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Nele Noppe

Confessions of an Aca/Fan: Archives: Acafandom and Beyond: Week One, Part One (Anne Kus... - 0 views

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    As fan communities face members who see their positions as enlightened because of their "superior" knowledge--and as academic conferences, programs, and journals are flooded with people who see fan studies as a justification to make a living writing about their hobby without worrying so much about any critical intervention or generating compelling insights--it's perhaps no surprise that the term has "grown" to the point that people are now questioning whether its use has been stretched past usefulness.
Nele Noppe

Confessions of an Aca/Fan: Archives: From a Cyberspace of Their Own to Television 2.0: ... - 1 views

  • I haven't a clue why so little is written about humor. Having a background in sociolinguistics, I have a particular interest in language practices and in how things get said, not just in what gets said. Humor plays such an important role in the community making process, cutting across fan interactions and practices, including romantic and erotic talk.
  • As I argued in Cyberspaces, humor is bound up with class, gender and by extension race and ethnicity and nationality.
  • Due South with its American fan base was part of what Chris Barker calls reverse flow. In his 1999 book, Television, Globalization and Cultural Identities, he challenged the notion that the one-way flow of American programming to the rest of the world would lead to the homogenization of culture and the erasure of local and national identities. The more likely outcomes, he argued, were fragmentation and hybridization.
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  • Of course not all fans responded this way but even the well-meaning comments made in defense of David's actions served to erase his identity as a gay man. I described these fans as textual gamekeepers. Unlike the slash fiction writers who poach by queering the characters that have been written by the producers as straight, these fans "straightened out" the gay storylines. I bet there's a whole lot more textual gamekeeping going on in fandom that has yet to be uncovered.
Nele Noppe

Ian Bogost - Against Aca-Fandom - 1 views

  • But for the academic critic, I think the stakes are higher. One can like or dislike something, but we scholars, particularly of popular media, have a special obligation to explain something new about the works we discuss. There are plenty of fans of The Wire and Mad Men and Halo and World of Warcraft out there. The world doesn't really need any more of them. What it does need is skeptics, and the scholarly role is fundamentally one of skepticism.
  • While media scholars do not solely write about what we like, the prevalence of books focused on "quality television" shows that appeal to academics like Buffy the Vampire Slayer, The Sopranos, and now Mad Men—especially when compared to the lack of similar volumes or essays about more lowbrow or mainstream programs—suggests that taste is often more of a motivating factor for our scholarship than we admit. We should own up to our own fannish (or anti-fannish) tendencies regarding our objects of study, not regarding fan practices as something wholly separate from our academic endeavors by acknowledging how taste structures what we choose to write about.

    I'd push it further: the media scholar ought to resist aca-fandom, even as he or she embraces it. The fact that something feels pleasurable or enjoyable or good (or bad) need not be rejected, of course, but it ought to issue an itch, a discomfort. As media scholars, we ought to have self-doubt about the quality and benefit of the work we study. We ought to perform that hesitance often and in public, in order to weave a more complex web around media—not just to praise or blame particular works.

  • In this regard, I disagree with Jason when he says that "humanities scholars don't typically brand ourselves as fans of our objects of research." I think this is just plain wrong, and not just for pop-culture scholars. More often than not, humanists in general get into what they do precisely because they are head-over-heels in love with it, whether "it" be television, videogames, Shakespeare, Martin Heidegger, the medieval chanson de geste, the Greek lyric poem, or whatever else. Specialty humanities conferences are just fan conventions with more strangely-dressed attendees. Humanists are doe-eyed romantics, even as they are also snarly grouches.
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  • Embracing aca-fandom is a bad idea. Not because it's immoral or crude, but because it's too great a temptation. Those of us who make an enviable living being champions of media, particularly popular media, must also remain dissatisfied with them. We ought to challenge not only ourselves, our colleagues, and our students—but also the public and the creators of our chosen media. We ought not to be satisfied. That's the price of getting to make a living studying television, or videogames, or even Shakespeare.
Nele Noppe

