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Jasmijn De Wilde

Free Culture - 0 views

  • This is the phenomenon of doujinshi. Doujinshi are also comics, but they are a kind of copycat comic. A rich ethic governs the creation of doujinshi. It is not doujinshi if it is just a copy; the artist must make a contribution to the art he copies, by transforming it either subtly or significantly. A doujinshi comic can thus take a mainstream comic and develop it differently - with a different story line. Or the comic can keep the character in character but change its look slightly. There is no formula for what makes the doujinshi sufficiently "different." But they must be different if they are to be considered true doujinshi. Indeed, there are committees that review doujinshi for inclusion within shows and reject any copycat comic that is merely a copy.
Jasmijn De Wilde

An Introduction to Copyright - 0 views

  • Also, interestingly enough, different countries treat copyright enforcement differently. In Japan, for example, a thriving manga (comics) industry exists. Manga in Japan is different in some ways than manga in the US. It has a much broader audience across a wide age spectrum. However, Japan also has a thriving doujinshi industry. Doujinshi are essentially "fan created" comics, and a very large number of them are considered derivative works. The doujinshi industry is open and huge, and most manga stores also sell doujinshi, with no stigma, with the full knowledge of the creators. It's a commonly expressed belief that the doujinshi industry can help the sale of the original works. When in Tokyo my wife and I stopped at several stores, and one manga store near Akihabara had two floors dedicated to manga, and four floors that sold only doujinshi.


    An odd thing is that Japan, in many ways, has much stricter copyright law than in the US. I was glad to see Lawrence Lessig write about the doujinshi industry in his latest book, Free Culture. However, he attributes the thriving doujinshi industry to one element in particular: the scarcity of lawyers.

Nele Noppe

Regulating the Fringe: Waisetsu (Obscenity) Rules Doujinshi? - 0 views

  • Doujinshi arrests are based on three major dimensions: copyright, taxation and obscene expression.
Nele Noppe

Neighbors: Artist draws acclaim with 'manga' creations - 0 views

  • That was the case when she dabbled in Fan Manga, which is a fan-drawn comic using existing characters but with newly created storylines. She had entered her work into a National Fan Manga contest that required her to use a manga called "Black Sun Silver Moon." Soon after she entered, she heard from the contest sponsors, TheOtaku.com and the go!comi publishers, that she was one of 15 finalists. Guests at the New York Anime Festival voted on their choices -- and at the ending ceremonies, she discovered her work had won.

    "My fan manga will be published in the back of the actual manga 'Black Sun Silver Moon,' which is every manga fan's dream: to be published in a real one," she says. "I haven't gotten word which issue it will be published in but go!comi said they'd let me know."

Nele Noppe

How doujinshi will take over the world (or not) - 0 views

  • First, doujinshi are not commercial products, and this is one of the most important distinctions that allows its very existence. 
  • Many doujinshi conventions (Comiket included) require doujin circles to provide print run information, and enforces a cap.  Quite simply, there aren’t enough books to export en mass. 
  • This is also why doujinshi has continued to grow while other media like manga, anime, and music have suffered with the advent of peer to peer trading on the internet…the doujinshi market is a collector’s market, where the physical book itself is highly valued
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  • that’s not to say that doujinshi isn’t profitable…a few artists never “go pro” because they make quite a healthy living on their doujinshi,
  • The much better road for the American manga industry and fans to take is not to import doujinshi, but to import the doujinshi ideal and ethics, and foster a domestic doujinshi community of our own.  This road is beset by its own share of hurdles, though, and they have very deep roots.
  • While fanzines and fanfiction have been around in the U.S., we have nothing even close to the doujinshi scene in Japan, because of American corporate mentality which values “perpetual properties” instead of new creations, and these properties are guarded visciously.
  • in America properties are created and owned by the corporation.
  • They simply have no reason to support budding artists in such a way, when their raison detre are still characters created decades ago.  Fan comics are not seen as extending the life of a property, but as competition. 
  • The truth is a significant portion of Japanese doujinshi are erotic works, many based on children’s shows.  It isn’t hard to imagine the kind of moral outrage most doujinshi would illicit. 
  • American manga companies need to take a hard look at doujinshi in Japan and understand its benefits, and readers and artists should take a stand because this is an opportunity for the status of the creator to take precedence over the corporation.
Nele Noppe

deviantART - 0 views

  • Nele Noppe
     
    Enorme site waar mensen hun eigen kunstwerken kunnen uploaden Hier vind je grote hoeveelheden fanart.
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