Welcome to the Geraldine R Dodge Foundations YouTube channel where you can see video highlights from past. Dodge Foundation Poetry Festivals, some of which have been featured on PBS. Over the years a remarkable group of poets from around the world has read to enthusiastic audiences and discussed a broad range of topics related to poetry. These topics have included: the life of the artist, the nature of the art, and poetrys relation to many other aspects of life ― from politics, class, and race to spirituality and the environment.
Welcome to Poetry Out Loud: National Recitation Contest. Created by the National Endowment for the Arts and the Poetry Foundation, Poetry Out Loud is administered in partnership with the State Arts Agencies of all 50 states and the District of Columbia.
By encouraging high school students to memorize and perform great poems, Poetry Out Loud invites the dynamic aspects of slam poetry, spoken word, and theater into the English class. This exciting new program, which began in 2005, helps students master public speaking skills, build self-confidence, and learn about their literary heritage.
We don't know if tomorrow has green pastures in mind for us to lie down in beside the ever-youthful patter of fresh water or if it means to plant us in some arid outback ugly valley of the shadow where dayspring's lost for good, interred beneath a lifetime of mistakes....
The Berlin internationally Literature festival is appealing for A worldwide reading OF Mahmoud Darwish s poetry on 5 October 2008. The of activities accompanying this event acres designed emergency only tons honour the poet s body OF work but thus his commitment tons promoting peaceful and fair coexistence between Arabs and Israeli. This appeal is directed RK cultural institution, radio station, schools, universities, theatres and all other Darwish enthusiasts the world more over.
The sky leaves every possibility wide open, its wraparound screen receptive to any scene unfolding on its surface: constellations fluttering in cosmic gales, planes plying trade routes across continents, shooting stars detached like retinas, sun rays adding decorative motifs. Primed with a wash of nothingness, it can stretch its flexible canvas as far as distance permits, vanishing point infinitely elusive.
Mark Halliday: I'm slightly embarrassed by how long it took me to get serious as a poet. I reached nearly the end of my twenties without committing myself to writing the best poems I could write, by which I mean poems that tried hard to express my deepest complexes of feeling and perception. Some poets seem to grow up in this way by the age of 25, or even younger. But I spent most of my twenties being very energetic and prolific, but only half-serious.
The factory is gone, the presses with it, the workers-of course-, even the rats. All that's left are these few words without rhythm or breath, fading now before your eyes.
I can imagine someone who found these fields unbearable, who climbed the hillside in the heat, cursing the dust, cracking the brittle weeds underfoot, wishing a few more trees for shade.