popblog: Sex in Polish Sci-Fi Fan Fiction - Part II - 0 views

  • The goal of the study is to determine whether Polish sci-fi fan fiction is promiscuous or puritan. To what extent are fannish creations sexual – do fans write erotica?
  • When considering the topic in more detail one should begin with paying attention to a problem I have mentioned previously - the inability of Polish fans to describe what they created. As I have signaled fan fiction is not labeled in any way and Polish fans are not aware of the existence of specific terminology that would allow them to put their writing in order. Of course because of the specific history of Polish fandom we cannot apply Western rules to Polish fans. It is not my purpose then to compare different regions.
  • Does this indicate that Polish fans are puritan? Although an analysis of terminology is a good starting point it is definitely too soon to establish this. One cannot say anything about sex in fan fiction in Poland only on the basis of terms, especially because a comparison to Western fans is not recommended.
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  • 44,6 per cent of respondents have ever encountered erotic stories. This confirms that although in minority sexual sci-fi fan fiction exists.
  • Only 12,5 per cent of fans indicated that sex is the core of fannish fiction.
  • Results from Table 6 confirm this premise. Only 13 fans “strongly agree” or “agree” that fan fiction is highly erotic while 65 “disagree” or “strongly disagree”. 30,5 per cent of fans reject the possibility that fan fiction contains a lot of sex.
  • I have examined 51 stories
  • only few are sexual. One will not find any fan fiction that is solely erotic (“pwp”), which depicts sex without describing action or focusing on character development. Erotic scenes very often are just an extension of main plot. To sum up, in the case of Polish sci-fi fan fiction we are dealing with puritans rather than promiscuous fans. Erotica is rare, and although we can encounter stories that are sexual, they are in minority
  • What about homosexual fan fiction? Does it exist at all? Out of 50 fans that encountered erotic fan fiction, 22 did read Polish fan fiction that described sex between homosexuals (gay or lesbian).
  • Most writers of erotica are between 21 and 25 years of age. In fact there is only one fan who is less than 16. It is not true that erotic fan fiction is written mainly by men (that was a general tendency). 58,4 per cent of erotic fiction writers are females
  • One is obliged to say though that despite being puritans Polish fans are tolerant and open. For example they disagree that only heterosexual sex is accepted. They disagree even though they do not believe sexual content is an important part of fan fiction. It may be the case that they have the potential to become promiscuous. Who knows? Maybe some time from now Polish fans will become more sexual
Nele Noppe

popblog: Sex in Polish Sci-Fi Fan Fiction - Part I - 0 views

  • Polish fans do not use LiveJournal
  • Blogging is not very popular (yet?)
  • Polish fans still use Bulletin Boards, in fact their popularity increases and nothing predicts their demise.
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  • Stories are not categorized, they just come in turn, they are not labeled in any way so it is almost impossible to tell what the fiction is about without reading it.
  • promiscuous or puritan
  • One hundred and twelve fans
  • females
  • The most probable explanation might be that fans believe writing fan fiction in order to be a real fan is unnecessary. Non-writers’ experience is not poorer than writers’
  • Fans frequently underlined the need to “expand” the universe, to show scenes producers have not included in official productions, to change something according to their likings, to “be a part of” the universe, to have fun, to intensify the reception and pleasures stemming from it, to improve writing techniques, to build up prestige in fan community, to interest others (non-fans) with the universe they like, to express their worldview or emotions, to show the world their talents, to fulfill their needs of creativity.
  • of a problem that occurs within Polish fandom – the inability to distinguish between different genres of fan fiction and ignorance of terminology used by Western fans.
  • 69 out of 112 respondents confessed that they wrote fan fiction at least once in a lifetime.
  • It is evident that more men than women and that more young people (from 16 to 25) are penchant for creating fan fiction. It is worth noticing that fans’ assumptions about proportions of men and women who write fan fiction do not tally with an actual state.
Nele Noppe

Sandvoss, Cornel. Fans: The Mirror of Consumption. Cambridge: Polity, 2005. - 0 views

  • The extensive theoretical background and literature review he provided is surely invaluable...despite his somewhat morally questionable, cannibalistic poaching of everyone elses' empirical legwork (not to mention self-congratulatory use of his own prior research).
Nele Noppe

When I Became a Mom I Put Away Childish Things | Geek Feminism Blog - 0 views

  • And even as a convergence culture encourages and invited media property holders to create and engage fans, such behavior remains generally perceived as ridiculous, embarrassing, and often hidden–unless it revolves around more masculine exploits such as sports teams, of course. Fantasy football and wearing team colors are acceptable behaviors where fanfic and wearing Hogwarts uniforms are not.
  • Not only are traditionally female fan objects and fan engagements devalued, the very gender identity of the fan thus becomes problematic: reading done in private by women is a selfish and time-wasting activity, and fannish investment is a selfish and time-wasting squandering of emotion. Mothers, however, are meant to focus their activities and emotions on one target only: their family.
  • So what is it then that makes a fannish mom such a threat, such an offense? Fannish practices are a focus away from the children, from a mother’s duty to put her home, husband, and family first rather than to indulge herself, both literally and metaphorically.
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  • But that’s not the end of the fannish mom’s depravity: media fandom in particular often engages women’s sexuality with its erotic writings, explicit imagery, and frank discussion of nonstandard desires. As such, it not only juxtaposes the selfless mom identity against the selfish fan identity, but also juxtaposes the sexless madonna against the perverse whore.
  • Within fandom the geek hierarchy is alive and well: who doesn’t like to think of those folks weirder than ourselves–and if noone’s left, we still have the furries! That many fans themselves seem to think of their hobby as the opposite of life is certainly noteworthy, but the insult is often modified into terms of age, becoming “Don’t you have better things to do as a grown up. My parents would never sit and discuss a TV show online.” Likewise, there’s an expectation among many younger fans that they themselves will eventually “grow up” and leave fandom. Adulthood is in this context seen as fandom’s antithesis, and parenthood is often the ultimate marker of adult status.
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    And even as a convergence culture encourages and invited media property holders to create and engage fans, such behavior remains generally perceived as ridiculous, embarrassing, and often hidden-unless it revolves around more masculine exploits such as sports teams, of course. Fantasy football and wearing team colors are acceptable behaviors where fanfic and wearing Hogwarts uniforms are not.
Nele Noppe

