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The author, Donald Harman Akenson, is a highly regarded historian, who has written extensively about the history of Judaism and Christianity. He is said to be the world's foremost authority on the Irish diaspora. In Some Family, he seeks to examine various systems of "genealogical narratives" throughout history and across cultures. His thesis seems to be that presently the system of genealogical recordkeeping selected by the LDS Church is becoming dominant. That's not such a surprising conclusion, but Akenson seems to warn against any one system dominating genealogy because any One Great Big System (as he would say) would fail to take into account the culturally-driven systems that otherwise exist. Akenson says that systems employed by genealogists must be consistent with "empirical, historical, and statistical reality."

Digital technologies and the Internet offer unprecedented opportunities for
the promotion, preservation, revitalization and protection of intangible cultural
heritage, such as traditional music, art, performances, symbols and designs.

Many valuable initiatives are using these new technologies to record, digitize
and disseminate databases of these traditional cultural expressions.

However, the digitization and wider dissemination of traditional cultural expressions
can lead to their misappropriation and misuse. For example, cultural heritage
safeguarding efforts have sometimes unwittingly led to the unauthorized commercial
exploitation of culturally sensitive materials.

As a result, indigenous organizations, museums and archives, and cultural researchers
have called for guidance on which IP issues and options arise during recording
and digitization initiatives.

In response, the WIPO Creative Heritage Project is developing best practices
and guidelines for managing IP issues when recording, digitizing and
disseminating intangible cultural heritage. The project also comprises:

• IT assistance, in the form of technical support for the recording
  and digitization of traditional cultural expressions, and the establishment
  of digital collections and websites; and
  
  
• the WIPO Creative Heritage Digital Gateway, through which samples
  of the world's diverse traditional cultural expressions can be experienced.