STRONG AND WEAK VERBS - 0 views
-
Clay Burell on 28 Mar 07Good exercise at end: simply underline all "to be" and "to have" usages in your draft, and decide how many you can improve.
We’ve been talking about how to write in the business world. Here’s my starting point:
"Short sentences, short paragraphs, active verbs, authenticity, compression, clarity and immediacy."
Recognise this? It’s Ernest Hemingway. It’s the first thing he was taught as a young reporter on the Kansas City Star. He later said: "Those were the best rules I ever learned for the business of writing. I've never forgotten them."
It’s easy to forget ourselves that when Hemingway was writing like this it was near-revolutionary. This style of writing is almost commonplace today. He did away with all the florid prose of the Victorian era and replaced it with a lean, clear prose based on action rather than reflection.
Nowadays if people ask me to recommend a book on business writing, I give them a copy of The Old Man and the Sea. Just 100 pages. Not a word is wasted. It’s written for a 12-year-old and yet it won Hemingway the Nobel Prize.
Communicators in business can learn a lot from Hemingway.
Like all parts of speech, verbs are strongest when
they are precise and concrete. For verbs, "concrete" is the quality
of expressing real movement in the real world--or in fiction, the
world we accept as real. In other words, strong verbs tell us
exactly what is done and that is a real action.
Verbs have a natural hierarchy, from strongest to weakest:
The strongest verbs express actions in the real
world. The weaker verbs express less real-world action. At the
bottom are the being verbs which express either no action or very
little.
As an exercise, revise a couple of pages (about
500 words) of your writing so that verbs which are not already
doing or saying verbs are raised at least one level in the
hierarchy wherever this is possible.