cupidsbow: "Let me show you my fannish entitlement" by cupidsbow - 0 views

  • What I'm wondering is: why do those opinions need to be justified with srs bzns??? I'm not arguing that there's anything wrong with serious debate, but why can't fans hold strong, emotional opinions without an accusation of entitlement (or hysteria, or whatever othering word is in vogue today) being made?

    While I'm not condoning harassment of show creators, I do wonder why it's entitled to express shock and dismay over a text, or behaviour, or trends within these shows, particularly if they were designed to shock and/or dismay. Are we meant to feel it, but not speak of it? I also wonder why our performance of fandom, in all its inconsistency, lapses of judgement, sudden passions, genuine resistances, porn, critique and everything else, is a type of entitlement. Isn't this *makes a swirly hand gesture taking in all the complexity*, in fact, fandom in its very essence?
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    "What I'm wondering is: why do those opinions need to be justified with srs bzns??? I'm not arguing that there's anything wrong with serious debate, but why can't fans hold strong, emotional opinions without an accusation of entitlement (or hysteria, or whatever othering word is in vogue today) being made?

    While I'm not condoning harassment of show creators, I do wonder why it's entitled to express shock and dismay over a text, or behaviour, or trends within these shows, particularly if they were designed to shock and/or dismay. Are we meant to feel it, but not speak of it? I also wonder why our performance of fandom, in all its inconsistency, lapses of judgement, sudden passions, genuine resistances, porn, critique and everything else, is a type of entitlement. Isn't this *makes a swirly hand gesture taking in all the complexity*, in fact, fandom in its very essence?"
Nele Noppe

esorlehcar: laurashapiro has an interesting post on - 0 views

  • A friend recently commented that she sometimes misses the days when fandom seemed like this shiny, egalitarian place where issues surrounding race (and gender, to a lesser extent) just didn't exist and she didn't realize it was an illusion courtesy of her own privilege, and it struck me how telling a comment that was: For a whole lot of people, the anger that their fandoms are being "polluted" or "ruined" by this kind of discussion stems from a deep-seated conviction that these problems didn't exist in fandom before some troublemakers started talking about them, and they view the people talking about them as the instigators of the problems rather the people who have been hurt by them or seen others hurt by them speaking up to say, "This is wrong, and it's something fandom collectively needs to work on."
Nele Noppe

Guestpost: Kristina Busse on academics, fans, and the fuzzy line between « Fa... - 0 views

  • In other words, being a good academic may be important to other academics but not necessarily to other fans.
  • We thus face a dilemma: how can we respect and encourage the academic aspects of fan writing while still maintain fan meta as a distinct and separate discourse.
Nele Noppe

Fandom Involvement: Just some musings - 0 views

  • Reading is active participation; whether we realize it or not, our mind is engaging with the text. Choosing not to comment does not constitute passive participation. These readers have watched/read/listened to the source text (text in the broad sense) and actively sough out more for some reason or another.
  • Whoa! There is no passive involvement in fandom!
  • There's a part of me that is really annoyed by "reading deeply." That whole school mentality. Sometimes, when an author describes red shoes, they just mean read shoes - not a journey, not separation from the womb, just SHOES. And, since it is fandom, I like to enjoy it on a superficial level. If it's for fun, I don't want to have to really think about it. Lazy.

    I can understand that. Though, my first though is that the author might have just meant "red shoes" but the reader brings more meaning than just that.
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  • the author might have just meant "red shoes" but the reader brings more meaning than just that.
  • a writer is not fully in control of his/her reading, a reader brings new and different meanings to a reading, and culture and canon do the same
  • I love how half of fandom dies down for a month or two when it is time for college finals (not because everyone in fandom is a student but because half of fandom is grading papers).
  • I think for some of us, it's fun to take it seriously. I have a hard time just...relaxing and having fun with anything, though.
  • Once upon a time, being a fan was fun. And now there's fandom drama and politics and fansite mergers and splitaways and people being mad at each other and blackmailing and lawsuits and all sorts of fandomwank and some of that fun is no longer there, but at the same time it's so much more... meaningful. And it builds character.
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    "...the author might have just meant "red shoes" but the reader brings more meaning than just that."
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