Even though the British Colonial Rule has damaged the roots of South Asian id in phrases of tradition, individuality and language, but character has its very own guidelines when it extracts excellent out of the worst. A London-born feminine artist arrived to blended India in 1939 following marrying a Desi man, Sheikh Ahmed and changing to Islam, and then never went back even right after her breakup with Mr. Ahmed. Professor Emeritus Anna Molka Ahmed, educated in Painting, Sculpture and Design and style from St. Martin College of Arts, London, was an enthusiastic and inspired artist who made a decision to create an artwork institution in Lahore and set the basis stone of the 'Department of Fine Art' in the Punjab College after letting no stone unturned. She started, administrated and set up that institution in early forties and opened the doorways that let the whole generation of art college students, specially of the new-born nation Pakistan, to enter and create as Zubeda Javed, Colin David, Zulqarnain Heyder, Dr Khalid mehmood, Aslam Minhas and many other people who, later became the torch bearers of tutorial foreseeable future of artwork and layout, equally at NCA and PU.
"I pass up her much more than actually..." A phrase uttered in Anna's honour by her own daughter may have emotional factor, but at the very same time, as it was explained on the eve of a e-book launching ceremony at NCA Auditorium, it forced the viewers to believe a little that why we have been lacking her thirteen a long time immediately after her demise.
Moreover, the launched e-book, on Anna Molka's daily life and perform, below a quite poetic and warm yellow title "the Sunlight Blazes the Colors by means of my Window" by Marjouri Hussain is only the 2nd energy on Anna right after a moderate account by Babar Ali. The Analysis and Publication Heart (RPC) of NCA has obtained full marks to set forth this kind of an hard work to memorize the founder of an art institution whom most of the modern generation pupils of artwork, are not acquainted with.
The ceremony started by Dr Durre Sameen Ahmed, Director RPC, when she thanked the individuals, presented the e-book briefly and invited the principal of NCA Ms Nazish Atta Ulla who delivered the welcome deal with. Up coming to the principal, was the ex-principal of the exact same institution, Salima Hashmi, who in a really reflective and story-telling fashion shared the sweet memories of her childhood characterized mainly by two non-Asian women, her mom Alice Faiz and Anna Molka. The smiling Salima with jokes with regards to Anna's troubles in knowing of Urdu language and mixing number of terms with each other made many to share that smile. She referred to Anna's unclear concepts for a 'Gadda' (a matress) with 'Gadha' (a donkey) eventually foremost to amusing expressions like "Place the donkey on the bed".
Zarrar Heyder Babri, whose paper was also an account of personal memories, which revolved about few words that Anna launched him to which cleared the consideration of daily life, in its true kind. "It is artwork that makes lifestyle worthwhile" Babri attributed this sentence as the essence of his attempts in attaining goals of existence in the field of artwork.
Professor Emeritus Anna Molka Ahmed, educated in Painting, Sculpture and Design and style from St. Martin College of Arts, London, was an enthusiastic and inspired artist who made a decision to create an artwork institution in Lahore and set the basis stone of the 'Department of Fine Art' in the Punjab College after letting no stone unturned. She started, administrated and set up that institution in early forties and opened the doorways that let the whole generation of art college students, specially of the new-born nation Pakistan, to enter and create as Zubeda Javed,
Colin David, Zulqarnain Heyder, Dr Khalid mehmood, Aslam Minhas and many other people who, later became the torch bearers of tutorial foreseeable future of artwork and layout, equally at NCA and PU.
"I pass up her much more than actually..."
A phrase uttered in Anna's honour by her own daughter may have emotional factor, but at the very same time, as it was explained on the eve of a e-book launching ceremony at NCA Auditorium, it forced the viewers to believe a little that why we have been lacking her thirteen a long time immediately after her demise.
Moreover, the launched e-book, on Anna Molka's daily life and perform, below a quite poetic and warm yellow title
"the Sunlight Blazes the Colors by means of my Window" by Marjouri Hussain
is only the 2nd energy on Anna right after a moderate account by Babar Ali.
The Analysis and Publication Heart (RPC) of NCA has obtained full marks to set forth this kind of an hard work to memorize the founder of an art institution whom most of the modern generation pupils of artwork, are not acquainted with.
The ceremony started by Dr Durre Sameen Ahmed, Director RPC, when she thanked the individuals, presented the e-book briefly and invited the principal of NCA Ms Nazish Atta Ulla who delivered the welcome deal with.
Up coming to the principal, was the ex-principal of the exact same institution, Salima Hashmi, who in a really reflective and story-telling fashion shared the sweet memories of her childhood characterized mainly by two non-Asian women, her mom Alice Faiz and Anna Molka. The smiling Salima with jokes with regards to Anna's troubles in knowing of Urdu language and mixing number of terms with each other made many to share that smile. She referred to Anna's unclear concepts for a 'Gadda' (a matress) with 'Gadha' (a donkey) eventually foremost to amusing expressions like "Place the donkey on the bed".
Zarrar Heyder Babri, whose paper was also an account of personal memories, which revolved about few words that Anna launched him to which cleared the consideration of daily life, in its true kind.
"It is artwork that makes lifestyle worthwhile" Babri attributed this sentence as the essence of his attempts in attaining goals of existence in the field of artwork.
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