalism unfolds, we're beginning to see just how beneficial this shift is for the writers out there.
1. We can interact directly with our audience.
2. We can write for a small audience, about what we care about.
3. We can profit directly, and immediately, from our writing.
4. We can build a reputation for ourselves, outside of an institution.
The challenge is that journalists have to overcome a radical shift in thinking: whereas in the past we just concentrated in writing, and our business did all of our marketing and publishing. Us journalists of the future have to become a one-man journalistic machine. We have to take our writing from the idea to the audience all by ourselves.
In blogging, there are a lot of things you need to consider to hit that mark of success. Suddenly, it isn't as easy to just write and publish blog posts! Know these most important tasks you need to do for your blog:"
Global Voices Online » Israeli and Palestinian youth use video to understand the conflict - 0 views
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"Two different organizations in Israel and the Occupied Palestinian Territories are using video tools to help both Arabic and Jewish youth to understand the conflict and bridge gaps between them, creating spaces for interaction and communication where they can share their dreams, concerns and thoughts regarding the complex situation they live in."
Nieman Reports | Introduction - 0 views
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"There are times when technological change catches up with an idea. Now is such a moment, as social media transform how people receive and share news and information. Just a few years back the notion of journalism being a conversation, not a lecture, wasn't embraced widely in an industry content to transmit what reporters learned to audiences expected to consume it. Comfort with that notion grew as online comments and live chats assumed a role that Letters to the Editor once held on their own, albeit with greater anonymity and often less civility. Then, from the "audience" spilled forth blogs and photos, videos and tweets. Soon, the words "citizen" and "journalist" were joined in a marriage brokered by technology and nurtured by convenience as news organizations shed staff yet still needed to produce "content.""
Nieman Reports | A Photographer's Journey: From Newspapers to Social Media - 0 views
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interesting piece on how social networks helped build an audience for multimedia
"It used to be so simple: Whether I needed to make my way through a police roadblock or explain to curious neighbors why I was taking pictures on their block, barking just two words usually did the trick: "Daily News!" In one breath, the transaction was complete. I had told them something about the authority behind my presence, and at the same time let them know exactly where they'd find my photos-in the next day's paper.
I spent the better part of 17 years with the Philadelphia Daily News as a staff photographer and, eventually, the newsroom's first video journalist. Then, 10 months after taking a buyout, I found myself unable to respond to a local deli clerk's simple question: "What do you do for a living?""
Global Voices Online » Guyana: Outrage at Police Torture Allegations - 0 views
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"The Kaieteur News, one of Guyana's daily newspapers, is notorious for publishing explicit front-page photographs of crime scenes and murder victims, an editorial policy that has roused controversy in the past. But the gruesome photo and accompanying report that led the paper's edition of Saturday 31 October, 2009, triggered widespread outrage not at the Kaieteur News editors but at the Guyana Police Force:"
FoJ09 talk: Twitter as a system of ambient journalism « Reportr.net - 0 views
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"Twittering the News: The emergence of ambient journalism
My paper looks at new para-journalism forms such as micro-blogging as "awareness systems". For this I have drawn from literature on new communications technologies in computer science to suggest that these broad, asynchronous, lightweight and always-on systems are enabling citizens to maintain a mental model of news and events around them, giving rise to awareness systems that paper describes as ambient journalism."
Social Media for Storytellers - 0 views
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"A look at how social media can be used to extend stories and start conversations. For more visit http://WorkBookProject.com"
SAPE « Republic of the Congo - Pointe-Noire - 0 views
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Francesco Giusti lives and works in Rome, Italy. He recently won 1st Prize in the Viewbook Photostory competition for his documentary series, SAPE.
Of this series, he says, 'In Congo-Brazzaville SAPE is an old passion that has never stopped, not even during war years. At the arrival of the French in Congo at the beginning of 9oo, the myth of elegance was born among young people working for the settlers. In 1922, Andre Grenard Matsoua, well-known for his resistance to the settlers, was the first Congolese to come back from Paris well dressed like a true French "Monsieur", and greatly admired by all his fellow citizens.
The members of the SAPE take a touch of glamor into their humble environment with their refined style and faultless clothes. Everyone has his own repertory of gestures, marking him from all the others.
Exposure Time: Change Observer: Design Observer - 0 views
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"Unmasking Photo Opportunities, Cubistically
In a 1994 photograph we see U.S. soldiers invading Haiti, lying on the airport tarmac pointing their rifles at unseen enemies. The heroic image supports the claim of the U.S. government that it is invading to support democracy, liberating a neighboring country from a dictatorship.
The curious reader [of the future], however, might want to place the computer cursor on the image. Another photograph appears from beneath it; it is of the same scene but from another vantage point. U.S. soldiers are pointing their guns not at any potential enemy but at about a dozen photographers who, lined up in front of them, are photographing them. In fact, the photographers are the only ones doing any shooting."
Photojournalism's Coming Crisis | Newspaper Death Watch - 0 views
Camera Phone Images: How The London Bombings in 2005 Shaped the Form of News | gnovis - 0 views
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he media reported on the event using all possible information sources, including eyewitnesses and survivors. Unable to deploy professional photographers to the bombsites, the news outlets relied on user-generated content to tell the story. Within hours of the bombings, Flickr received hundreds of images of the attacks , and the BBC news website was flooded with mobile pictures.2 As the story unfolded, professional journalists and survivors on the ground converged to tell a tragic story of enormous political consequence. Images of burned out buses and darkened subways, taken by those directly affected by the bombs, were prominently displayed online and in print publications. Alexander Chadwick is one survivor whose iconic camera phone image became a headline story in the days following the London bombings. His image, selected among thousands, was published in popular news outlets including The Times and the BBC. The outgrowth of user-generated content made the London bombings a historic turning point in the news industry.
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To put the London bombing in context of another recent tragedy, the BBC received 35,000 e-mails in the aftermath of September 11th, but few photographs.3 During the London bombing over 1,000 images and 20 videos were sent into the newsroom on the first day.4 The London bombings happened in a converging world where online networks, changing social norms, and ubiquitous mobile devices upended traditional news- gathering techniques. As a result, victims of a tragedy became active participants in the news-making process.
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A watershed moment occurred in the journalism industry when the BBC and The New York Times published Chadwick’s image on their front pages. The pale yellow light that engulfed Chadwick deep inside the London Tube was reproduced and transmitted in the form of a digital photograph. The one-way interaction between readers and newsmakers, where journalists chose what their audiences consume, had ruptured,and the lines had blurred. Readers witnessed a crude but striking representation of what life was like moments after the explosion in the tube -- its rawness unmatched by professional images,and its authenticity compounded by Chadwick ‘having-been-there.’ His mobile photography became its own stand-alone news story in the days and weeks following the bombing. Fur years lfter this event, the mass media incorporates camera phone technology and citizen participation to break news every day. Who and what constitutes the news would never be the same after the London bombings.


This essay series, organized by the Center for Global Communication Studies (CGCS) at the Annenberg School, University of Pennsylvania, in cooperation with the Nieman Journalism Lab at Harvard University, seeks to examine these critical questions from a variety of perspectives, and encourage discussion and deliberation on what these changes mean for NGOs, traditional media outlets, news consumers, and society as a whole."